No matter how hard you look, the brutal truth of the Robocop Trilogy is that theres only one film in there thats consistently worthy of your attention. Yet this keenly priced boxset does offer a chance to look at the two subsequent sequels with the benefit of a high-definition upgrade. And while both have major problems, they still make for intriguing viewing. The original first, though. Robocop is a bone-fide science fiction masterpiece, an hour and a half of satire, violence, humour and the future of law enforcement. Theres a fairly conventional good vs evil story at the heart of it, yet this is nonetheless an ambitious film, gloriously realised on a low budget. The sequel, Robocop 2, tries its damnedest to mirror the original, but it stumbles several times, not least for failing to carve out an identity of its own. So keen is it to be reverent to what went before, that the film suffers. But there are ideas here, and moments that make the movie well worth sitting through. The third? Well, Robocop 3 is car crash cinema, sadly. Shoddy effects, and a decision to tame down the violent edge for a more child-friendly rating costs the film dear. Its entertaining, albeit not for the right reasons. Yet this remains a fascinating trilogy, boasting one excellent movie, one intriguing failure, and one film thats as far removed from what made Robocop so interesting in the first place that its almost hard to resist. --Jon Foster
The definitive RoboCop documentary has landed! A 4-part limited series spanning nearly 5 hours, get ready to deep-dive into the making of the seminal 80s sci-fi sensation, a film that pushed boundaries and inspired a whole generation. Featuring brand new interviews with BAFTA-nominated RoboCop Director, Paul Verhoeven, plus a host of stars from the original trilogy including Peter Weller, Nancy Allen, Ray Wise, Kurtwood Smith, Ronny Cox, and the late Miguel Ferrer, and complete with exclusive behind the scenes materials, this comprehensive new take on the story from the makers of Pennywise The Story of IT offers something completely unique to the making of format, fully immersing viewers into the world of 80s filmmaking. The complete series is set across two discs, with the Special Edition Blu-Ray featuring a further fantastic 60 mins of RoboCop bonus content and UK-exclusive A4 poster and art cards! BONUS MATERIALMeet the MakersThe Weapons of RobocopRobo Cast QuotesArt of the Steel Call To Action Guns Guns GunsPart Gan Part Machine All Video Game Roboteam Assemble A4 poster4 art cards
In a dystopic and crime-ridden Detroit, a terminally wounded cop returns to the force as a powerful cyborg haunted by submerged memories.
When it arrived on the big screen in 1987, Paul Verhoeven's RoboCop was like a high-voltage jolt of electricity, blending satire, thrills, and abundant violence with such energized gusto that audiences couldn't help feeling stunned and amazed. The movie was a huge hit, and has since earned enduring cult status as one of the seminal science fiction films of the 1980s. Followed by two sequels, a TV series, and countless novels and comic books, this original RoboCop is still the best by far, largely due to the audacity and unbridled bloodlust of director Verhoeven. However, the reasons many enjoyed the film are also the reasons some will surely wish to avoid it. Critic Pauline Kael called the movie a dubious example of "gallows pulp," and there's no denying that its view of mankind is bleak, depraved, and graphically violent. In the Detroit of the near future, a policeman (Peter Weller) is brutally gunned down by drug-dealing thugs and left for dead, but he survives (half of him, at least) and is integrated with state-of-the-art technology to become a half-robotic cop of the future, designed to revolutionize law enforcement. As RoboCop holds tight to his last remaining shred of humanity, he relentlessly pursues the criminals who "killed" him. All the while, Verhoeven (from a script by Edward Neumeier and Michael Miner) injects this high-intensity tale with wickedly pointed humour and satire aimed at the men and media who cover a city out of control. --Jeff Shannon, amazon.com
He's RoboCop. And in the near future he's law enforcement's only hope. A sadistic crime wave is sweeping across America. In Old Detroit the situation is so bad a private corporation Omni Consumer Products (OCP) has assumed control of the police force. The executives at the company think they have the answer - until the enforcement droid they create kills one of their own. Then an ambitious young executive seizes the opportunity. He and his research team at Security Concept
RoboCop, from Orion Pictures, marked Flesh + Blood director Paul Verhoeven's Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back on 4K Ultra-HD Blu-ray in a restored Director's Cut, packed with hours of brand new bonus features. Product Features 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options Optional English subtitles for the deaf and hard of hearing Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) Commentary by film historian Paul M. Sammon Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures' The Prodigy) Truth of Character, an interview with star Nancy Allen on her role as Lewis Casting Old Detroit, an interview with casting director Julie Selzer on how the film's ensemble cast was assembled Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a tour of super-fan Julien Dumont's collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR) Two theatrical trailers and three TV spots Extensive image galleries Reversible sleeve featuring original and newly commissioned artwork by Paul Shipper
Exterminate All Rational Thought! In a career dedicated to seeing the unseeable and filming the unfilmable, perhaps only David Cronenberg could really do justice to William S. Burroughs' controversial novel, Naked Lunch. Weaving together elements of Burroughs' own remarkable biography with the content of the book, Cronenberg's film steps inside the body and mind of an author to depict the dangerous act of imagination itself from the inside out. Former junkie William Lee (Peter Weller, RoboCop) makes ends meet as an exterminator. But when he and his wife Joan (Judy Davis, Barton Fink) discover the hallucinatory properties of the powder he uses to kill bugs, they become hooked, and their world is changed forever. Insects speak, typewriters mutate and talk, interdimensional beings reveal themselves, identities fracture and blur; nothing and no one is quite what it seems. When Bill, under the influence of drugs, or the bugs that have begun talking to him, shoots his wife, he flees to Interzone, at once a place and a state of mind, where things only get stranger. Winner of Best Picture, Best Direction, and Best Screenplay at the 1992 Genie Awards and winner of the National Society of Film Critics Award for Best Director, the film also features a superb supporting cast including Roy Scheider (Jaws) and an astonishing score by Howard Shore (The Fly), featuring Ornette Coleman. Naked Lunch is provocative, transgressive, and surreal - a feast for the senses, where nothing is true and everything is permitted. Product Features 4K restoration from the original camera negative overseen by director of photography Peter Suschitzky and approved by director David Cronenberg Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx Disc 1 - Feature High Definition (1080p) Blu-ray presentation Original lossless 2.0 stereo audio and 5.1 audio Optional English subtitles for the deaf and hard of hearing Audio commentary by director David Cronenberg Audio commentary by film historian Jack Sargeant and screenwriter Graham Duff Disc 2 - Extras Naked Attraction, an interview with legendary producer Jeremy Thomas Exterminate All Rational Thought, an interview with star Peter Weller Peter Suschitzky on Naked Lunch, an interview with the celebrated director of photography Naked Flesh, an interview with special effects artist Chris Walas A Ballad for Burroughs, an interview with composer Howard Shore Tony Rayns on William S. Burroughs, an interview with the renowned writer and critic David Huckvale on Naked Lunch, an interview taking a closer look at one of Shore's most unusual film scores A Ticket to Interzone, a visual essay by critic David Cairns Naked Making Lunch, archival making-of documentary directed by Chris Rodley presented in a scan from the director's personal 16mm print and viewable with an audio interview with Rodley discussing his connection to Cronenberg and the process of making Naked Making Lunch Concept Art Gallery, a collection of drawings and maquettes for the creatures of Naked Lunch by Stephan Dupuis Theatrical trailer Image galleries, including stills from the set courtesy of Chris Rodley
Synopsis TBC
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
After 10 years of devastating warfare on Planet Sirius 6B a distant mining planet Commander Joseph Hendricksson (Peter Weller) is assigned to protect his outpost from the New Economic Block. His scientists have created a perfect weapon designed to destroy all enemy life - a blade wielding self-replicating race of killing devices known as Screamers. But something has gone wrong - the Screamers continue to evolve without any human guidance cloning themselves into human form and obliterating all forms of human life. Betrayed by his own political leaders and disgusted by the atrocities of the endless war Hendricksson decides he must negotiate peace with the enemy. But to do so he must first destroy the very weapon he helped to create - the Screamers!
Your only hope is Buckaroo Banzai From the writer of Invasion of the Body Snatchers and Big Trouble in Little China comes a pop-sci-fi adventure that defies convention and went on to become one of the cult hits of the 80s. Peter Weller is Buckaroo Banzai a physicist-neurosurgeon-martial arts master-secret agent-rock star who has just made history with his invention the Oscillation Overthruster. The Overthruster allows him to travel to the 8th Dimension but this feat draws the attention of the Red Lectroids an alien race (led by Christopher Lloyd) who have teamed up with Banzai’s nemesis the deranged Dr Lizardo (John Lithgow). Lizardo and the Red Lectroids are seeking the Overthruster to take over the world and Banzai with his team of agents/band musicians The Hong Kong Cavaliers must stop them before it’s too late! With strong references to sci-fi and pop culture that span Thomas Pynchon and Orson Welles Buckaroo Banzai is a film made by fans for fans and counts filmmakers including Wes Anderson and Kevin Smith among its admirers. Bonus Features: High Definition Digital transfer of the film from original elements by MGM 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary with writer-director W.D. Richter and Reno (writer Earl Mac Rauch) Q&A with stars Peter Weller and John Lithgow moderated by filmmaker Kevin Smith filmed at Lincoln Center New York Buckaroo Banzai Declassified - An original featurette on the making of the film featuring W.D. Richter stars Peter Weller Ellen Barkin John Lithgow and more! Visual essay by critic and author Matt Zoller Seitz Alternate opening featuring Jamie Lee Curtis Closing sequence Deleted scenes featuring fourteen scenes from the workprint New Jet Car Trailer and Teaser Trailer Gallery Trivia track by Pinky Carruthers Reversible sleeve featuring original and newly commissioned artwork by Matthew Griffin Booklet featuring new writing on the film by critic James Oliver illustrated with original stills
PART MAN, PART MACHINE, ALL COP. RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theatres in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive Blu-ray⢠presentation packed with hours of brand new bonus features and exclusive collectable packaging. Limited Edition Contents: 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven Newly commissioned artwork by Paul Shipper Director's Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray⢠discs Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Six collector's postcards (Limited Edition exclusive) Double-sided, fold-out poster (Limited Edition exclusive) Reversible sleeve featuring original and newly commissioned artwork Limited edition collector's booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition) Disc One Director's Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) New commentary by film historian Paul M. Sammon New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures' The Prodigy) Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film's ensemble cast was assembled Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a newly filmed tour of super-fan Julien Dumont's collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes Two theatrical trailers and three TV spots Extensive image galleries Disc Two Theatrical Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film) Two Isolated Score tracks (Composer's Original Mix and Final Theatrical Mix) in lossless stereo Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only) Split screen comparison of Theatrical and Director's Cuts RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements
Exterminate All Rational Thought! In a career dedicated to seeing the unseeable and filming the unfilmable, perhaps only David Cronenberg could really do justice to William S. Burroughs' controversial novel, Naked Lunch. Weaving together elements of Burroughs' own remarkable biography with the content of the book, Cronenberg's film steps inside the body and mind of an author to depict the dangerous act of imagination itself from the inside out. Former junkie William Lee (Peter Weller, RoboCop) makes ends meet as an exterminator. But when he and his wife Joan (Judy Davis, Barton Fink) discover the hallucinatory properties of the powder he uses to kill bugs, they become hooked, and their world is changed forever. Insects speak, typewriters mutate and talk, interdimensional beings reveal themselves, identities fracture and blur; nothing and no one is quite what it seems. When Bill, under the influence of drugs, or the bugs that have begun talking to him, shoots his wife, he flees to Interzone, at once a place and a state of mind, where things only get stranger. Winner of Best Picture, Best Direction, and Best Screenplay at the 1992 Genie Awards and winner of the National Society of Film Critics Award for Best Director, the film also features a superb supporting cast including Roy Scheider (Jaws) and an astonishing score by Howard Shore (The Fly), featuring Ornette Coleman. Naked Lunch is provocative, transgressive, and surreal - a feast for the senses, where nothing is true and everything is permitted. Product Features 4K restoration from the original camera negative overseen by director of photography Peter Suschitzky and approved by director David Cronenberg 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDr10 compatible) Original lossless 2.0 stereo audio and 5.1 audio Optional English subtitles for the deaf and hard of hearing Audio commentary by director David Cronenberg Audio commentary by film historian Jack Sargeant and screenwriter Graham Duff Naked Attraction, an interview with legendary producer Jeremy Thomas Exterminate All Rational Thought, an interview with star Peter Weller Peter Suschitzky on Naked Lunch, an interview with the celebrated director of photography Naked Flesh, an interview with special effects artist Chris Walas A Ballad for Burroughs, an interview with composer Howard Shore Tony Rayns on William S. Burroughs, an interview with the renowned writer and critic David Huckvale on Naked Lunch, an interview taking a closer look at one of Shore's most unusual film scores A Ticket to Interzone, a visual essay by critic David Cairns Naked Making Lunch, archival making-of documentary directed by Chris Rodley presented in a scan from the director's personal 16mm print and viewable with an audio interview with Rodley discussing his connection to Cronenberg and the process of making Naked Making Lunch Concept Art Gallery, a collection of drawings and maquettes for the creatures of Naked Lunch by Stephan Dupuis Theatrical trailer Image galleries, including stills from the set courtesy of Chris Rodley Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx
PART MAN, PART MACHINE, ALL COP RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive Blu-ray⢠presentation packed with hours of brand new bonus features. Steelbook Contents: 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven Director's Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray⢠discs Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Limited edition collectors' booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth Disc One Director's Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) New commentary by film historian Paul M. Sammon New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures' The Prodigy) Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film's ensemble cast was assembled Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a newly filmed tour of super-fan Julien Dumont's collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes Two theatrical trailers and three TV spots Extensive image galleries Disc Two Theatrical Cut Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film) Two Isolated Score tracks (Composer's Original Mix and Final Theatrical Mix) in lossless stereo Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only) Split screen comparison of Theatrical and Director's Cuts RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements
Brilliant brain surgeon Banzai has just made scientific history. Shifting his Oscillation Overthruster into warp speed he's the first man ever to travel to the Eight Dimension...and come back sane! But when his sworn enemy the demented Dr. Lizardo devises a plot to steal the Overthruster and bring an evil army of aliens back to destroy Earth Buckeroo goes cranium to cranium with the madman in an extra-dimensional battle that could result in total annihilation of the universe.
Another night falls over Gotham City and with the darkness out crawls the crime and villainy from the shadows. The days of The Batman and other noble super heroes are but faded memories; violence and despair are now the harbingers of our time. But one event will set a change into motion: when Harvey Two Face Dent shuns a former rehabilitated life for a descent into corruption, an aged and weathered Bruce Wayne dons the mask and cape once more. With a stellar voice cast headed by Peter Weller, Ariel Winter and David Selby, this gritty DC Comics legend comes to life with unforgettable battles, thrilling chases and the promise of a better tomorrow for humanity, because there is nowhere for criminals to hide when the Dark Knight returns. Special Features: More from DC Comics: DC Brand Trailer Imagination of DC Thundercats Trailer A Sneak Peek at Batman: The Dark Knight Returns - Part 2 (Coming Soon) Superman/Batman: Public Enemies Her Name is Carrie... Her Role is Robin Two-Face Part One from Batman The Animated Series Two-Face Part Two from Batman The Animated Series Batman: The Dark Knight Returns (Digital Comic) The Dark Knight Rises Trailer Before Watchmen Trailer Batman and Me: The Bob Kane Story
101 Films presents Screamers (1995), an actionpacked scifi thriller starring Peter Weller (Robocop), based on Philip K. Dick's short story Second Variety, and title 013 on the 101 Films Black Label. The year is 2078. The man is rebel Alliance Commander Col. Joseph Hendricksson (Weller), assigned to protect the Sirius 6B outpost from ravage and plunder at the hands of the New Economic Bloc. His stateoftheart weaponry are known as Screamers: manmade killing devices programmed to eliminate all enemy life forms. Screamers travel underground, their intent to kill announced by piercing shrieks. They dissect their victims with sushi precision, then eradicate all traces of the carnage. They are lethal. Effective. Tidy. And somehow, they are mutating selfreplicating into human form and slaughtering every beating heart on the planet. Special Features: Brand New Extras Commentary with film critic Kevin Lyons Limited edition booklet: Includes In Space, No One Cares if You Scream' by Liam Hathaway and When the Machines Rock: Philip K. Dick and the Dystopian Dream' by Scott Harrison Additional Extras Northern Frights An interview with director Christian Duguay Orchestrating The Future An interview with producer Tom Berry More Screamer Than Human An interview with cowriter Miguel TejadaFlores From Runaway To Space An interview with actress Jennifer Rubin Theatrical Trailer
The ultimate action trilogy. Your move. The future of law enforcement does more than fight crime...RoboCop delivers nonstop action and pulse-pounding excitement at every turn! Here's your chance to experience the original part-man part-machine in 3 tough-as-steel RoboCop thrillers in one must-own trilogy.
You are now entering Interzone, William S Burroughs' phantasmagorical land of junk, paranoia and crawly things. Best travel advice: "Exterminate all rational thought". In David Cronenberg's superbly shot, unnerving warp on the Burroughs novel, Naked Lunch, the novelist himself becomes a main character (played in an implacable monotone by Peter Weller), with elements from Burroughs' life--including the shooting of his wife during a "William Tell" game, and bohemian friends Kerouac and Ginsberg--added to frame the book's wild visions. This is, ironically, a somewhat rational approach to an unfilmable book (and it makes a hair-curling double bill with Barton Fink, another look at writerly madness, with both films sharing Judy Davis). Cronenberg is a natural for oozing mugwumps and typewriters that turn into giant bugs, of course. But in the end, this is really his own vision of the artistic process, rather than Burroughs' hallucinatory descent into hell. --Robert Horton, Amazon.com
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