On Sunday 22nd July 2012, watched by a UK audience of nearly 4 million viewers, Bradley Wiggins crossed the finish line of the world's greatest race wearing the famous 'maillot jaune' to become the first British winner of Le Tour de France.
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nailbitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: International Rescue's very first adventure provides a template for all the rest: in "Trapped in the Sky" an experimental new aircraft becomes the target of an evil Bond-style megalomaniac who wants to get his hands on all the neat pieces of kit operated by the Tracey siblings. The show introduces, in fetishistic detail, the recurring set-pieces: Thunderbird 1 taking off from the roll-back swimming pool, which pod will Thunderbird 2 use this week--the mole or the submarine perhaps?--and so on. Nostalgia fans will be pleased to learn that despite digital remastering the puppet strings are still in evidence, and no amount of high-tech restoration could remove the clunky expository dialogue: Stewardess: "It's the maiden flight of the new atomic-powered Fireflash." Passenger: "Isn't that the new aircraft that flies six times the speed of sound?" Stewardess: "That's right, but don't worry: it's perfectly safe." [Cut to: interior, Fireflash landing gear, a device clearly labelled "Auto-Bomb Detonator Unit"] Sinister bad guy (talking to himself for no readily apparent reason): "Perfect. Enough explosives to smash the Atomic Reactor." In the second episode, "Pit of Peril", an absurdly impractical US Army vehicle falls into the eponymous pit, necessitating use of pod five, the mole. Joy! Lady Penelope indulges in some James-Bond-style counter-espionage measures in the third episode, "The Perils of Penelope", while Parker indulges some of his famous Eliza Dolittle-isms; although he is trumped by the Cary Grant sound-a-like character Sir Jeremy Hodge (or 'odge as Parker would have it), whose response to a crisis is, "I say, open the door, we're British!". Then it's back to the action for the fourth episode, "Terror in New York City", in which poor Virgil is shot down by the US Navy in Thunderbird 2 before the boys must rescue an unscrupulous newshound from the wreckage of the Empire State Building (featuring the first appearance of their very own yellow submarine, Thunderbird 4) --Mark Walker
The mean and desolate streets of Brooklyn are home to a host of unhappy hopeless characters stuck in dead-end lives. A young prostitute emotionally numb from having sold her body so many times regularly leads her prospective clients to a dark alley where a gang beats and robs them; an office worker cannot deal with his repressed homosexuality; and a young girl's father refuses to admit that she is eight months pregnant. All these stories take place in a world waiting to explode: local workers are engaged in an angry strike against a nearby factory while not too far away at the Brooklyn Navy Yard soldiers sail daily for Korea many never to return. The personal and the political intermingle in this bleak look at poverty drugs and violence in the inner-city in the early 1950s based on Hubert Selby Jr's controversial book. Jennifer Jason Leigh received the Best Supporting Actress Award from the New York Film Critics Circle in 1990 for her work in this film.
Renowned producer Irwin Allen (The Master Of Disaster) produces and directs an all-star cast including Joan Fontaine Barbara Eden Peter Lorre and Frankie Avalon. The stunning visual effects and breathtaking underwater photography make this one of the most respected sci-fi adventure classics of all time. A routine scientific expedition to the North Pole turns into a race to save all mankind when a radiation belt in space causes a fiery inferno on Earth. Admiral Nelson (Walt
Really good feature films about animals are as rare as hen's teeth. Based on the classic novel by Henry Williamson, Tarka the Otter is one of the very best. This is one of those highly unusual films told almost entirely from an animal's point of view, yet which refrains from Disney-style sentimentality and anthropomorphism. Set in 1920s England, the film simply follows the life of an otter, and shot over a period of two years captures the glory of the English countryside with some magnificent cinematography. Drama comes not just from the daily struggle to survive, but from the ever present threat of human hunters, and from the vicious otter hound, Deadlock. With narration by Peter Ustinov and a screenplay by the naturalist and author Gerald Durrell Tarka the Otter is a British film classic. While a family film, it is a realistic portrayal of the countryside, and as such contains some scenes that young children and animal lovers may find upsetting. The only other notable feature to star an otter is Ring of Bright Water (1969), while The Bear (1988) is another rare movie to tell its tale from the animal's perspective. --Gary S Dalkin
Celebrating twenty years of classic Carry On films two of the film's best loved stars Kenneth Williams and Barbara Windsor return to Pinewood Film Studios to unwrap some rib-tickling moments to the series. From the original military mayhem of 'Carry On Sergeant' through to the really ancient archaeological gags of 'Carry On Behind' our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made. With a cast
Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series All Creatures Great and Small continued to satisfy the Herriot hysteria of the British public.
More Stories from Jackanory. Featuring four wonderful narrations of classic children's stories taken from the hugely popular BBC series Jan Francis reads J M Barrie's Peter Pan while Penelope Wilton goes on a special journey in Alice's Adventures in Wonderland. Peter Davison reads Lewis Carroll's enchanting tale of Alice Through the Looking Glass and the heart-rending adventure of a little pig called Wilbur is told by Connie Booth in Charlotte's Web
Victim...or killer? A young chauffeur after marrying his beautiful and wealthy boss thinks he has it all until he finds that their 'dream' house is more of a nightmare to inhabit. After taking up residence their lives take a decided change for the worse...
Two brothers team up to battle a creature under the bed, in what is being described as a 'suburban nightmare' tale.
Ten canoes, three wives, one hundred and fifty spears...trouble. From a land not so far away, comes a film unlike anything you have ever seen.
In the privacy of a girls' school he sought his prey - turning innocent beauty into a thing of unspeakable horror!
Based on James Herriot's autobiographical best sellers If Only They Could Talk and It Shouldn't Happen to a Vet the long running TV series All Creatures Great and Small is back with Series 7!
Twelve-year-old Owen has always wanted a dog but hasn't reckoned for Hubble, an interplanetary scout from the Dog Star Sirius!
As the empire kneeled in defeat one man stood in triumph. In 42 BC Rome is in the middle of a civil war. Together with his friend Agrippa the young Augustus goes to Spain in order to help Julius Caesar in his struggle against the troops of Pompey. Caesar honours his adopted son Augustus with a triumphal entry into Rome and then sends him to Greece together with his friends Agrippa and Maecenas. There Augustus hears the news of Caesar's assassination and he returns to Rome with his friends. Back in Rome he is able to gain both the support of the people and political power. In his struggle with the conspirators against Caesar he finds an ally in Marc Antony. Augustus and Marc Antony are able to defeat the forces of Brutus and Cassius at the battle of Phillipi. But now Augustus has to share his empire with Marc Antony who in the meantime has become the lover of the Egyptian queen Cleopatra. Augustus declares war on both of them and after a successful military campaign he becomes the sole ruler of the Roman Empire. During his rule Rome not only experiences a period of peace and prosperity it is also an age in which both art and culture flourish. His new wife Livia Drusilla becomes his most important political advisor. It is she who discovers that Iullus (the son of Marc Antony and lover of Augustus' daughter Julia) is plotting to murder the emperor...
Renowned British filmmaker Terence Davies' most ambitious film to date, SUNSET SONG, adapted from the classic novel by Scottish writer Lewis Grassic Gibbon, is set for release in the UK and Ireland on 4 December 2015 through Metrodome Distribution. The film will receive its World Premiere at this year's Toronto International Film Festival; a UK Premiere at the BFI London Film Festival where it screens in Official Competition, plus a special Scottish Premiere closer to release. SUNSET SONG stars Agyness Deyn (PUSHER and the Coen Brothers' forthcoming HAIL, CAESAR), Peter Mullan (TYRANNOSAUR, WAR HORSE) and Kevin Guthrie (SUNSHINE ON LEITH). Told with gritty poetic realism by Britain's greatest living auteur, Terence Davies, SUNSET SONG laments the devastation of war and pays fine tribute to the endurance of the land. Set in a rural Scottish community, SUNSET SONG is driven by the young heroine Chris (Agyness Deyn) and her intense passion for life, the unsettled Ewan (Kevin Guthrie) and for the unforgiving land. The impact of the First World War is felt from afar, bringing the rapidly changing modern world to bear on this community in the harshest possible way. Yet, in a final moment of grace, Chris endures the great hardships. Now a woman of remarkable strength, she is able to draw from the ancient land in looking to the future. SUNSET SONG is an epic in emotional scale and deeply romantic at its core.
A genetic mutation sees a flock of New Zealand sheep develop a taste for humans in this hilarious splatterfest.
Ira Levin's scary novel about forced conformity in a small Connecticut town made the Stepford Wives a compelling 1975 thriller. Katharine Ross stars as a city woman who moves with her husband to Stepford and is startled by how perpetually happy many of the local women seem to be. Her search for an answer reveals a plot to replace troublesome real wives with more accommodating fake ones (not unlike the alien takeover in The Invasion of the Body Snatchers). The closer she gets to the truth, the more danger she faces--not to mention the likelihood that the men in town intend to replace her as well. Screenwriter William Goldman (Butch Cassidy and the Sundance Kid) and director Bryan Forbes (King Rat) made this a taut, tense semi-classic with a healthy dose of satiric wit. --Tom Keogh, Amazon.com
The Human Centipede: First SequenceFilm Director Tom Six's Award winning vision begins with The Human Centipede (First Sequence). Here we are introduced to retired surgeon Dr Heiter, a man who harbours a sick lifetime fantasy of being the first person to create a Siamese triplet. He just requires the necessary pieces. Two pretty American girls walk unwittingly up to his door in search of help when their car breaks down and find themselves on his operating table, alongside another hapless Japanese tourist Heiter has acquired for his project. In 100% medically accurate detail Dr Heiter first describes to his ensnared patients the operation which will take place in order to conjoin them via their gastric systems, then commences his twisted surgery to create The Human Centipede. The Human Centipede 2: Full SequenceLike a Centipede's segments The Human Centipede (First Sequence) is inextricably joined to The Human Centipede 2 (Full Sequence) where we find mentally disturbed car park attendant Martin obsessed with watching Tom Six's film. Pushed to the brink by his belligerent mother and haunted by the teasing voices of his abusive and imprisoned father, Martin plans to emulate Heiter's Centipede by creating his own version. In brutal juxtaposition Martin has no surgical skills, nor access to surgical implements. Anaesthesia is replaced by crowbar, stitches and sutures replaced by staple guns and duct tape, scalpels replaced by various household tools. What follows is one of the most harrowing and terrifying films ever conceived. First Sequence Special Features: Full Length Commentary with Director Tom Six Q and A with Director Tom Six and Actor Dieter Laser Two Interviews with Director Tom Six Original Theatrical Trailer Behind the Scenes Foley Session Casting Session Deleted Scene Full Sequence Special Features: DTS-HD MA 5.1 Surround Sound Interview with Director Tom Six Behind the Scenes Foley Session Deleted Scene
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