Chitty Chitty Bang Bang from the book by Bond creator Ian Fleming and adapted for the screen by Roald Dahl is the wonderful family film starring Dick Van Dyke as Caractacus Potts an eccentric inventor who designs an extraordinary car that not only drives but flies and floats. Along with his two children Jemima (Heather Ripley) and Jeremy (Adrian Hall) and the beautiful Truly Scrumptious (Sally Ann Howes) Caractacus and Chitty lead everyone into a magical world of pirates castles and endless adventure. With a fantastic cast including Benny Hill Gert Frobe Barbara Windsor Lionel Jeffries and Anna Quayle and timeless tunes such as the Oscar nominated title song ""Truly Scrumptious "" ""Toot Sweets "" Me Ol' Bamboo "" ""Posh"" and ""Chu-Chi Face "" 'Chitty Chitty Bang Bang' sounds and looks better than ever!
Margaret Lockwood, one of British cinema s greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of Yorkshire Television s classic legal drama The Main Chance. Intuitive, adept and deeply conscientious, Harriet Peterson possesses a steely determination and the necessary tenacity to fight for her clients. But she is not infallible and a turbulent personal life occasionally spills over into her professional life as she takes on a range of cases, from child custody battles to murder, medical negligence to treason. This first series sees Harriet making the move from the north of England to London. Executive producer Peter Willes marshalled key members of the Main Chance team, including legal consultant John Batt and writer Edmund Ward, to create a rigorously researched and compelling courtroom drama. This set comprises both Justice and the single Screenplay drama which preceded it, Justice Is a Woman also starring Lockwood as Julia Stanford, a barrister who, convinced of her client s innocence, defends a young man accused of rape and murder
1940. A vital British convoy is crossing the Pacific, escorted by a cruiser squadron under the command of Captain Richard Saville (Michael Rennie). When a powerful German raider, the Essen, is sighted in the area, Seville despatches his cruisers to attack and destroy the Nazi warship before it can decimate the convoy. The resulting sea battle is brutal and devastating for both sides...When the badly damaged German raider slips into a tropical lagoon for repairs, an escaped Canadian POW (Jeffrey Hunter) makes a desperate bid for freedom. Armed only with raw courage and a sniper rifle, he must pin down the entire warship and its crew in the lagoon until the British fleet arrives...As Saville leads his squadron in a desperate race against time to find and destroy the Essen, neither man has any idea of the strange of twist of fate that connects them both...
Made in 1978, Carry On Emmannuelle was really the last gasp of the most fondly regarded series of British comedy films. In most respects, it hardly does justice to the many truly funny and brilliantly played previous scripts. But it does feature a curiously vulnerable, even touching, performance from Kenneth Williams as a French diplomat with a wife of insatiable physical appetites. In theory, of course, it aims to be a pastiche of the hugely popular Emmanuelle, which had marked the transition of soft-core erotic cinema into the art house. But it's too crudely scripted and lacking in the belly laugh inducing innuendo of the best Carry On films to succeed on that level. "Are you hungry, Loins?" Emmannuelle asks the chauffeur. "I think I could manage a little nibble," he replies. You get the idea. In the title role, Suzanne Danielle, who would go on to be the best of the Princess Diana impersonators, isn't a good enough comic actress to raise such lines above the ordinary. And the few stalwarts who returned for this outing--Joan Sims, Kenneth Connor and Peter Butterworth--just about emerge with their dignity intact. This was a Carry On too far. But fans will want it for their collection because it shows Kenneth Williams at his most professionally committed--his diaries reveal his real thoughts on the matter--and to remind themselves of the high quality of so much of the work which had gone before.On the DVD: presented in 4:3 format and with a standard mono soundtrack, this release of Carry On Emmannuelle starts off with a print of such ropey quality that you seem to be watching through a dust storm. The sound quality is little better, although on both counts things improve as the film progresses. The lack of extras is disappointing, adding to the rather sad, low-budget feel of the film itself. --Piers Ford
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