Robbie and Trey live peacefully in a quiet neighborhood until an unexpected conflict arises in the form of hostile new neighbor Chris a preacher's kid. Blindsided by a brutal attack Trey winds up in a hospital bed fighting for his life. Chris becomes the prime suspect but he has a solid alibi. After he himself becomes a suspect Robbie desperately attempts to carry out a complex and dangerous plan that will uncover shocking secrets and turn many lives upside down. A thought-provoking suspense drama Hate Crime is a testament to the power of love and the damaging consequences of intolerance.
Ronald Howard takes up the mantle of the super sleuth in 4 classic episodes from 1954.
Tracklisting: 1. INTRO, TOWN SHOTS 2. COUNT BASIE 3. LAMBERT, HENDRICKS, & BAVAN 4. LAMBERT, HENDRICKS, & BAVAN 5. GOIN' TO CHICAGO (ROLAND KIRK) 6. JOHN BROWNS BODY (CLARA WARD GOSPEL SINGERS) 7. WHEN THE SAINTS (CLARA WARD GOSPEL SINGERS) 8. YOUR HEARTS DELIGHT (OSCAR PETERSON) 9. OSCAR PETERSON TRIO 10. I GOT RHYTHM (DUKE ELLINGTON) 11. DUKE ELLINGTON 12. THINGS AIN'T WHAT THEY USED TO BE (DUKE ELLINGTON) 13. COUNT BASIE 14. COUNT BASIE 15. COUNT BASIE 16. END
On a moonlit night in a remote research laboratory, a major medical breakthrough is about to have deadly results...
It's 1919; at the height of his career, wealthy impresario Ambrose Small sends his wife to the bank with a cheque for over a million dollars - then vanishes without a trace.
Alexander Scott (Stephen Baldwin) is the jailed leader of an environmentalist group thrown in the slammer as the chief suspect when a chemical plant mysteriously explodes. The bombings continue while Scott is in jail and he begins to suspect that the loose cannon of his environmental group Jeremy O'Brien (D.B. Sweeney) is responsible. Scott teams up with the cops to try and tackle the bombings and soon realizes that not only was his hunch correct but that Jeremy has become more of an out-of-control megalomaniac than he initially feared. The clock is ticking in the race to stop the bombings can the insane Jeremy be stopped? Find out in GREENMAIL.
Mae West's reputation for tweaking the noses of film censors was well-established by the time she made I'm No Angel generally considered her most successful picture. The frank-speaking blonde bombshell delivered some of her most classic double entendres in this 1933 film her second consecutive outing opposite the luminous Cary Grant. The two had made She Done Him Wrong earlier that year and in I'm No Angel West does Grant wrong again to hilarious effect. West
With a title like Chopper Chicks in Zombietown, you'd be excused from any great expectations here--but you'd also be missing out on one of trash-cinema's great pleasures: catching one of Hollywoood's A-list in their pre-fame days. In this case, the catch is Billy Bob Thornton, in a brief appearance as one of the Chopper Chicks' ex-husbands. It may be a guilty pleasure, but seeing this good 'ol boy playing dumb-as-a-doorknob long before Sling Blade (or A Simple Plan) and paying his dues is still, however strangely, gratifying. As for the film itself, Chopper Chicks is no Hell Comes to Frogtown, but it comes with all of the Troma hallmarks. The requisite beheadings and low-grade effects are all present and correct, along with the so-bad-it's-really-bad dialogue (except for the occasional so-bad-it's-good one-liner). The acting is wooden, the story negligible (cycle sluts come to town, kill zombies, save a schoolbus full of blind kids), and even the appearances by Thornton and original MTV (US) VJ Martha Quinn provide only occasional relief. The DVD extras include a photo gallery of screen-stills and the original trailer. --Randy Silver
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