Classic horror starring Peter Cushing. A young teacher on her way to a position in Transylvania helps a young man escape the shackles his mother has put on him. In doing so she innocently unleashes the horrors of the undead once again on the populace including those at her school for ladies. Luckily for some Dr Van Helsing (Cushing) is already on his way.
""Oh just one more thing..."" Peter Falk dusts down his trenchcoat for another season of Columbo. Again there's a veritable smorgasbord of stars and big-names behind each episode... Featuring all the cigar-chewin' episodes from Columbo Season 4 including the Emmy-award winning episodes By Dawn's Early Light and Playback! Episodes Comprise: 1. An Exercise In Fatality 2. Negative Reaction 3. By Dawn's Early Light 4. Troubled Waters 5. Playback 6. A Deadly State Of Mind
A bumper box set containing all the eerie adventures of Frank Black (Lance Henriksen) from the creator of 'X-Files'! After 10 years with the FBI former FBI serial killer profiler Frank Black (Lance Henriksen) returns home to Seattle with his family . However his work experience has left him able to ""see"" into the minds of killers. This makes him a valued member of the Millennium Group a shadowy organisation dedicated to tracking evil and bringing its perpetrators to justice...
The legend of Matilda Dixon has hung over the town of Darkness Falls for more than 150 years. The kindly old woman was unjustly accused and savagely slaughtered, and her vengeful spirit is said to be waiting to pounce on anyone who sees her in the dark...
Rivals Of Sherlock Holmes: Series 1 (4 Discs)
A collection of classic films from famed British director David Lean. Bridge On The River Kwai (1957): When British P.O.W.s build a vital railway bridge in enemy occupied Burma Allied commandos are assigned to destroy it in David Lean's epic World War II adventure The Bridge on the River Kwai. Spectacularly produced The Bridge on the River Kwai captured the imagination of the public and won seven 1957 Academy Awards including Best Picture Be
Impoverished Broadway peddler ""Apple Annie"" (Bette Davis) has a problem. Her daughter Louise (Ann-Margret) educated abroad since infancy is coming for a visit and bringing her wealthy fianc with her. The problem is that Louise has believed all her life that Annie's a wealthy dowager and the poor old woman doesn't know what to do! Enter ""Dave The Dude"" (Glenn Ford) - a big-hearted racketeer - who enlists aid to pass Annie off as a high-society grande dame so Louise can marry her fa
A rich lady who becomes bored by her sexless marriage and seeks satisfaction with her husband's gamekeeper oblivious of the social scandal she is creating... D.H. Lawrence's controversial novel transformed into a sensual masterpiece from the makers of 'Emmanuelle'.
Adam, a handsome but intriguing young man has always led a sheltered existence - until he meets his new neighbour, Beth, a beautiful young woman who pulls him into the outside world, with funny, touching and entirely unexpected results.
The Bachelor got critically slammed when it played in cinemas, probably because reviewers couldn't help comparing it with the movie on which it's based, the brilliant Buster Keaton comedy Seven Chances. But on its own terms, The Bachelor is a modest and enjoyable picture about Jimmie (Chris O'Donnell), a happily single young man who suddenly gets an ultimatum from his grandfather's will: marry by his 30th birthday or lose an inheritance of 100 million US dollars. This is revealed the day before that very birthday. Unfortunately, Jimmie had already proposed to his girlfriend Anne (Renee Zellweger) and been turned down; she can see in his eyes that he isn't ready to get married and refuses to accept him until he is. So Jimmie needs to find a bride--fast. Though the commitment-shy man is a hoary clichè, The Bachelor successfully exaggerates Jimmie's fears to comic proportions. O'Donnell is his usual affable self, but it's Zellweger who seizes every scene she's in and makes something really enjoyable out it. The movie's greatest weakness is that she's such a small part of the second half. Still, there's good supporting performances from Hal Holbrook, Ed Asner, James Cromwell and Marley Shelton (as Zellweger's sister), and Peter Ustinov and Brooke Shields both have very funny scenes. The Bachelor skirts some dangerously chauvinistic territory at times, but by and large it's a pleasant comedy with some genuine good humour. --Bret Fetzer, Amazon.com
The life and times of George (1762-1830), Prince of Wales, from his early days of debauchery to his ascent to the throne as George IV. His two marriages (one legal, one not), his mistresses, the famous men of his day: all the over-indulgence and frustration of waiting for his father George III to die or remain mad.
This wonderful caper film manages to balance the right amount of intrigue suspense and humour created by the stellar cast including the extremely sexy and seductive Melina Mercouri and the wonderfully talented Peter Ustinov who was awarded the Oscar for Best Supporting Actor for his role. A small-time con-man (Ustinov) with passport problems gets mixed up with a gang of world-class jewellery thieves plotting to rob the Topkapi museum in Istanbul. Turkish intelligence suspecting a
Though most of the stars got back together for Airplane II: The Sequel, the Zucker-Abrahams-Zucker team passed the torch to new writer-director Ken Finkleman, who manages to reprise the style of the original quite well but is, as perhaps expected, more or less one-third as funny. The premise, alarmingly similar to the dead-straight contemporary Starflight One, is that the first commercial passenger shuttle to the moon has 2001-style computer hassles en route and finds itself headed straight through an asteroid belt into the sun. Cracked-up test pilot Robert Hays and promoted-from-stewardess technical expert Julie Hagerty have to save the day, despite panicking passengers, inept ground staff, complicated trauma flashbacks, deadpan one-liners and deliberately dodgy special effects. Leslie Nielsen is glimpsed only in footage from Airplane that sets up an extended slapping-the-hysterical-passenger gag redone (into the ground) here, but Lloyd Bridges and Stephen Stucker return as the overly-intense airport crisis controller and his happy-go-lucky gay sidekick. There are sterling cameos in the patented agonisingly serious mode from Raymond Burr (a judge), Chuck Connors (cigar-tossing fire chief), William Shatner (who gets the best sight gag) and Sonny Bono (impotent mad bomber). Back in the early 80s, it was still possible to do mild gags about paedophilia (not only Graves's chumminess with the cute kid who visits the cockpit, but also the priest looking at the centrefold of Altar Boy magazine) but aside from some incidental naked breasts, the humour is a touch cleaner than in the first film. Hays and Hagerty are better than the material, and it's all over swiftly enough--the film clocks in at 75 minutes before the slow, padded end credits--to avoid wearing out your patience. The end title promises an Airplane III, but we're still waiting. The 1.78:1 widescreen ratio of the DVD allows you to see gags in the corners of the frame that would be cropped in a full-screen transfer. --Kim Newman
For a limited time only, Universal Pictures are re-releasing five of their most beloved Cinema Classics in cinemas around the UK. The following films will be released: Spartacus, Blues Brothers, Scar Face, The Thing and Animal House.
This dynamic and tightly scripted drama centres on the search for the perpetrators of a multi-million-pound gold bullion robbery; Peter Vaughan stars as the C.I.D. officer doggedly tracking down all those who hold clues to the identity of the mastermind behind the raid. Vaughan's strong performance is supported by some of the key dramatic actors of the late `60s, including Joss Ackland, Alfred Lynch, George Cole, Bernard Hepton, George Innes, Roy Dotrice and Peter Bowles.
Peter Capaldi returns as the Doctor alongside Jenna Coleman as Clara in the final six thrilling episodes of Series Nine. THE ZYGON INVASION THE ZYGON INVERSION SLEEP NO MORE FACE THE RAVEN HEAVEN SENT HELL BENT BONUS FEATURES: 4 X DOCTOR WHO EXTRA
Jennifer Love Hewitt is a beautiful and talented actress with style and charm. She is not, however, Audrey Hepburn, and try as she might, she is unable to embody the gamine actress in the made-for-television biopic The Audrey Hepburn Story. Making the Hepburn bio was a gutsy move for Hewitt, and one has to admire her chutzpah. But the role, if it was to be dared, would have been better off in the hands of an unknown. As it is, it's difficult to shake the image of Hewitt in her television and teen roles, and while she mastered the wide-eyed look, her eyes are not doe-like enough and her accent borders on ludicrous. If you can move past this, though, the story of Hepburn's life--even given her do-gooder qualities--is interesting fodder for exploration, although at times the script feels as if it's trying to create tension where there is little. Desertion by her father, a brief stint in the resistance in wartime Netherlands, and affairs with fellow actors create drama, but not enough to enliven the film. Part of the problem is the entire film is told from flashback from the set of Breakfast at Tiffany's, so much of Hepburn's great work is left untouched. Yet, despite the flaws, fans will appreciate the paean to Hepburn, as we glimpse into the difficulties of her early career and her budding stardom. The two girls who play the childhood Hepburn excel in their roles, and the strong supporting cast--including Frances Fisher as her mother and Eric McCormack as Mel Ferrer--brighten the film, which ultimately brings a touch of Hepburn's elegance to our own humdrum lives. --Jenny Brown
Doctor Who: The Visitation is a routine adventure from the show's 19th season, beginning with Peter Davison's Fifth Doctor trying to return air hostess Tegan (Janet Fielding) to Heathrow Airport but materialising the TARDIS just as the Plague is ravaging 17th-century England. Three stranded Terileptils (humanoid-reptilian-fish hybrids in laughable costumes) are planning to wipe out humanity, while the local population have accepted the invader's puzzlingly camp robot for the Grim Reaper incarnate. There's much running around, being imprisoned and escaping again, but little substance in the story bar a return to the original series concept of tying the plot to elements of real history. Trying to find something for all the companions to do stretches the material thin, with the best entertainment coming from Michael Robbins' memorable turn as Richard Mace, an out-of-work actor turned charmingly genial highwayman. The "surprise" ending is predictable, Matthew Waterhouse's Adric as earnestly tiresome as ever and Tegan still tediously grumpy. Sarah Sutton as Nyssa is left too long building a sonic weapon which can vibrate a robot to pieces but doesn't harm the TARDIS or herself, yet Davison goes a long way to redeeming the tale with a charismatic intensity the yarn just doesn't deserve. On the DVD: Doctor Who: The Visitation is presented in the original 4:3 aspect ratio with a good if variable picture. There are numerous unavoidable light trails on the video-shot studio material and some visual distortion on a few scenes. The mono sound is good and extends to an optional isolated presentation of Paddy Kingsland's musical score, a feature complemented by a new 16-minute interview with the composer by fellow Who musician, Mark Ayres. Of greater general interest is a 26-minute reminiscence by director Peter Moffatt covering all the six Doctor Who adventures he helmed. There is a good feature on Eric Saward and on the writing of the show, five minutes of extraordinarily dull Film Trims, detailed Information Text and an automated photo gallery. There are subtitles for both the episodes and a commentary that finds Peter Davison, Janet Fielding, Peter Moffatt, Sarah Sutton and Matthew Waterhouse having great fun bantering their way through the four episodes, a feature that proves far more enjoyable than the serial itself. --Gary S Dalkin
Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon
Captain Collier (Patrick Allen) and his band of sailors show up to an English coastal town to investigate reports of Marsh Phantoms who ride by night spreading terror to the town. The Captain suspects that the local reverend (Peter Cushing) might be hiding something. Are the phantoms genuine or a cover for illegal smuggling activities?
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