"Actor: Peter Woodthorpe"

• Inspector Morse - Disc 31 And 32 - Death Is Now My Neighbour / The Wench Is Dead | DVD | (30/09/2002) from £11.71   |  Saving you £3.28 (28.01%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 1 And 2 - The Dead Of Jericho / The Silent World Of Nicholas Quinn | DVD | (20/05/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  Two episodes from the popular TV detective series. The Dead Of Jericho Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely. But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Sergeant Lewis and their investigation into 'The Dead Of Jericho' is the beginning of a lasting partn

• Inspector Morse - Disc 17 And 18 - Fat Chance / Who Killed Harry Field | DVD | (15/07/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 25 And 26 - Cherubim And Seraphim / Deadly Slumber | DVD | (09/09/2002) from £6.40   |  Saving you £8.59 (134.22%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 9 And 10 - The Last Enemy / Deceived By The Flight | DVD | (24/06/2002) from £9.98   |  Saving you £7.00 (87.61%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 27 And 28 - Day Of The Devil / Twilight Of The Gods | DVD | (09/09/2002) from £9.99   |  Saving you £5.00 (50.05%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 5 And 6 - Last Seen Wearing / The Settling Of The Sun | DVD | (20/05/2002) from £11.98   |  Saving you £5.00 (50.05%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 3 And 4 - Service Of All The Dead / Wolvercote Tongue | DVD | (20/05/2002) from £9.98   |  Saving you £5.01 (33.40%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 11 And 12 - The Secret Of Bay 5B / Infernal Serpent | DVD | (24/06/2002) from £4.98   |  Saving you £10.01 (201.00%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Eleni | DVD | (06/09/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Eleni tells the real life story of Nicholas Gage and his search for the truth behind his mother's untimely death. Her torment at the hands of rebel guerrillas has forever plagued her son Nick (Malkovich). Now an adult and a journalist for the New York Times Nick travels back to his small village in Greece to uncover the truth and exact revenge against those responsible. With only childhood recollections of the tragic incident to guide him in a series of haunting flashbacks Nick

• Inspector Morse - The Dead Of Jericho / Mystery Of Morse | DVD | (14/09/1998) from £6.38   |  Saving you £13.61 (213.32%)   |  RRP £19.99

  John Thaw created one of Britain's most-loved TV detectives in this pilot episode that started the long-running Inspector Morse series, based on the novels by Colin Dexter. The brilliant, somewhat elitist police inspector who loves crosswords, classical music and the more-than-occasional pint of ale clumsily romances a woman (Gemma Jones) from his choir. When he finds her hanged in her apartment on the eve of their big recital, he suspects murder and muscles his way in on the investigation. The assigned investigators are convinced it's suicide except for the eager Sergeant Lewis (Kevin Whately), and they reluctantly team up to sort out a mystery tangled in blackmail, adultery, peeping neighbours (former Doctor Who Patrick Troughton) and mistaken identities. With his snooty temperament and lone-wolf lifestyle, the white-haired, Oxford-educated bachelor is a wonderful mismatch with the younger Lewis, a married man with a family and a rather less classical background (Whatley is a Geordie, though Lewis was a Brummie in the book). There's a quiet undercurrent of affection and respect almost from their first meeting that builds with each continuing Inspector Morse mystery, as well as an air of melancholia and loneliness beautifully developed in the script by future Oscar-winning writer/director Anthony Minghella (The English Patient). Morse's initial theories may be washouts (a series hallmark), but his relentless sleuthing, eye for clues and mind for puzzles dredges up the answer in the end, even as he loses the girl. --Sean Axmaker, Amazon.com

• The Lord of the Rings -- Limited Edition Box Set | DVD | (26/11/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

  Ralph Bakshi's 1978 animated adaptation of The Lord of the Rings is a bold, colourful, ambitious failure. Severely truncated, this two-hour version tackles only about half the story, climaxing with the battle of Helm's Deep and leaving poor Frodo and Sam still stuck on the borders of Mordor with Gollum. Allegedly, the director ran out of money and was unable to complete the project. As far as the film does go, however, it is a generally successful attempt at rendering Tolkien's landscapes of the imagination. Bakshi's animation uses a blend of conventional drawing and rotoscoped (traced) animated movements from live-action footage. The latter is at least in part a money-saving device, but it does succeed in lending some depth and a sense of otherworldly menace to the Black Riders and hordes of Orcs: Frodo's encounter at the ford of Rivendell, for example, is one of the film's best scenes thanks to this mixture of animation techniques. Backdrops are detailed and well conceived, and all the main characters are strongly drawn. Among a good cast, John Hurt (Aragorn) and C3PO himself, Anthony Daniels (Legolas), provide sterling voice characterisation, while Peter Woodthorpe gives what is surely the definitive Gollum (he revived his portrayal a couple of years later for BBC Radio's exhaustive 13-hour dramatisation). The film's other outstanding virtue is avant-garde composer Leonard Rosenman's magnificent score in which chaotic musical fragments gradually coalesce to produce the triumphant march theme that closes the picture. None of which makes up for the incompleteness of the movie, nor the severe abridging of the story actually filmed. Add to that some oddities--such as intermittently referring to Saruman as "Aruman"--and the final verdict must be that this is a brave yet ultimately unsatisfying work, noteworthy as the first attempt at transferring Tolkien to the big screen but one whose virtues are overshadowed by incompleteness. --Mark Walker

• The John Thaw Tribute Collection | DVD | (11/11/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  A tribute to John Thaw which includes: 'Inspector Morse - The Dead Of Jericho' in which Morse investigates the mysterious circumstances surrounding the death of Anne Stavely. Based on the novel by Colin Dexter. 'Kavanagh QC - Nothing But The Truth' which centres on James Kavanagh who has climbed to the top of his profession as one of the leading criminal advocates in London. He takes on the defence of a student accused of raping a middle-aged housewife. 'Goodnight Mister Tom' finds To

• Peter Cushing - Twin Pack | DVD | (13/10/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  One of the finest British actors of his generation Peter Cushing is best known for his charismatic performances across three decades of classic Hammer Horror productions. This special box set collection remembers Cushing at the height of his powers through two of the finest Hammer's ever made. Bride Of Dracula (Dir. Terence Fisher) (1960): On the way to her new private school a beautiful young teacher stays at the ancestral home of Baroness Meinster. Here she discovers the Baroness' shamed son imprisoned and shackled to the wall in a distant wing. She frees him unwittingly releasing the combined evil of a hundred generations of vampires. Only Dr Van Helsing (Cushing) can stop the vampires and their torrent of evil. Co-star David Peel delivers one of the most frightening portrayals of Dracula ever committed to film. Evil Of Frankenstein (Dir. Freddie Francis) (1964): Hounded from his castle for creating a monstrous living being Baron Frankenstein (Cushing) returns to continue his unholy experiments into the creation of life. With the help of a mysterious hypnotist Zoltan the creature is brought back to life. However Zoltan controls the creature and plans to use him to rob and pillage the local villages. Can Frankenstein break Zoltan's hypnotic spell or will Zoltan induce the creature to destroy its creator?