***WARNING***ALL DVD TITLES CONTAIN ENGLISH SUBTITLES EXCEPT FOR THE DVD TITLE - A CANTERBURY TALE*** Never in the history of British film have two figures become as iconic as those of Michael Powell and Emeric Pressburger. Reigning throughout the 40s and 50s these two magnificent filmmakers brought to life British films and continue to radiate immense critical acclaim and inspiration for all contemporary film making. Includes: 1. A Matter of Life & Death (1946) 2. The Life & Death of Colonel Blimp (1943) 3. A Canterbury Tale (1944) 4. I Know Where I am Going (1945) 5. 49th Parallel (1941) 6. The Battle of the River Plate (1956) 7. Ill Met By Moonlight (1957) 8. They're A Weird Mob (1966) 9. The Red Shoes (1948)
Tim Allen makes an impressive screen debut in Disney's well-written seasonal film The Santa Clause. Divorced toy company executive Scott Calvin is pleased to have his son Charlie for Christmas, though the boy himself isn't happy about it. But when Santa Claus accidentally topples off the roof of the house and falls with a thud in the snow, Scott finds himself taking the merry old elf's place and earning new respect in his son's eyes. When the night ends, the reindeer take them to the North Pole, and Scott discovers that by donning the fabled red suit, he's inadvertently agreed to become the next Santa Claus. It's an enjoyable, straightforward family film, anchored by the affable charisma of Allen.--Bret Fetzer Considering how lame a sequel it could have been, The Santa Clause 2 makes for a pleasant seasonal diversion. It's got the familiar smell of Disney marketeering, and more than a few parents will object to this further embellishment of the St Nick legend, but Tim Allen's amiable presence provides ample compensation. According to the "Missus Clause" in his North Pole contract, he can't continue to be the real Santa until he gets married. It's all as sweet as spiced eggnog, with that warmed-over feel of a mandated sequel, but the Christmas spirit does prevail with the sound of sleigh bells and Allen's rosy-cheeked "Ho, ho, ho!". --Jeff Shannon
Director Abel Ferrara's (Bad Lieutenant) first major feature has an infamous reputation but is actually more of an art film than a straightforward bloodletter. Tortured and penniless artist Reno (Ferrara) and his girlfriends Carol (Carolyn Marz) and Pamela (Baybi Day) hang out at their New York loft enduring such problems as the phone bill the rent and a rock band that's always practicing downstairs. When it all becomes too much Reno grabs his drill and runs through the city on all-night rampages. Eventually Carol moves out Reno's paintings don't sell and things just get worse. Shot on gritty 16mm The Driller Killer has a distinctly 1970s New York underground artistic quality that makes it seem like a cross between Taxi Driver and Andy Warhol's Trash.
Angela Barrows (Constance Cummings) is a man-eating businesswoman who is sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson (Robert Morley) a businessman who asks for help to bring his company into the 20th century. The staff led by Mr Martin (Peter Sellers) has other ideas however and a comic battle between the old and new business methods soon breaks out. A vintage Peter Sellers comedy that ranks amongst his funniest!
There's no such thing as a no fault death. Insurance agent Abe Holt (Forest Whitaker) is investigating the suspicious death of the driver of a burned-out car. Holt has to work out whether the dead man a conman with a criminal record could possibly have been the victim of an attempt to swindle the insurance company. When he meets Isolde (Julia Stiles) the dead man's sister whose face is disfigured by severe scars Holt slowly begins to lose his professional distance.
December 1944. The German army rampages trough the frozen wastes of Belgium's Ardennes Forest. Among the many Allied prisoners taken en route a small band of American soldiers manages to escape. Without weapons and without food ravaged by the cold the men are determined to make it back to their own frontline... but as their perilous journey takes its toll loyalties become divided and lives hang in the balance. A mesmerising hallucinatory journey through the hellish landscape of war ravaged Europe based on real life events Saints And Soldiers tells the story of ordinary men and the mission that made them heroes.
Written by the acclaimed screenwriter Sally Wainwright (Children's Ward Coronation Street) and starring Amanda Redman (Sexy Beast New Tricks) as Alison Braithwaite head of the dysfunctional family that lurches from disaster to crisis and back again this is the fourth series of At Home with the Braithwaites. The Braithwaites are a dysfunctional family who live in Leeds and comprise mother Alison (Redman) father David (Davison) and their three daughters Virginia Sarah and Charlottle.
John Lacey's social life is ever expanding with social events organised by the 1-2-1 Club. As the members get to know each other they support one another through various crises. Ralph is harassed by Hell's Angels Kirk has a crisis of confidence John meets a lady Kate gives up her job to travel around Greece and flirty Louise still insists on grilling anyone she can about their sex life. They are also joined by new members Sylvia and ex-60s pop star Ricky Fortune.
A young woman blind since childhood is cured by modern surgery. However as her sight returns she is haunted by images of a murder...
‘There are many reasons why I wanted to make The Look but they can all be subsumed under two words: Charlotte Rampling.’ Angelina Maccarone, director of The Look. In this intellectual travelogue ‘La Lgende’ Charlotte Rampling muses with friends and colleagues on celebrity, age, desire and love. Rampling debates and cogitates with creative as diverse as photographers Peter Lindbergh and Juergen Teller and writer Paul Auster as she travels from Paris to New York. She converses in cafs and houseboats, and delves into the very essence of life, death and The Look.Selected for the Cannes Classic stream at the 2011 Festival de Cannes, The Look is a beautifully shot documentary film full of contemplation and intrigue. Special Features: Trailer Image Gallery
Inspired by J.M. Barrie's original novel 'Peter Pan and the Pirates' is a beautifully animated collection of exciting adventures from a world of flying children pirates and mythical beasts. Coldest Cut Of All: Pete borrows a crystal from the Ice Caves and accidentally summons Kyros the Ice King who creates a huge blizzard in Neverland that freezes everyone solid. A Wee Problem: Tink shrinks the children down to fairy size to visit King Oberon and Queen Gloriana but they accidentally get transformed to the Jolly Roger in their shrunken state. The River Of Night: Peter joins Hard-To-Hit and Tiger Lily in a journey down the Mysterious River to seek out an ancient golden arrow. Hook and the Pirates pursue them through a series of perils along the way. The Treasure Hunt: Hook draws up a phoney treasure map to lure Peter and the Lost Boys into a trap. The Girl Who Lives On The Moon: Pirate Mullin's quest to cure his land sickness with a magical spell causes the moon to plummet to earth. Hook and Peter duel for the affections of the girl who lives on the moon.
Werner Herzog's lengthy 1982 fever dream is typical of the director's passion for boundless experience: the story concerns the title character's determination to open a shipping route over the Amazon as well as build an opera house (worthy of Caruso) at a river trading post. Klaus Kinski (star of Herzog's Aguirre, the Wrath of God) plays the visionary/madman with a spooky dignity, and Herzog--as always--thrills to the mystic possibilities of filming where no one else would even think of placing a camera. --Tom Keogh, Amazon.com
Szab�'s Oscar-nominated 1980 feature is a haunting and moving experience dealing with complex, yet very human questions of love, trust, loyalty, and betrayal under exceptional circumstances. Janos and Kata are thrown together during WW2 and forced to pose as husband and wife to hide from the Nazis. The intensity and suffocating intimacy of their new relationship and the circumstances in which they find themselves, forces them to confront past prejudices and assumptions and challenge what th...
Breaking Point A 1961 Butchers production made at Walton Studios. Peter Reynolds plays a 'nar do well' nephew of a successful printing company owner. His marriage to Johanna Dunham - who went on to star in the series Van Der Valk -is on the rocks his work at the printing firm is rather mundane until a small Eastern state Lalvador wanting plates made for their currency is the target of hostile forces. Reyonds is set up by the spies meanwhile Dermot Walsh of Richard The Lionheart fame closes in on Reynolds wife...typical B feature of the era, picture and sound of good quality.Man From Tangier Action starts in Tangier with a murder and a robbery. Voss (Martin Benson) one of the master crooks is after the thief who stole the plates and Michele (Lisa Gastoni) his unwilling moll is sent to retrieve them.Enter Collins (Robert Hutton) an American stunt man who, whilst having a haircut, his coat is accidentally switched which puts him right in the middle of the intrigue.. Good shots of Victoria station, Humber hawks etc. The story moves at a good pace and the picture and sound are of good quality.
A psychopath kidnaps a teenage girl and buries her alive in a capsule that will become her tomb in 83 hours unless her father pays a huge ransom. Based on a true story.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When radio reporter Martin (Reeves) falls for his sexy aunt Julia (Hershey) the station's zany soap opera writer Pedro (Falk) decides to play Cupid and broadcast the details! Courtship soon turns to chaos with Martin's love life in shambles Julia in disgrace and irate listeners rioting in the streets. Everyone will have to tune in tomorrow to discover how it all turns out!
A bumper 12 disc DVD box set featuring 18 uplifting classics from the incomparable Russ Meyer! Films Comprise: 1. Vixen 2. Supervixens 3. Beneath The Valley Of The Ultravixens 4. Mondo Topless 5. Up! 6. Faster Pussycat Kill! Kill! 7. Lorna 8. Mudhoney 9. Wild Gals Of The Naked West 10. Blacksnake 11. Motorpsycho 12. Good Morning & Goodbye 13. Cherry Harry and Raquel 14. Pandora Peaks 15. Finders Keepers Lovers Weepers 16. The Immoral Mr Teas 17. Eve And The Handyman 18. Common Law Cabin
A Study In Scarlet: Peter Cushing stars as the intrepid private eye Sherlock Holmes and has to perform a little forensic investigation. The Boscombe Valley Mystery: Peter Cushing stars as Sherlock Holmes in another unfathomable mystery story with Nigel Stock as his faithful sidekick.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
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