San Francisco architect Max Klein can see clearly now. He's been transformed ever since he stared death in the face and discovered he was unafraid.Peter Weir (Witness) directs Fearless, the vivid story of how a near-death experience impacts the lives of three people. Jeff Bridges plays Max, more wildly alive and taking more risks than ever since surviving a plane crash. Isabella Rossellini is Laura, struggling to find in Max the man she married. And Rosie Perez, 1993 Academy Award® nominee and Los Angeles, Boston and Chicago Film Critics Award winner Best Supporting Actress, is fellow crash survivor Carla: alive, yet devastated by a grievous loss. It seems no one can heal her pain. But then she meets the one person who fearlessly knows how.
It's Nanny Hettie to the rescue when British Intelligence Agent Lord Southmere is captured by Chinese agent Hnup Wan. Hettie is the only one who knows Southmere's secret: he has stolen a piece of top-secret microfilm from a Chinese warlord and hidden it in the skeleton of a dinosaur in a London museum. Aided by a small army of fellow nannies Hettie saves the day by foiling Wan and his gang.
San Franciscan Police Officer Frank Connor has to go to desperate measures to find a suitable bone marrow donor for his critically ill son. The perfect match is a homicidal sociopath serving a life sentence who escapes from prison while being transferred to hospital. The race is on to recapture him and he has to be alive.
When John Travolta first opens his mouth during the opening credits of The General's Daughter and speaks in a terrible Southern cracker drawl, one briefly hopes the movie will turn out to be just as hilariously bad. Unfortunately, the accent is soon revealed to be part of a disguise, and the movie is just as quickly unveiled as a clumsy, run-of-the-mill potboiler, too mediocre to be truly hysterical fun. A female officer is discovered strangled and tied to the ground; she's the title character, and because of the general's political ambitions, the mystery of who did it and why has to be wrapped up in 36 hours by Travolta and fellow CID officer Madeleine Stowe (Last of the Mohicans, 12 Monkeys). Sexual violence and lurid S&M have been thrown in to shore up the incomprehensible plot, but that only adds to the queasy atmosphere. The supporting actors--an impressive collection including James Woods (Salvador), Timothy Hutton (Ordinary People), and James Cromwell (Babe, L.A. Confidential)--don't embarrass themselves, but even they can't make sense of their blustering, macho dialogue. It's amazing that, screenwriter William Goldman (who wrote such great and genuinely thrilling films as Butch Cassidy and the Sundance Kid, Marathon Man, All the President's Men and Misery) left his name attached to this script; there's no sign of his usual skill and intelligence. Madeleine Stowe, a graceful presence in any film, is equally wasted. It was directed with a lot of empty flash by Simon West (Con Air). --Bret Fetzer, Amazon.com
When a couple of small town cops stumble upon a pile of cash after a criminal's drug deal goes bad they decide to keep the money. However is there honour amongst even these usually law abiding thieves?
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