Robert Shaw (Young Winston) and Sarah Miles (Blowup) star in The Hireling, a devastating exploration of emotional repression, trauma, and class relations from director Alan Bridges (The Shooting Party). In the years following the First World War, the widowed Lady Franklin (Miles) establishes an unlikely friendship with her working-class driver, Ledbetter (Shaw), a traumatised former sergeant major. But, as Lady Franklin develops a relationship with a scheming former officer (Peter Egan, Ever Decreasing Circles), Ledbetter's precarious mental state rapidly deteriorates. Adapted from the novel by L P Hartley (The Go-Between) by acclaimed playwright and screenwriter Wolf Mankowitz (The Two Faces of Dr. Jekyll), The Hireling was awarded the Palme d'Or at the 1973 Cannes Film Festival. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original mono audio Interview with actor Sarah Miles (2025) Interview with actor Ian Hogg (2025) Interview with composer Marc Wilkinson (2025) Interview with production manager Hugh Harlow (2025) Interview with wardrobe mistress Brenda Dabbs (2025) Original theatrical trailer Larry Karaszewski trailer commentary (2021): short critical appreciationImage gallery: promotional and publicity material New English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with new essay by Peter Cowie, selected interviews with screenwriter Wolf Mankowitz on his adaptation of L P Hartley's novel, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All features subject to change
A global byword for cinematic quality of a quintessentially British nature, Ealing Studios made more than 150 films over a three-decade period. A cherished and significant part of British film history, only selected films from both the Ealing and Associated Talking Pictures strands have previously been made available on home-video format - with some remaining unseen since their original theatrical release. The Ealing Studios Rarities Collection redresses this imbalance. Featuring new transfe...
Remembered dimly as Peter Sellers' only venture into "serious" acting, Never Let Go has a lot of other things to recommend it, mostly because it manages to include a lot of the lurid elements that gained it an X certificate in 1960. It has a near-demented melodrama plot, as two desperate obsessives collide in a bizarre feud. Richard Todd, doing meek and put-upon, is a sales rep for smug Peter Jones' cosmetics firm whose life is turned upside-down when his Ford Anglia, bought on hire purchase and uninsured, is stolen by teddy boy Adam Faith. Looking like an inhabitant of Royston Vasey in The League of Gentlemen, Sellers plays a grinning, jumped-up spiv who runs a legitimate garage which is a front for the car thieves and is sugar daddy to teenage tartlet Carol White. Typical of Sellers' demonic rottenness is a scene in which he breaks down-and-out Melvyn Johns' heart by stamping on his beloved terrapin. "Peanut" Todd's crusade to get back his motor (catchphrase "what about my car?") brings trouble too: he gets repeatedly beaten up, abandoned by his wife (Elizabeth Sellars) and dragged to the edge of madness for a final punch-up in a garage. With a delightfully sleazy, jazzy John Barry score, lots of local colour in the caffs and gaffs of criminal London circa 1960 and a parade of welcome character actors (John le Mesurier, David Lodge, Noel Willman, Nigel Stock), this has its soapy spells, but it's a fascinating relic. On the DVD: Never Let Go's menu plays under Faith's theme song ("When Johnny Comes Marching Home Again--Oh Yeah Oh Yeah!"). The print is slightly letterboxed but looks a few generations away from the master with some careless transfer work that greys shadows and overexposes some scenes. --Kim Newman
An insightful examination of class barriers in England in the 1920s, following the romance between a wealthy young widow and her hired chauffeur. While recovering from a nervous breakdown, she starts a love affair with the chauffeur, but after she begins to recover her mental stability, the barriers rise once again.
Never Let Go: John Cummings (Richard Todd) is one of life's near failures. A toiletry salesman he buys a flash car he cannot afford to insure. When it is stolen by a gang running a car theft racket he vows to retrieve it whatever the cost - hi job his family and his dignity. He begins to delve into a sinister criminal underworld with potentially lethal consequences. The stark British thriller features Sellers in his first dramatic role as Cummings' nemesis a gangland villain. Soft Beds Hard Battles Peter Sellers plays six different characters in this hilarious sexploitation comedy. A renowned Paris brothel has turned into an active centre for the French Resistance. The girls assist the Allied war effort by attracting and eliminating the enemy amongst its clientele in the bedroom... The Wrong Arm Of The Law Sellers stars as gang-leader Pearly Gates who has a double life as Monsieur Jules the manager of a fashion house. The criminal world of London is being reduced to chaos by an Australian 'IPO mob' who acting on information provided by Gates' girlfriend Valerie (Nanette Newman) impersonate police officers and take the spoils of the true criminals after the crime has been safely committed. The crimes are relatively victimless involving jewellery thefts from the rich or robbery from institutions such as banks and post offices. Gates is instrumental in getting a deal between organised crime and Scotland Yard.
John Adams is America''s most frequently performed living composer. He has managed the considerable feat of writing accessible music that still surprises and challenges its listeners. In the words of the New Yorker he is ''the man who takes the agony out of modern music''. Though he is not the only composer who has combined a classical education with a pop sensibility he is the one who has made the synthesis stick. Richly harmonic his music embraces just about every style from Minimalism to Mahler rock to jazz hymns to Liberace but always winds up sounding like Adams. Adams is also one of music''s most controversial figures - thanks to opera. Nixon in China started a whole new genre in modern opera. The Death of Klinghoffer dealt with the 1985 hijacking of a cruise liner by four Palestinian terrorists. Now made into a feature film it is one of the most contentious operatic works written in over a century. Ironically Adams started out hating opera but his own musical development made him the perfect composer for it. This profile of the man who led contemporary music out of the cul-de-sac of the avant-garde and revitalised modem opera centres on a major interview filmed at his home outside San Francisco. There are contributions from stage director Peter Sellars librettist Alice Goodman and conductor Michael Tilson Thomas and extensive performance extracts from Nixon in China and El Nino. His orchestral compositions Shaker Loops The Chamber Symphony and Gnarly Buttons are also featured.
The story of a sensitive relationship between two people - young society widow and her chauffeur - unable to change the roles which class and society have imposed on them.
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