Long ago Lionel a dashing young British Army officer met Jean a lovely student nurse and fell deeply in love. When Lionel was shipped off to fight in the Korean war the two lost touch. Now they meet again and slowly begin to rekindle their romance. After 64 episodes the writer Bob Larbey has agreed to write two final special episodes.
When Robin of Loxley transformed into Robert of Huntingdon in the third series of Robin of Sherwood, many viewers were understandably confused. Michael Praed left the series for reasons that never really became apparent while Jason Connery clearly wasn't a replacement chosen for similar looks or performance. Across the 13 episodes of the third series, Connery's choice became slowly apparent. The magical stories frequently dipped into darker territory as much as they aimed for uplifting humour. The new Hood was at ease with both, while reuniting the merry band and ultimately wooing the fair Marion all over again. Connery turned in a very confident embodiment of the character, clearly bonding well with the established team of actors. Guest stars lined up to contribute alongside him. Memorable appearances include those of Richard O'Brien, David Rappaport, Matt Frewer, Patricia Hodge, Ian Ogilvy and Lewis Collins. (It's fascinating to speculate how different things could have been if the close-second casting choice of Neil Morrissey had been pursued.) The strangest aspect of the series, however, is knowing in retrospect that everyone's confidence and merriment was for nothing. Scripts were written in readiness for the fourth series, but then the studio went bankrupt. Cliffhangers therefore remain that will confuse viewers far more than the lead's replacement. --Paul Tonks
A friendly troll with a magic green thumb grows one flower too many for the queen whose laws require all trolls to act meanly...
The much anticipated release of the seventh season of Star Trek Voyager see the franchise boldly do what it does best and provide fans with fantastically scripted highly entertaining science-fiction. Star Trek: Voyager made sci-fi history when it became the first Star Trek series to feature a female Captain.
Alex Grady (Roberts) an Oregan welder and widowed father of a 5-year-old son is chosen for the United States National Karate team. He finds himself in the company of of Tommy Lee (Rhee) a soft spoken Karate instructor and a mix of international colleagues. It's a team with rough edges that must be resolved if they're to win the international competition in the South Korean capital Seoul. The team's sponsor brings in an unorthodox trainer Catherine Wade (Kirkland) to teach the men to
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
Philip Seymour Hoffman stars in this look at US literary legend Truman Capote.
Look who grew up: in Our Lips Are Sealed Mary-Kate and Ashley Olsen, once the sleepy-eyed preschoolers in the hit TV sitcom Full House, wake to find themselves ready for their first day of high school. But the day doesn't shape up as ultra-fantastically as in their dreams. A series of bizarre circumstances force them into a life-threatening situation in which only the FBI Witness Protection Program can help. It turns out that Mary-Kate and Ashley are their own worst enemies; the girls continually blow their cover until finally they're booted down under to the warm and sparkling recreation mecca of Sydney, Australia. Here the challenge to keep a secret takes second fiddle to the bigger challenges of fitting in with the popular group, learning Aussie lingo, and (apparently) changing into a new set of adorable clothes and accessories in almost every scene. Fans from the ages of 6 to 13 will probably enjoy the daft antics of the Olsens, their adventures with cute boyfriends, and their ability to thwart the goofy bad guys. Also, their acting ability--although crippled by yet another bubblehead script--continues to improve. To the parental crowd, the film plays somewhat like a New Age beach-blanket movie with plenty of surfer parties, flower-power fun, overblown story points, mild potty humour, and lots of belly buttons (LOTS of belly buttons). The movie also has some inexplicable references (to such grown-up phenomena as The Blair Witch Project and The Sopranos) that are bound to go way over the target audience's heads but it's absolutely clean fun that fans will eat up. --Liane Thomas, Amazon.com
Capote (Dir. Bennett Miller ): In November 1959 the shocking murder of a smalltown Kansas family captures the imagination of Truman Capote (Philip Seymour Hoffman) famed author of Breakfast at Tiffany's. With his childhood friend Harper Lee (Catherine Keener) writer of the soon-to-be published To Kill a Mockingbird Capote sets out to investigate winning over the locals despite his flamboyant appearance and style. When he forms a bond with the killers and their execution date nears the writing of In Cold Blood a book that will change the course of American Literature takes a drastic toll on Capote changing him in ways he never imagined. In Cold Blood (Dir. Richard Brooks 1967): Richard Brooks' stylish and powerful 1967 drama adapted from Truman Capote's novel about a shocking real-life murder case. This daring cinematic portrait employs flashbacks to fully examine what drives an individual to commit thoughtless and brutal crimes while using a highly innovative jazz score by Quincy Jones to capture the moody atmosphere. A prosperous and respected Kansas farmer his wife and his two teenage children are wantonly and brutally slaughtered. The murderers are two mindless ex-convict drifters. Neither man is sane enough to regret their crime. The story penetrates the inner workings of the criminals' minds as it follows their purposeless meandering through Mexico and the United States in evasion of the law...
An American Tail: Fievel is a young Russian mouse and he and his parents are on their way to America. Why? Well they believe that America is the land of no cats. On the journey to America though Fieval loses his parents and arrives in the New World all alone. To add further misery in Fieval America is not all what it is cracked up to be...there are cats there to! Fieval never gives up hope though and with his new found friends he begins a search for his parents all the time dodging the cats he thought he'd be long rid of. An American Tail 2: Look out pardners there's a new mouse in town! Some time after the Mousekewitz's have settled in America they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west where they are promised that mice and cats live in peace. Unfortunately the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan. Unaware of this the Mousekewitz's begin their journey west while their true cat friend Tiger follows intent on following his girlfriend gone in the same direction.
Adapted from an acclaimed novel by John Irving "The Door in the Floor" explores the complexities of love in its brightest, most mysterious, and darkest corners.
Jerry Mitchell just bumped into Buddy Revell. Now Jerry isn't thinking about math or english. Because at three o'clock he's history. Jerry Mitchell's having one of those days: he's late for high school his car has a flat and he's been sent to the dean's office. But worst of all he's just ticked off muscle-bound bully Buddy Revell who challenges him to a fight at 3 p.m. Jerry has just seven hours his lightning-quick wit and a savvy kid sister to find a way out of this mess
A tale of love, betrayal, friendship and grace focused around two working-class New York City couples. Hoffman makes his feature directorial debut with Bob Glaudini's screen adaptation of his acclaimed Off Broadway play, Jack Goes Boating.
Count down 12 of road racing's greatest ever races in this action-packed collection of fast and furious between-the-hedges competition. Many of the closest fastest and most memorable showdowns of the modern era are here featuring the biggest names going flat out for glory. Leading road racing commentator Stephen Watson is your guide as you experience our selection of Road Racing's Great Races with action from the Ulster Grand Prix Macau Southern 100 Cookstown 100 Mid-Antrim 150 Manx Grand Prix and North West 200. There's comprehensive coverage of all 12 of the carefully selected events featuring incredible race action captured by the best camera angles including plenty of white-knuckle on-board footage and interviews with many of the leading riders.
The fourth season of Star Trek adventures with the crew of Voyager. Episodes comprise: 1. Scorpion (Part 2) 2. The Gift 3. Day Of Honour 4. Nemesis 5. Revulsion 6. The Raven 7. Scientific Method 8. Year Of Hell (Part 1) 9. Year Of Hell (Part 2) 10. Random Thoughts 11. Concerning Flight 12. Mortal Coil 13. Waking Moments 14. Message In A Bottle 15. Hunters 16. Prey 17. Retrospect 18. The Killing Game (Part 1) 19. The Killing Game (Part 2) 20. Vis A Vis 21. The Omega Directive 22. Un
Star Trek: Voyager, the first Trek spin-off to be made without any input at all from Gene Roddenberry, made its debut in 1995 and quickly established itself both as markedly different from cosmic cousin Deep Space Nine and as the successor to The Next Generation. Despite a lack of originality in its premise (Lost in Space anyone?), Voyager was nonetheless often a bigger ratings success than any of its predecessors. In the first series the crew of the Federation vessel Voyager must somehow try to get back home after being catapulted unwittingly to the far-flung Delta Quadrant (in the opening "Caretaker"). The ghost of Katherine Hepburn lives on in Kate Mulgrew's forceful Captain Janeway, who has an equivocal relationship with the Maquis renegade who becomes her first officer, Chakotay (Robert Beltran). Tim Russ gives possibly the franchise's first fully realistic (yawn) portrayal of a Vulcan, and to enhance the alien quotient there's cuddly chef Neelix (Ethan Phillips). Garret Wang must have drawn short straw for character development, since his Harry Kim is never imbued with any of the drama of rebellious pilot chum Tom Paris (Robert Duncan McNeill), who was later to get the series' only romance with the seemingly inescapable resident half-breed B'Elanna Torres (Roxann Dawson). Right from the start, though, the fans' favourite character was the deadpan funny man role of Robert Picardo's nameless holographic Doctor. Jerry Goldsmith's graceful theme always opens the show in style. --Paul Tonks
In their sixth season trying to return to the Alpha Quadrant, the crew of Voyager continues to find signs that they may be close to home. They ran across another Federation starship in the season 5 cliffhanger, "Equinox," which is concluded in action-packed fashion. Then they benefit from a brief communications link to home thanks to the ongoing efforts of The Next Generation's Lt. Reginald Barclay (Dwight Schultz), occasionally assisted by Counsellor Troi (Marina Sirtis). "One Small Step" sets Voyager on the trail of NASA's first manned mission to Mars (one of the bonus features details Robert Picardo's post-Trek work with NASA). In other episodes, Torres (Roxann Biggs-Dawson) tests the limits of Klingon honor ("Barge of the Dead"), Tuvok (Tim Russ) stretches his emotions ("Riddles), Paris (Robert Duncan McNeill) and Kim (Garrett Wang) embark on a new holdeck program, wrestling superstar the Rock makes a gimmicky guest appearance ("Tsunakatse"), a former crew member returns ("Fury"), and the crew discovers a group of abandoned Borg children ("Collective"). The two most interesting characters continue to be the Doctor (Picardo) and Seven of Nine (Jeri Ryan). The former stretches out numerous times ("Tinker, Tailor, Doctor, Spy," "Virtuoso," "Life Line"), and we learn more about Seven's Borg past in "Survival Instinct" and the season closer, in which Seven discovers that during regeneration she can enter a dream world called Unimatrix Zero. There she meets a number of mutated Borg who can exist in this world in their pre-assimilation state and who also present an idea for destroying the collective from within. The Borg Queen, however, discovers the plan and ends the season in a nightmarish cliffhanger that recalls the great Next Gen episode "The Best of Both Worlds." --David Horiuchi
After proving its long-term potential in the second series, Star Trek: Voyager served up some of the best episodes in its entire seven-year history. The second-season cliffhanger was intelligently resolved in "Basics, Pt II", and the fan-favourite "Flashback" placed Tuvok (Tim Russ) aboard the USS Excelsior from Star Trek VI, under the command of Captain Sulu (Star Trek alumnus George Takei). It was a brilliant example of inter-series plotting, just as "False Profits" was a Ferengi-based sequel to the NextGen episode "The Price". The two-part time-travel scenario of "Future's End" is a Voyager highlight, with clear echoes (including dialogue lifted verbatim!) of Star Trek's classic "The City on the Edge of Forever", featuring delightful guest performances by actress-comedienne Sarah Silverman and Ed Begley Jr. Character-wise, the series belonged to Kes (Jennifer Lien, whose tenure on the series was now near its end), Neelix (Ethan Phillips), and the Doctor (Robert Picardo), who shined (respectively) in "Warlord", "Fair Trade", and the surprisingly touching "Real Life" (the latter directed by "Potsie" himself, Happy Days veteran Anson Williams). By infecting B'Elanna (Roxanne Dawson) with a fellow officer's "Blood Fever", Voyager delved into the turbulent Vulcan ritual of Pon Farr, while the cliffhanger "Scorpion" introduced the relentless, Borg-destroying villains of Species 8472, which would pose a continuing threat in subsequent episodes. Series 3 had a few clunkers (the guilty pleasure "Macrocosm" puts Janeway in stripped-down "Ripley" mode against invading macro-viruses, and Ensign Kim is an awkward "Favourite Son" to a bevy of babes), but for every misstep there's a strong science-fiction concept, like the highly-evolved Hadrosaurs in "Distant Origin", which doubles as a compelling indictment of institutionalised repression. Overall, this is rock-solid Trek, and the DVD features are equally engaging, albeit growing more perfunctory (especially the series 3 summary) with each full-series release. Don't forget the Easter Eggs hidden on the special-features menus, however; they contain some of the set's happiest surprises. --Jeff Shannon
Series 2 of Star Trek: Voyager represents a vital blossoming of the series' potential. As Captain Janeway, Kate Mulgrew maintained Starfleet integrity in the lawless expanse of the Delta quadrant and became the ethical conscience of her still-uneasy Maquis/Starfleet crew, whose unanimous loyalty would be dramatically proven in "The '37's" (a first-season hold-over). Janeway's moral guidance would also assert itself in "Death Wish" (a "Q" episode featuring NextGen's Jonathan Frakes) and "Tuvix", in which life-or-death decisions landed squarely on her shoulders. Series 2 brought similar development to all the primary characters, deepening their relationships and defining their personalities, especially Robert Beltran as Chakotay (in "Initiations" and "Tattoo"), now firmly established as Janeway's best friend (and nearly more than that, in "Resolutions") and command-decision confidante. Solid sci-fi concepts abound in Series 2, although "Threshold" is considered an embarrassment (as confessed by co-executive producer Brannon Braga in a self-deprecating "Easter Egg" interview clip). It was a forgivable lapse in a consistently excellent season that intensified Janeway's struggle with the villainous Kazon, exacerbated by a Starfleet traitor in cahoots with the duplicitous Cardassian Seska (played by Martha Hackett, featured in a lively guest-star profile). The psychologically intense "Meld" (featuring a riveting guest performance by Brad Dourif) was a Tuvok-story highlight, and the aptly titled "Basics, Pt 1" provided an ominous cliffhanger, including a second planetary landing (in a season full of impressive special effects) that left Voyager's fate in question. DVD extras are abundant and worthwhile, especially the season 2 retrospective and "A Day in the Life of Ethan Phillips" (who plays Neelix under a daily ordeal of latex makeup). Several Easter egg surprises--including a music video performance by Tim Russ (Tuvok)--are hidden (but easily found) among the "Special Features" menus on disc 7. All in all, this was one of Voyager's finest seasons, leaving some enticing questions to be answered in season 3. --Jeff Shannon
Please wait. Loading...
This site uses cookies.
More details in our privacy policy