"Actor: Peter V"

  • Frankenstein Must Be Destroyed [1969]Frankenstein Must Be Destroyed | DVD | (28/06/2013) from £8.96   |  Saving you £9.03 (100.78%)   |  RRP £17.99

    When a doctor is killed at a mental asylum the evil Baron Frankenstein seizes the chance to transplant his brain into the meek body of Doctor Richter. But the bloody operation creates an entity of evil which shatters the lives of everyone...

  • V - The Final Battle [1984]V - The Final Battle | DVD | (30/09/2002) from £21.47   |  Saving you £-0.48 (N/A%)   |  RRP £20.99

    Who will claim the V for victory? Is there life out there? Finally we know. Because they are here. Alien spacecraft with humanlike passengers have come to Earth. They say they come in peace for food and water. The water they find in our reservoirs. The food they find walking about everywhere on two legs. That saga that began with V now culminates in a struggle to save the world in V: The Final Battle. Sci-fi film stalwarts Marc Singer Robert Englund and Michael Ironside head a

  • The Savages [2007]The Savages | DVD | (26/05/2008) from £6.50   |  Saving you £13.49 (207.54%)   |  RRP £19.99

    A sister (Linney) and brother (Hoffman) face the realities of familial responsibility as they begin to care for their ailing father.

  • Zulu Dawn [1979]Zulu Dawn | DVD | (05/01/2004) from £9.99   |  Saving you £4.00 (40.04%)   |  RRP £13.99

    Cy Endfield cowrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives--the British contingent was outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another and this is wryly illustrated in a moment when neither he nor his officers can be bothered to pronounce the name of the land they're in. That it's a beautiful land none the less is made clear by the superb cinematography, which drinks in the massive open spaces that shrink the British army to a line of red ants. Splendidly stiff-upper-lipped support comes from a heroic Burt Lancaster and a fluffy, yet gruff, Bob Hoskins. Although the story is less focused and inevitably more diffuse than the concentrated events of Rorke's Drift that followed soon after, Zulu Dawn is an unflinchingly honest depiction of British Imperial diplomacy. --Paul Tonks

  • Mission: Impossible - Complete TV Series [DVD] [1988]Mission: Impossible - Complete TV Series | DVD | (30/08/2010) from £91.98   |  Saving you £60.00 (66.67%)   |  RRP £149.99

    Review for Mission Impossible Season 1:With its combination of Cold War villains and James Bond-like techno-gadgets, Mission: Impossible was an instant hit when it premiered on September 17, 1966. The series was the brainchild of creator/producer Bruce Geller, whose formula for seven successful seasons included a well-chosen ensemble cast, noteworthy guest stars, and a flexible premise that inspired clever plots twists and a constant variety of "international" locations (mostly filmed on a studio backlot). This is the only season to feature Steven Hill as Dan Briggs, leader of the top-secret counter-intelligence team known as Impossible Missions Force (IMF). As the no-nonsense Briggs, Hill (better known for his later role on Law & Order from 1990 to 2000) began each episode by sneakily retrieving the dossier and recorded instructions (voiced throughout the entire series by uncredited actor Bob Johnson) for the IMF's latest assignment. "Your mission, should you decide to accept it" and "this recording will self-destruct in five seconds" quickly became pop-cultural catch-phrases, as Briggs routinely selected his preferred teammates based on their mastery of practical skills. Your mission--and you shouldn't hesitate to accept it--is to enjoy this classic series all over again! --Jeff Shannon Review for Mission impossible Season 2: Gone was Steven Hill as Dan Briggs, and in his place the supremely confident and smooth Peter Graves as new team leader Jim Phelps, whom most viewers identify with the series. Carrying out the missions assigned from a pre-recorded voice on the self-destroying tape recorder was magician and master of disguise Rollin Hand (Martin Landau, who moved up from guest star to regular cast member with this season), top model Cinnamon Carter (Landau's real-life spouse Barbara Bain, who won three Emmys for her work on the show), electronics genius Barney Collier (Greg Morris), and all-purpose strong man Willie Armitage (body builder-turned-actor Peter Lupus).  Guest stars include Anthony Zerbe, Paul Winfield, Fritz Weaver, and Sid Haig, but it's the team itself that shines the brightest, especially Landau and Bain, who exude the breezy charm of the series itself (though both would depart the show by the following season). --Paul Gaita Review for Mission: Impossible Season 3:Season 3, should you decide to accept it (and you definitely should), was Mission's most accomplished. It garnered six Emmy nominations, and an Emmy for Barbara Bain, her third consecutive win, probably for "The Exchange," one of her finest hours, in which, breaking series format, her character is captured and psychologically tortured to discover for whom she works. As always, the first five minutes of any Mission: Impossible episode are the coolest: the lit fuse signalling Lalo Schifrin's indelible theme song, the opening-credits montage teasing the action in the upcoming episode, and Jim Phelps (Peter Graves), in some nondescript location, receiving his covert mission (usually to some non-existent, but real-sounding country as Povia or Costa Mateo), on that self-destructing tape. --Donald Liebenson Review for Mission: Impossible Season 4:Foil the invasion of a democratic country? No problem. Rescue members of a royal family from their would-be usurper? Piece of cake. Replace the irreplaceable Martin Landau and thrice-Emmy-winner Barbara Bain, who departed Mission after its third season? Now that’s impossible! But in this classic series’ fourth season, the veteran and rookie members of the Impossible Mission Force still put on a good show. --Donald Liebenson

  • Oklahoma! [2000]Oklahoma! | DVD | (13/11/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

    When Mary Rodgers, daughter of the composer Richard Rodgers, was reported as saying she never wanted to see another Oklahoma!, it was her way of paying the highest tribute to Trevor Nunn's production at the Royal National Theatre which was subsequently taken into the studio and filmed. The camera follows the playgoers into the auditorium of the Olivier where in their company we watch the show and applaud the numbers as the real thing. Nunn treats Rodgers and Hammerstein's first collaboration with the utmost seriousness restoring the full text, running to three-and-a-half hours, so that it comes across as a drama indebted to Eugene O'Neill. The documentary, viewed preferably as a preview, with Tim Piggott Smith the penny-plain narrator, allows one to relish in the smallest detail Nunn's scrupulous touch, which according to Maureen Lipman (Aunt Eller) included addressing the cast for two days at rehearsal, an approach that by her account paid off handsomely for the company. Although Oklahoma! unfolds at a leisurely pace, it is extraordinary how one is drawn into the drama under Nunn's direction. There's seldom a wish for true locations as the pace picks up and we move into the claustrophobic company of Judd Fry in his riveting encounter with the cowboy Curly. The close up camera work affords an experience the theatre can't bring and pays handsome dividends too in appreciating Susan Stroman's intricate and lively choreography that was dissipated somewhat on the big apron stage of the Olivier. Her dancers are a fine team, notably Jimmy Johnston who is outstanding as Will Parker leading the Kansas City ensemble. Hugh Jackman as Curly matches him in vocal prowess and looks, and Shuler Hensley sings the tricky role of Judd Fry very well. It's harder to place Peter Polycarpou's Pedlar, a considerably larger role than in the film version, whose accent strays from East End wideboy to the plains of Europe. Maureen Lipman, rightly deemed the lynchpin of the musical by Nunn, is a joy to watch. Laurey and Ado Annie are good but not special. Aside from an abrupt start to Act Two and the occasional voice off microphone, the production sounds good with a larger orchestra present than in the theatre. An Oklahoma! on an epic scale. --Adrian Edwards

  • At Home With The BraithwaitesAt Home With The Braithwaites | DVD | (31/03/2008) from £20.00   |  Saving you £-0.01 (N/A%)   |  RRP £19.99

    Acclaimed actress Amanda Redman stars with Peter Davison Lynda Bellingham and Sylvia Syms in the complete third series of At Home With the Braithwates. Things take an odd turn for the Braithwaites as Alison discovers she is pregnant with Graham's baby and their lottery win is contested in court.

  • The Kid Stays In The Picture [2003]The Kid Stays In The Picture | DVD | (29/09/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

    Adapted from his own tell-all autobiography, this acclaimed documentary traces the meteoric rise, fall, and rise again of legendary Hollywood producer Robert Evans, and takes the audience on an intimate journey into the mind of this Hollywood legend.

  • Peter De Rome [DVD]Peter De Rome | DVD | (14/03/2016) from £7.99   |  Saving you £8.00 (100.13%)   |  RRP £15.99

    Pioneering erotic filmmaker Peter de Rome tells his astonishing life story with humour and charm in this surprising documentary Spanning more than eight decades of gay experience in Britain and the US, Peter de Rome charts Peter's journey from cinematic outlaw to celebrated film icon with contributions from collaborators and some of those he has influenced. The film uses extensive extracts from Peter's varied and often explicit work, from his early 8mm experiments in the 1960s to his extraordinary feature films to create a portrait of a true one-off.

  • The BBC Sherlock Holmes CollectionThe BBC Sherlock Holmes Collection | DVD | (05/06/2006) from £34.88   |  Saving you £5.11 (14.65%)   |  RRP £39.99

    A collection of BBC adaptations featuring Arthur Conan Doyle's celebrated super-sleuth. A Study In Scarlet: Peter Cushing stars as the intrepid private eye Sherlock Holmes and has to perform a little forensic investigation. The Boscombe Valley Mystery: Peter Cushing stars as Sherlock Holmes in another unfathomable mystery story with Nigel Stock as his faithful sidekick. The Hound Of The Baskervilles: Classic two-part story starring Peter Cushing and Nigel Sto

  • Ronnie Barker - A Home Of Your OwnRonnie Barker - A Home Of Your Own | DVD | (07/08/2006) from £4.99   |  Saving you £5.00 (100.20%)   |  RRP £9.99

    A groundbreaking comedy and a subtle satire of the UK building industry in the 1960s (which is still frighteningly relevant today!) an excellent cast of comedians in their early days (Ronnie Barker Richard Briers Peter Butterworth Bernard Cribbins) will have you rolling in the aisles!

  • Naked Lunch [1991]Naked Lunch | DVD | (26/07/2004) from £19.99   |  Saving you £N/A (N/A%)   |  RRP £19.99

    You are now entering Interzone, William S Burroughs' phantasmagorical land of junk, paranoia and crawly things. Best travel advice: "Exterminate all rational thought". In David Cronenberg's superbly shot, unnerving warp on the Burroughs novel, Naked Lunch, the novelist himself becomes a main character (played in an implacable monotone by Peter Weller), with elements from Burroughs' life--including the shooting of his wife during a "William Tell" game, and bohemian friends Kerouac and Ginsberg--added to frame the book's wild visions. This is, ironically, a somewhat rational approach to an unfilmable book (and it makes a hair-curling double bill with Barton Fink, another look at writerly madness, with both films sharing Judy Davis). Cronenberg is a natural for oozing mugwumps and typewriters that turn into giant bugs, of course. But in the end, this is really his own vision of the artistic process, rather than Burroughs' hallucinatory descent into hell. --Robert Horton, Amazon.com

  • Doctor Who - Resurrection Of The Daleks [1984]Doctor Who - Resurrection Of The Daleks | DVD | (18/11/2002) from £10.88   |  Saving you £9.11 (83.73%)   |  RRP £19.99

    The Doctor Who adventure "Resurrection of the Daleks" marked the Doctor's first encounter with his most famous foe since 1979's "Destiny of the Daleks" five years earlier, and Peter Davison's only full-scale battle with the cybernetic aliens. Weakened by a Movellan virus the Daleks assault a space station prison where Davros is being held. The Daleks plan to use duplicates of the Doctor and his companions to assassinate leading Timelords, and further duplicates to take over the Earth. The action is split between the space station and abandoned London riverside warehouses, and is notable for its grim tone and high body count. The duplicate police-assassins recall the Autons from the Jon Pertwee "Spearhead from Space" (1970) and proved controversial on original broadcast. Also notable is that although the show was designed as a four-part adventure it was transmitted in two double-length episodes. This edition presents the story in the original four parts. Meanwhile there are more than the usual quota of name guest stars, including Rodney Bewes, Rula Lenska and Lesley Grantham. The tale also marks Janet Fielding's final appearance as Tegan. In every respect this is a key adventure in the history of Doctor Who, even if the tense, incident-packed story is ultimately weighed down by too many elements to resolve them all satisfactorily. On the DVD: Doctor Who: Resurrection of the Daleks is accompanied by a warm and highly jocular commentary from Peter Davison, Janet Fielding and director Mathew Robinson. A new 18-minute "On Location" documentary intriguingly revisits the now upmarket waterfront locations with interviews featuring producer John Nathan Turner, writer Eric Saward and Matthew Robinson. A seven-minute clip from Breakfast Time spotlights Janet Fielding and John Nathan-Turner, and composers Brian Hodgson and Malcolm Clarke. Also included are seven minutes of deleted and extended scenes, a BBC1 trailer and a photo gallery that plays automatically for three minutes, set to sound effects. There is optional on-screen information text and selectable subtitles for the programmes and commentary. The sound is available in broadcast mono, a remarkably effective Dolby Digital 5.1 remix, and as a mono music only track. TARDIS Cam No. 4 is a very short new digital animation. --Gary S Dalkin

  • They Who Dare [1953]They Who Dare | DVD | (18/04/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

    During World War II a British Commando raiding party are despatched to Rhodes to destroy German airfields in a mission fraught with danger...

  • The Agatha Christie CollectionThe Agatha Christie Collection | DVD | (25/09/2006) from £69.89   |  Saving you £-29.90 (N/A%)   |  RRP £39.99

    Murder On The Orient Express: The first of several lavish Christie adaptations from producers John Brabourne and Richard Goodwin introducing Albert Finney as the first screen Hercule Poirot. This 1974 production of Agatha Christie's 1934 classic is a judicious mixture of mystery murder and nostalgia. Which member of the all-star cast onboard the luxurious train perforated the no-good American tycoon with a dagger twelve times? Was it Ingrid Bergman's shy Swedish missionary; or Vanessa Redgrave's English rose; Sean Connery as an Indian Army Colonel: Michael York or Jacqueline Bisset; perhaps Lauren Bacall; Anthony Perkins or John Gielgud as the victim's impassive butler. Finney spreads unease among them with subdued wit and finesse. Arguably the most successful screen adaptation of a Christie novel in addition to Bergman's Oscar for Best Supporting Actress 'Murder On The Orient Express' achieved nominations for Best Actor Screenplay Photography Costume Design and Music Score. (Dir. Sidney Lumet 1974) Death On The Nile: Peter Ustinov makes his debut as Agatha Christie's brilliant Belgian detective Hercule Poirot in this lavish and star-studded follow-up to Murder On The Orient Express:. As Poirot enjoys a luxurious cruise down the Nile a newlywed heiress is found murdered on board and every elegant passenger becomes a prime suspect. Can Poirot identify the killer and motive before the ship of clues reaches the end of its murderous journey? Bette Davis David Niven Angela Lansbury Maggie Smith Mia Farrow George Kennedy Olivia Hussey Simon MacCorkindale Jane Birkin Jack Warden and Lois Chiles co-star in this sumptuous Oscar-winning classic adapted by Anthony Shaffer (Sleuth) and filmed on location throughout exotic Egypt. (Dir. John Guillermin 1978) The Mirror Crack'd: Mirror mirror on the wall who is the murderer among them all? The year is 1953. The small English village of St. Mary Mead home to Miss Jane Marple is delighted when a big American movie company arrives to make a movie telling of the relationship between Jane Grey and Elisabeth I starring the famous actresses Marina Rudd and Lola Brewster. Marina arrives with her husband Jason and when she discovers that Lola is going to be in the movie with her she hits the roof as Lola and Marina loathe each other on sight. Marina has been getting death threats and at a party at the manor house Heather Babcock after boring Marina with a long story drinks a cocktail made for Marina and dies from poisoning. Everybody believes that Marina is the target but the police officer investigating the case Inspector Craddock isn't sure so he asks Miss Marple his aunt to investigate... (Dir. Guy Hamilton 1980) Evil Under The Sun: Evil is everywhere. Even in paradise... Hercule Poirot is called in to investigate a case for an insurance company regarding firstly a dead woman's body found on a moor and then a important diamond sent to the company to be insured turns out to be a fake. Poirot discovers that the diamond was bought for Arlena Marshall by Sir Horace Blatt and Arlena is on her honeymoon with her husband and step-daughter on a tropical island hotel. He joins them on the island and finds that everybody else starts to hate Arlena for different reasons - refusing to do a stage show stopping a book and for having an open affair with Patrick Redfern another guest in full view of his shy wife. So it's only a matter of time before Arlena turns up dead strangled and Poirot must find out who it is.... (Dir. Guy Hamilton 1982)

  • Around The World In 80 Days [1988]Around The World In 80 Days | DVD | (05/07/2004) from £12.45   |  Saving you £0.54 (4.34%)   |  RRP £12.99

    Along with a glittering star-studded cast follow Phileas Fogg on his journey around the world. Phileas wagers that he can circumnavigate the world in a mere 80 days - and vows to leave that very night taking only some necessary cash in a carpet bag and his newly hired manservant Jean Passepartout. Adding to the excitement an English detective relentlessly pursues them throughout the journey that takes our hero to the World's most exotic locations by land sea and air.

  • The Smallest Show On Earth [1957]The Smallest Show On Earth | DVD | (08/07/2002) from £20.37   |  Saving you £-7.38 (N/A%)   |  RRP £12.99

    An amiable knock-off of the Ealing comedy style, The Smallest Show on Earth starts with aspiring novelist Bill Travers and his "nice gel" wife Virginia McKenna inheriting a cinema from a hitherto unknown uncle and discovering that it isn't the sumptuous modern Grand, which specialises in those "smash 'em in the face, knock 'em over the waterfront" pictures, but the decrepit Bijou, known locally as "the fleapit". The initial plan, set up by lawyer Leslie Phillips, is to sell off the cinema to the owner of the Grand so he can knock it down to make a car park, but our heroes are put off by the arrogant bullying of the rival manager (Francis De Wolff) and succumb to the inept charms of the crazed, aged staff--drunken projectionist Peter Sellers, doddery commissionaire Bernard Miles and dotty ticket lady Margaret Rutherford (who joined the team as a piano accompanist). In the 1950s, there was a run of gentle British comedies in which outmoded and broken-down local institutions (steam trains, tugboats, vintage cars) were saved by collections of committed eccentrics who despised the new-fangled bus services or soulless council bureaucracies and were willing to resort to a little larceny (in this case, arson). The Smallest Show slots in perfectly with the cycle, getting laughs from the Bijou's already outmoded programme of scratchy Westerns and desert dramas (which increase ice cream sales) and sentiment over the staff's midnight screenings of silent movies that remind them of better days. It's likeable rather than hilarious, with Sellers and Miles buried under crepe hair and fake wrinkles competing to out-dodder each other and losing the picture to the inimitable Rutherford, who doesn't have to fake her eccentricity. Pin-up, June Cunningham, is the glamorous usherette and Sid James plays her annoyed Dad. On the DVD: The Smallest Show on Earth is presented in a decent print, but with no extras. The film is also available as part of the four-disc Peter Sellers Collection. --Kim Newman

  • The Last Remake of Beau Geste [DVD]The Last Remake of Beau Geste | DVD | (24/01/2011) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

    Following his unforgettable performances in Mel Brooks' Young Frankenstein and Silent Movie Marty Feldman wrote directed and starred in his own classic spoof. He plays Digby Geste the 'identitcal' twin brother to Beau (Michael York) but without his dashing sibling's do-or-die heroics. When a priceless family heirloom is stolen their fates are sealed the lunacy escalates and the laughs come thick and fast.

  • Everybody Loves Raymond - Series 6Everybody Loves Raymond - Series 6 | DVD | (10/02/2006) from £17.93   |  Saving you £17.06 (95.15%)   |  RRP £34.99

    Ray Barone seemingly has it all. A wonderful wife a beautiful family a great job a nice house on Long Island. There's only one problem...His obnoxious parents (who live across the street) and his jealous brother are always getting in the way! The complete sixth season of HBO's award winning comedy Everybody Loves Raymond. Episode Comprise: 1. The Angry Family 2. No Roll! 3. Odd Man Out 4. Ray's Ring 5. Marie's Sculpture 6. Frank Goes Downstairs 7. Jealous Robert 8. It's Supposed To Be Fun 9. Older Woman 10. Raybert 11. The Kicker 12. Season's Greetings 13. Tissues 14. Snow Day 15. Cookies 16. Lucky Suit 17. The Skit 18. The Breakup Tape 19. Talk To Your Daughter 20. A Vote For Debra 21. Call Me Mom 22. Mother's Day 23. The Bigger Person 24. The First Time 25. The First Six Years

  • Wild Orchid [1990]Wild Orchid | DVD | (16/09/2002) from £44.32   |  Saving you £-31.33 (N/A%)   |  RRP £12.99

    Soft-porn impresario Zalman King's Wild Orchid is supposed to be an "erotic drama", but it fails because there isn't the faintest semblance of chemistry between the three main players. "From the creators of 9 ½ Weeks comes the most eagerly awaited film of the year", trumpets the voice-over on the trailer, but therein lies the problem: in 9 ½ Weeks Mickey Rourke smouldered with Kim Basinger. In Wild Orchid, things have wilted before he even gets on screen. There is a vague semblance of plot: young, naïve, beautiful multilingual lawyer Emily (Carré Otis) is hired to help the obnoxious Claudia (Jacqueline Bisset), a big-time developer, to close a major property deal in Rio. Wheeler (Mickey Rourke) is the poor kid made good who proves the fly in the ointment. Bisset is supposed to have developed an obsession with the emotionally constipated Rourke after he rejected her. And Otis is supposed to be the one who eventually gets under his skin. But child-model turned actress Otis seems to be having trouble getting her swollen lips round a whole sentence at a time, let alone acting. The film dates from 1990 yet seems firmly stuck in the 1980s, from the obsession with all things commercial to the ludicrous fashion-sense (Rourke: big jacket, no shirt, lots of gold jewellery; Otis: virginal flowing dresses and tresses to match). And the sex scene, when it finally arrives in the dying moments, is brief and entirely unerotic. Brazil looks good though. On the DVD: Wild Orchid on disc has acceptable sound and picture, but the lack of any extra features is not impressive. When you get bored you can always amuse yourself by selecting from the substantial list of subtitles. --Harriet Smith

Please wait. Loading...