Nicolas Cage and Christian Slater star in the new film from action supremo John Woo as two U.S. Marines in WWII assigned to protect Navajo Marines who know a secret radio code.
It Takes a Worried Man hilariously charts the burgeoning mid-life crisis of Philip Roath – a thirty-something insurance salesman whose confidence is diminishing as rapidly as his hair and teeth.
From 'Doctor Who' producer Barry Letts and writer Terrance Dicks comes Moonbase 3 originally aired in 1973. The series had two directors Ken Hannam who also directed the 1981 TV version of The Day of the Triffids and Christopher Barry who had directing duties on Doctor Who and The Tripods. Among the stars were British acting stalwart Donald Houston and Ralph Bates star of many Hammer horror films. Moonbase 3 was another groundbreaking piece of science-fiction from the BBC employing James Burke as scientific advisor it was unique in its technical authenticity. Deaprture And Arrival: Dr. Helen Smith becomes concerned over the mental state of one of the pilots Harry Sanders. She expresses her concerns to the base's second in command Michael Lebrun and tries to convince him to get Commander Ransom to remove the pilot from duty. Ransom refuses and assigns Sanders to pilot the Commander's shuttle for a trip to Earth. After an malfunction Sanders cuts the communications link and goes outside the shuttle to make repairs and is thrown into space. When Ransom attempts to pilot the shuttle it explodes. The European agency sends a Welch scientist to take over the station and to investigate the shuttle accident. Behemoth: After a number of mysterious deaths paranoia sets in as the crew begins to believe the deaths are being committed by a 'Moon Monster' living on the surface of the Moon. Achilles Heel: The station's crew suffers from an unusual number of accidents and mistakes. Director Caulder must deal with the problems while trying to operate within his Earth-bound superiors' budgetary limitations. Outsiders: An auditor is sent to Moonbase 3 from the European Headquarters in Brussels to investigate whether or not the cost of operating the base is justified. Director Caulder demands results for the base scientists as Dr. Helen Smith becomes concerned over the stress on the staff especially Steven Partness... Castor And Pollux: An accident leaves Tom Hill stranded in a shuttle between Earth and the Moon. The only person who can save him is Colonel Gararov a Russian cosmonaut. However to rescue Hill Gararov would have to disobey the orders of his superior General Trenkin Commander of the Russian moon base. Viw Of A Dead Planet: The Artic Sun Project proposes to use a nuclear explosion over the Artic thereby melting the ice and creating a Garden of Eden. The project's designer Sir Benjamin Dyce comes to Moonbase 3 in an attempt to stop the program for fear that the explosion can not be contained and it will lead to the extinction of mankind...
A Scotland Yard investigator looks into four mysterious cases all associated with the same unoccupied house...
A celebration of the life and career of Steve McQueen with five of his classic movies. Bullitt SE (Dir. Peter Yates 1968): Special Edition (English - Dolby Digital (2.0) Stereo / 1.85:1 Widescreen / 1 hour and 49 minutes) In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48
Cowboy (Emilio Estevez) a lone gunslinger of grey-eyed coldness and very few words rides into town trailing a single wooden coffin behind him. Hotly pursued by The Regulators a band of self appointed lawmen whom are hell bent on revenge and led by the imposing figure of Reager (Howie Long). This mysterious figure is a man with no name and a man with no home whose only role in life appears to be to utilise his incredible gunslinging skills to defend those who are unable to do so against the oppressive bandits and ruthless cowboys in this lawless society. It is on one such occasion when he rescues a crippled civil war veteran he is entrusted with the secret of untold treasures and now has not only Reager and his vengeance riddled posse to deal with but also another band of ruthless outlaws who have made the search for the gold their life's work. It's incredibly stylised action all the way as this cold blooded killer must utilise all of his skills in a battle against overwhelming odds as the mystery behind the single wooden coffin slowly unfolds.
Blood And Sand: Betrayed by his country. Beaten into slavery. Reborn as a warrior. Spartacus: Blood and Sand is a graphic and visceral account of Rome's most famous gladiator. When he's separated from the love of his life, Spartacus is forced into the gruesome and bloodthirsty arena, where a grisly death is primetime entertainment. Spartacus must fight for survival, befriend his enemies and play politics in this new world of corruption, violence, sex and fame. He'll be seduced by power and tormented by vengeance. But his passion will give him the strength to prevail over every obstacle, in this modern and uninhibited tale of death, honour and endurance.Gods Of The Arena: The House of Batiatus is on the rise, basking in the glow of its infamous champion Gannicus, whose skill with a sword is matched only by his thirst for wine and women. These are the times a young Batiatus has been waiting for. Poised to overthrow his father and take control, he'll freely betray anyone to ensure his gladiators are in the highest demand. And he'll have his loyal and calculating wife Lucretia by his side for every underhanded scheme, drawing on the brazen talents of her seductive friend Gaia when it counts. Together, they will stop at nothing to deceive the masses, seize power, and bleed Capua dry in this audacious prequel to Spartacus: Blood and Sand.
A perennial afternoon telly treat, Carlton-Browne of the F.O. is a little less tart and smart in its assault on British diplomacy than the earlier John and Roy Boulting satires. The much-loved Terry Thomas, is the idiot son of a great ambassador, given a sinecure in the Foreign Office that becomes a hot seat when crises rock the almost-forgotten former colony of Gaillardia. Clod-hopping "dance troupes" of every world power dig for cobalt, a line of partition is painted across the entire island, and the young King (Ian Bannen) is undermined by his wicked uncle (John le Mesurier) and unscrupulous Prime Minister Amphibulos (Peter Sellers). There's a touch of Royal romance as the King gets together with a rival princess (the winning Luciana Paoluzzi), but it's mostly mild laughs at the expense of British ineptitude, with Thorley Walters as the dim army officer who sends his men to put down a rebellion with orders that lead them to turn in a circle and capture his own command post, Miles Malleson as the gouty consul who should have come home in 1916, and a snarling Raymond Huntley as the minister appalled that the new monarch of a British ally was a member of the Labour Party at Oxford. The film finds Sellers' non-specific foreign accent unusually upstaged, with Terry Thomas walking off with most of the comedy scenes, blithely inspecting a line of shabby crack troops who keep passing out at his feet. It fumbles a bit with obvious targets, especially in comparison with similar films like Passport to Pimlico and The Mouse That Roared, but you can't argue with a cast like this. Down in the ranks are: John Van Eyssen, Irene Handl, Nicholas Parsons, Kenneth Griffith, Sam Kydd and Kynaston Reeves. On the DVD: Carlton-Browne of the F.O. comes to disc in fullscreen, with a decent-ish quality print. The film is also available as part of the four-disc Peter Sellers Collection.--Kim Newman
Following his blacklisting in the McCarthy witch hunts the American director Joseph Losey worked in England and fashioned this gritty noir thriller about David Graham (Michael Redgrave) an alcoholic father who has 24 hours to prove that his son is not guilty of murder and save him from the gallows. Robert Stanford (Leo McKern) is a car dealer who knows the truth but continues to keep Graham on the defensive. As the clock ticks mercilessly Graham fights a battle against both Stanford as he tries to save his sons life. Time Without Pity was Losey's first film under his own name and retains the director's striking blend of drama and social commentary. The film was also photographed by the legendary Freddie Francis of Elephant Man fame.
Their names are John Stephen Carol and Kenny... they seem to be just ordinary kids perhaps a bit quieter than most but they are The Tomorrow People forerunners of a new race... the homo superior. Gifted with superhuman powers they are nature's response to man's aggression: a new species wiser and more peace loving than homo sapiens and until more of their race evolve these four have intergalactic responsibility for the future of Planet Earth. Slaves Of Jedikiah 14-
It happens in almost everyone's life. There is a special day - a day of unusual significance. A turning point in life, perhaps in career, romance or fortune; a day to remember. This anthology of plays, each as individual as the people and events portrayed, looks at seven such Red Letter Days. Ranging from the poignant to the surreal, all of the plays are infused with a wry and tender humour. Featuring performances by some of British television's most accomplished actors - including Alison Steadman, Jack Shepherd, Peter Barkworth and Ronald Radd - the series' outstanding screenplays include Jack Rosenthal's BAFTA-nominated Ready When You Are, Mr. McGill, alongside similar bittersweet offerings from notable writers Willis Hall and Donald Churchill.
Set in a remote Californian town in the late ninteenth century this is tale of a man who sold his family for the claim to a gold mine years earlier.
This delicate and very human drama centres around a newly married couple as they try to negotiate a path through financial insecurity, and the resulting tension that is placed upon their relationship. John Fraser and Eileen Moore take the lead roles, with Peter Reynolds and then-aspiring fifties starlet Lana Morris among a solid supporting cast. The Good Beginning is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.After their honeymoon, Johnny Lipton and his wife Kit move into their small apartment. Kit runs the flat on a tight budget, for she hopes that one day with her support her husband will eventually run his own business. A lack of understanding of each other's character and aspirations, however, leads to many problems before Johnny and Kit are able to attempt a 'good beginning' to their marriage.Special Feature: Original Theatrical Trailer
Five strangers board a train and are joined by a mysterious fortune teller who offers to take readings from his Tarot cards...
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey' Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 2 includes: "Gary and Tony", in which Tony moves into the Gary's flat and makes his first disastrous attempt to woo upstairs-neighbour Deborah; "Rent Boy" in which Gary thinks Tony is gay; "How to Bump Your Girlfriend" in which no sooner has Tony got back together with his old girlfriend and filled her in about Gary ("nice bloke, ears like the FA Cup") than he decides to give her the shove; "Troublesome Twelve Inch" in which Gary tries to sell a rare record belonging to Dorothy without her knowing; "Going Nowhere" in which Tony buys a van to impress Deborah who in turn gets stuck in a lift with Gary; and "People Behaving Irritatingly" in which Tony's brother and missus visit the flat much to Gary's annoyance ("It's not enough that they were at it all last night, now they're trying to set up a national sperm bank in my bath.) --Clark Collis
The Adventures of Pluto Nash was shelved for nearly two years, and when it was finally released, hardly anyone noticed. In the interim, Eddie Murphy made the marginally better Showtime and started fishing for a career revival that wasn't a sequel to his previous hits. In the satirical, lunar-colony hash of Pluto Nash, Murphy's a variant of Casablanca's Rick Blaine in the year 2087, happily running the moon's hottest nightclub, refusing a buyout offer from a greedy gambler, and suffering the consequences with his sidekick robot (Randy Quaid in yet another thankless role) and newest employee (Rosario Dawson, before doing similar time in Men in Black II). A visual hybrid of Total Recall and A.I., this nearly laughless comedy would be a total write-off if it weren't for Murphy's stalwart attempt to jump-start the flagging humour. He's got the chops of a superstar, but only when his collaborators are on the same page. --Jeff Shannon
The true story of one woman's stand against a killer. Just days after her papergirl is found murdered Jessica Rayner is raped and assaulted in her home by a crazed intruder who is forced to flee before he can kill her. This is not the end of her ordeal.The killer repeatedly taunts and terrifies Jessica-though failing each time to kill off this vital witness to his crimes. But Jessica is determined to fight back and begins to piece together clues to work out when the killer will strike again-and this time she'll be ready for him.
Simon Nye's modern reworking of Beauty And The Beast stars Martin Clunes as Tom Fitzhenry an ugly reclusive aristoccrat who lives on his beautiful slightly decaying estate. He despairs of ever having a relationship with a woman. Tom never leaves his home unless venturing out to attend to his roses. Tom is forced to hire a plumber for an urgent job to the mansion. Along comes cathy a quirky vivacious barmaid from the council estate in the village who carries out the plumbing work
Contains the complete second series of the classic television show The Fenn Street Gang
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