Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire
The Flipside Of Dominic Hide: Peter Firth is the eponymous hero of this double BANFF winner an entertaining tale of time travel romance comedy and suspense flipping between 2130 and 1980 with an ingenious twist in the tail. Another Flip For Dominic: A sequel to the outstandingly successful Flipside of Dominick Hide. Peter Firth is a time-traveller from the year 2132 visiting London 1982 and coming face to face with his past.
In medieval Europe aging Countess Elisabeth rules harshly with the help of lover Captain Dobi. Finding that washing in the blood of young girls makes her young again she gets Dobi to start abducting likely candidates. The Countess - pretending to be her own daughter - starts dallying with a younger man much to Dobi's annoyance. The disappearances cause mounting terror locally and when she finds out that only the blood of a virgin does the job Dobi is sent out again with a more difficult task.
Musical movie featuring Irving Berlin songs. Screenplay by Sidney Sheldon original story by Frances Goodrich and Albert Hackett.
On the heels of the bloody escape from the House of Batiatus that concluded Spartacus: Blood and Sand, the gladiator rebellion continues and begins to strike fear into the heart of the Roman Republic in Spartacus: Vengeance. Gaius Claudius Glaber and his Roman troops are sent to Capua to crush the growing band of freed slaves that Spartacus leads before it can inflict further damage. Spartacus is presented the choice of satisfying his personal need for vengeance against the man that condemned his wife to slavery and eventual death or making the larger sacrifices necessary to keep his budding army from breaking apart. Containing all of the blood-soaked action, exotic sexuality, and villainy and heroism that has come to distinguish the series, the tale of Spartacus resumes in epic fashion.
Translating Rowan Atkinson's Mr Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. The eponymous Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an LA museum, but Bean's famously eccentric behaviour soon causes the poor guy to almost lose his family and job. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh
Long before The Full Monty there was this lovely fish-out-of-water comedy by deft Scots writer-director Bill Forsyth (Gregory's Girl). Set in the 1980s during a period of controversy over North Sea oil drilling, Local Hero follows a likeable, woolly American junior executive (Peter Riegert) dispatched from Texas by his blustering boss (a high-spirited Burt Lancaster) to a small fishing village on the coast of Scotland for the purpose of swindling the presumably simple-minded locals out of their drilling rights. The surprise isn't that the villagers turn the tables on the American schemers, but that they do so without displaying a hint of malice. They get a kick out of flummoxing the city slickers. Even Lancaster's greed-head Felix Happer eventually has a change of heart. In outline, this may sound more ordinary than it feels as you're watching it. The fine young British actor Denis Lawson, who had a tiny role as one of the fighter pilots in Star Wars plays Riegert's UK contact, Gordon Urquhart, a sad sack with a noble soul. --David Chute
The House of Batiatus is on the rise, basking in the glow of its infamous champion Gannicus, whose skill with a sword is matched only by his thirst for wine and women. These are the times a young Batiatus has been waiting for. Poised to overthrow his father and take control, he’ll freely betray anyone to ensure his gladiators are in the highest demand. And he’ll have his loyal and calculating wife Lucretia by his side for every underhanded scheme, drawing on the brazen talents of her seductive friend Gaia when it counts. Together, they will stop at nothing to deceive the masses, seize power, and bleed Capua dry in this audacious prequel to “Spartacus: Blood and Sand.
First time on DVD! Re-elected to the House of Commons, Labour Party member Johnnie Byrne suffers two setbacks: he fails to receive a Cabinet post, and his wife, a Communist, leaves him. The professional failure disturbs Johnnie and he is persuaded to join a left-wing splinter group bent on harassing the prime minister. One evening, Johnnie's neighbour, who is in love with him, takes him to a party where he meets model Pauline. After a few dates, Johnnie is desperately in love with her and fails to appear in Parliament on the day he is scheduled to ask a crucial question to discredit the government. Pauline, decides that marrying a man twice her age is too great a risk, and leaves London. Johnnie is then summoned to a meeting of his constituents who attack him for his neglect. Failing to win back Pauline, Johnnie receives a surprise offer from his wife suggesting they try again. Johnnie is inclined to accept her offer, but the prime minister offers him a Cabinet post with the stipulation that he remain apart from his Communist wife, Johnnie decides against the reconciliation. Alone and without love or friends, he occupies one of the front seats reserved for Cabinet members. Is it all really worth it? Based on the best-selling novel of the same name by Wilfred FienburghPeter Finch won Best British Actor BAFTA in 1962.
Roman Polanski adapted Thomas Hardy's novel Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory. --Tom Keogh
On the heels of the bloody escape from the House of Batiatus that concluded Spartacus: Blood and Sand, the gladiator rebellion continues and begins to strike fear into the heart of the Roman Republic in Spartacus: Vengeance. Gaius Claudius Glaber and his Roman troops are sent to Capua to crush the growing band of freed slaves that Spartacus leads before it can inflict further damage. Spartacus is presented the choice of satisfying his personal need for vengeance against the man that condemned his wife to slavery and eventual death or making the larger sacrifices necessary to keep his budding army from breaking apart. Containing all of the blood-soaked action, exotic sexuality, and villainy and heroism that has come to distinguish the series, the tale of Spartacus resumes in epic fashion.
Titles Comprise: Second Chorus stars Fred Astaire Burgess Meredith Paulette Goddard Artie Shaw and Charles Butterworth with music by Artie Shaw Bernie Hanighen Hal Borne and lyrics by Johnny Mercer. Danny (Astaire) and Hank (Meredith) are surprised when Artie Shaw hires competent manager Ellen (Goddard) away from their college band. The two trumpet players scheme to get into Shaw's band themselves each trying to trump the other's plays. Featured songs & dance routines include: Sugar Everything's Jumping I Ain't Hep To That Step But I'll Dig It Sweet Sue Love Of My Life Russian Caf Number Poor Mr. Chisholm Concerto For Clarinet Hoe Down The Bayou.
Judy Holliday stars as Gladys Glover a young woman who wants to make a name for herself so she rents a billboard on Columbus Circle and advertises her name. When a wealthy soap manufacturer tries to wrestle the billboard away from Gladys he finds himself falling in love with her. Can an aspiring model find happiness on a billboard?
Nowadays, the word "event" is thrown around all too often when describing television programmes, but back in 1983 the debut of V: The Mini Series was a television event in the truest sense. The appearance of gigantic flying saucers over the world's largest cities heralds the arrival of aliens from a distant galaxy who look human and act benevolently. Of course, things aren't exactly what they seem, and when some suspicious humans start to question the visitors' intentions they uncover a vast alien conspiracy, along with some unusual culinary habits. Soon, the visitors have enslaved the Earth under their fascist rule, and small groups of human rebels are forced underground to fight for the freedom of their entire species. But with the future of the planet still in question the epic story comes to an abrupt end, forcing the viewer to wait for the resolution in V: The Final Battle and the on-going series. That's not to say that the original V isn't worth the price of admission: in over three hours, it manages to capture the spirit of the great classic science fiction of the 1950s and 60s. The feeling of paranoia and insecurity that runs throughout the whole thing makes it feel, at times, like an expanded episode of The Twilight Zone, only shinier (hey, it was the 1980s). The special effects were impressive for their day, inspiring similarly themed films in the 90s (the gigantic flying saucers were seen again in Independence Day, and the storage area of the mothership turns up in The X Files Movie and The Matrix). What does irritate, however, is the utter lack of subtlety in the allegorical storyline. In fact, it could only have been made more obvious by demanding that the entire cast wear "This is how it was in 1930s' Germany" t-shirts. But if V occasionally doesn't live up to its own high standards, it's still a remarkably high-quality slice of epic television drama. On the DVD: The picture is an impressive widescreen 1.85:1 ratio and the soundtrack is adequate Dolby stereo. The DVD boasts a feature-length commentary by writer and director Kenneth Johnson, as well as a 25-minute "Behind the Scenes" documentary. --Robert Burrow
Gwyneth Paltrow and Jude Law play an intrepid reporter and ace aviator determined to stop an evil mastermind behind a plot to destroy the earth.
Ice Age Seemingly anti-social Manny a woolly mammoth (voiced by Ray Romano) acts as if he just wants to be left alone. When he meets Sid (voiced by John Leguizamo) a sloth the two become unlikely traveling companions. The plot thickens when the duo finds a human infant and decides to try to return the child to its herd. Manny slowly but surely reveals his heart of gold while Sid continues to provide comic relief. Diego (voiced by Denis Leary) a saber-tooth tiger with ulterior motives soon joins them in their search for the humans. Ultimately this group of misfits becomes its own herd learning about friendship and loyalty as they brave snow ice freezing temperatures predators hail and even boiling lava pits. All the while a saber-tooth squirrel Scrat provides comic relief as he valiantly struggles with an acorn. Chicken Run Trouble is brewing down on Mrs Tweedy's poultry farm: the chickens are revolting (yes that old chestnut) and clucky hen Ginger (voiced by Julia Sawalha) is planning her latest coop um coup. Getting one or two birds out of the farm is no problem whatsoever. Unfortunately Ginger plans to get everyone out at the same time and when one of the would-be escapees happens to be kind-hearted but bird-brained Babs (Jane Horrocks) Ginger is fighting a losing battle. Home Alone Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Mrs Doubtfire How far would an ordinary father go to spend more time with his children? Daniel Hillard (Robin Williams) is no ordinary father so when he learns his ex-wife (Sally Field) needs a housekeeper he applies for the job. With the perfect wig a little makeup and a dress for all occasions he becomes Mrs Doubtfire a devoted British housekeeper who is hired on the spot. James And The Giant Peach James Henry Trotter a lonely orphan is sent to live with horribly wicked Aunts Spiker and Sponge. He escapes his aunts by climbing inside a giant peach from were he embarks on a series of wildly imaginative adventures.
Gordon Dunn (Martin Donovan), a visionary scientific pioneer, is found dead shortly after he unveils his newest work: a device able to extract, record, and play a person's memories. Soon, a mysterious man (Peter Dinklage) shows up at his widow's door, claiming to be a friend of her late husband. After stealing the machine from the house, the man uses it to try and solve the mystery of Gordon's death, beginning an investigation of memories that lead him to unexpected and dangerous places. Features: Audio Commentary with Writer/Director Mark Palansky and Actor Peter Dinklage. The Memories We Keep.
The Salem witch hunts are given a new and nasty perspective when a vengeful teenage girl uses superstition and repression to her advantage, creating a killing machine that becomes a force unto itself. Pulsating with seductive energy, this provocative drama is as visually arresting as it is intellectually engrossing. Arthur Miller based his classic 1953 play on the actual Salem witch trials of 1692, creating what has since become a durable fixture of school drama courses. It may look like a historical drama but Miller also meant the work as a parable for the misery created by the McCarthy anti-Communist hearings of the 1950s. This searing version of his drama delves into matters of conscience with concise accuracy and emotional honesty. Three passionate cheers for Miller, director Nicholas Hytner and costars Daniel Day-Lewis and Winona Ryder. --Rochelle O'Gorman
This faithful adaptation of Anna Sewell's children's classics tells the adventures of a young boy and a spirited horse. Beginning life on a country estate the young colt Beauty is given away to cruel squire Sam Greene when he takes possession of the farm on which he lived. The horse then starts on a adventurous journey where he experiences the best and worst in human nature before finally being reunited with the boy who was his first friend. This is a classic and beautiful adaptation which the whole family will enjoy.
It's December 1969 in Watford England and Jeremy Sloane (Nick Frost) is at the end of his rope - literally. His failed attempt to end it all has just joined a growing list of recent setbacks which include getting sacked from his accounting job and a separation from his wife Janet (Olivia Colman) who has left to 'find herself.' The one remaining constant in his life are his evenings at the pub with childhood mates Ross (Peter Serafinowicz) Reggie (Brendan Patricks) and Beans (Lawry Lewin). While the gang makes plans for the approaching decade Sloane simply longs for employment and the return of his wife. Although a part - time job as a supply teacher goes ludicrously wrong Sloane may luck out romantically due to a chance encounter at a hardware shop with a free-spirited young American woman called Robin (Ophelia Lovibond) who might just help Sloane get his life back on track as the new decade approaches. By turns hilarious and heart-breaking Mr. Sloane is an everyman muddling through the human comedy as best he can learning lessons about love longing and loyalty along the way.
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