Steven Spielberg produced this underwhelming 1986 effort at a slapstick spin on Mr. Blandings Builds His Dream House. The pre-Oscar Tom Hanks stars with Shelley Long as a married couple whose efforts to finish construction on their home are sabotaged by costly and sporadically funny accidents. The unfinished domicile becomes a metaphor for their troubled relationship, as evidenced by the attraction of Long's character to a madman violinist (Alexander Godunov). Hanks is the only reason at this point to check this film out. Richard Benjamin (My Favorite Year) directs but with no flair or distinction. --Tom Keogh, Amazon.com
Mirror' is the celebrated Russian director Andrei Tarkovsky's most autobiographical work in which he reflects upon his own childhood and the destiny of the Russian people. The film's many layers intertwine real life and family relationships - Tarkovsky's father, the poet Arseny Tarkovsky, reads his own poems on the soundtrack and Tarkovsky's mother appears as herself - with memories of childhood, dreams and nightmares. From the opening sequence of a boy being cured of a stammer by hypnotism, to scene in a printing works which encapsulates the Stalinist era, Mirror has an extraordinary resonance and repays countless viewings.
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
Martial arts screen legends Wong Tao and Leung Kar Lan come face to face with one man skilled in the deadly style known as the 'Eagle's Claw'...
Opera-oratorio in two acts. Poem after Sophocles by Jean Cocteau.
Titles Comprise: Hudsucker Proxy: Hudsucker Industries is flourishing. Profits are stupendous and stock is at an all-time high. So when their founder Waring Hudsucker leaps to his death from the 44th floor his board of directors is thrown into panic. Hudsucker has not left a will and his majority shareholding in the company must therefore soon be offered for sale to the public. But scheming Vice President Sidney J. Mussburger (Paul Newman) has a plan. He'll install a complete imbecile as Chairman and devalue the stock to a level where the rest of the board can acquire controlling interests for themselves. The Big Lebowski: 'The Dude' Jeff Lebowski (Jeff Bridges) is unemployed and laid-back. That is until he becomes a victim of mistaken identity two thugs breaking into his apartment in the errant belief that they are accosting Jeff Lebowski the Pasadena millionaire. In hope of getting a replacement for his soiled carpet 'the Dude' visits his wealthy namesake and with buddy ex 'Nam' vet. Walter Sobchak (John Goodman) he is swept into a labyrinthine comedy/thriller of extortion embezzlement sex dope German Nihilists White Russians mysterious cowboys Shomer Shabbos bowling and severed toes... Barton Fink: John Turturro shines in the lead role in Barton Fink the Coen Brothers' (Miller's Crossing Fargo) hilarious satire set in the 1940s Hollywood. Fink is a New York playwright who reluctantly relocates to Hollywood to write screenplays. Ordered to write a low budget screenplay about wrestling Fink manages to type one sentence and then...nothing! Although his chatty insurance salesman neighbour Charlie (John Goodman) helps out by teaching Fink about wrestling the clock ticks the temperature rises and Fink's life spins more and more out of control. Intolerable Cruelty: Divorce attorney Miles Massey has got it all. Serial gold-digger Marilyn Rexroth wants it all. A hilarious battle of deceit and cunning ensues when Miles falls for Marilyn with each one trying to outsmart the other. Underhand tactics deceptions and an undeniable attraction escalate as Marilyn and Miles square off in this classic battle of the sexes... Blood Simple: Deep in the heart of Texas a jealous bar owner hires a private eye to kill his wife and her lover. The sleazy hitman double-crosses the husband killing him instead and pocketing the cash. The perfect crime or so it seems but disposing of the corpse is not so simple. Blood Simple uncoils its film noir plot with audacious style dense atmosphere and blood-curdling twists. Burn After Reading: When a disc filled with some of the CIA's most irrelevant secrets gets in the hands of two determined but dim-witted gym employees the duo are intent on exploiting their find. But since blackmail is a trade better left for the experts events soon spiral out of everyone's and anyone's control resulting in a non-stop series of hilarious encounters! From Joel and Ethan Coen the Academy Award winning directors of No Country For Old Men and The Big Lebowski comes this brilliantly clever and endlessly entertaining movie that critics are calling smart funny and original. A Serious Man: Larry Nidus is a good man. He is a loving husband a committed father and a dedicated professor who always does the fair and just thing in the face of daily temptations. But one day everything starts to go wrong. Academy Award winning filmmakers Joel and Ethan Coen bring their famously wicked sense of humor to this every day tale about a moral man who sees the world inexplicably turn against him in this darkest of comedies.
Young Pokemon trainer Ash Ketchum and his loyal friends journey to the beautiful mountain town of Greenfield, where they will encounter the Unown, the most mysterious of all Pokemon in Pokemon 3 The Movie.
Winona Ryder and Ben Chaplin star in this supernatural thriller about Satanic plans to bring the devil to earth.
Winner of the Waldo Salt Screenwriting award at the 2002 Sundance film festival, Love Liza features a tour de force performance by Philip Seymour Hoffman, as Wilson Joel - a man in trouble.
The Eye: At the age of two Mun went blind. After eighteen years in darkness she is given the chance of a risky corneal transplant operation. When the bandages are taken off Mun's eyes respond to the light around her and it appears that the surgery has been successful. However when Mun experiences a series of inexplicable and chilling encounters with mysterious strangers she fears that her newly restored eyesight has brought a different kind of darkness into her life. Featuring some of the most genuinely terrifying moments ever seen on screen as well as a finale more spectacular than anything to come out of Hollywood this stylish and haunting film from the critically acclaimed Pang Brothers (Bangkok Dangerous) deserves its place at the forefront of modern horror cinema. The Eye 2: Joey (Shu Qi) recovers from an overdose of sleeping pills after having her stomach pumped. It was a close call; she had visions of dead people accompanying her during her darkest minutes. But just when she looks forward to a brand new life she discovers that she is pregnant. Tortured by the thought of an abortion Joey finds herself becoming delusional and emotionally unstable. She is frequently threatened by the sudden presence of strangers and is stalked by a mysterious woman. The stalker confronts her; making eye contacts with her on a train platform she throws herself at a running train! Joey breaks down at the sight of the suicide only to discover that no 'jumper' is found on the track... The Eye Infinity: Whilst on a holiday to Thailand a group of friends tell each other ghost stories inspired by an accident they witness on a spot of sightseeing. Chongkwai the host of the party and local boy reveals a mystical book offering instructions on 10 different ways to view the physical form of spirits. Naturally they can't resist. However when one of them disappears under a cloud of mysterious circumstances the group soon realise that the spirits are after them!
From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists--The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. --Paul Tonks
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
Peter Ilyich Tchaikovsky - The Sleeping Beauty - Ballet in Three Acts.
The Bad Girls are back for more drama from HMP Larkhall where the staff are just as guilty as the prisoners! Features all 11 episodes plus the Christmas special!
Deadly China Dolls: Chicks with kicks floozies with Uzis intermixed with a heavy dosage of sex and violence: in a war for gang supremacy two female killers are given the ultimate target each other! Lethal Panther: Japanes starlet Yakuri Oshima demonstrates why she is the Queen Of Kung Fu in this fast moving tale of betrayal and heroic bloodshed.
Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old...
Jaunt back to a time where a group of gifted youngsters were planet Earth's only protection against a legion of evil villains and intergalactic terrors. This DVD features the complete sixth series.
Coppélia is Delibes fairy-tale ballet of 1870, here presented in a production based on the Royal Ballet's 1954 version with designs by Osbert Lancaster and choreography by the company's founder Ninette de Valois. In a small European town Dr Coppélius (Luke Heydon) makes life-sized mechanical dolls. The whimsical tale unfolds as Swanilda (Leanne Benjamin) suspects that her fiancée Franz (Carlos Acosta) is falling in love with the enigmatic Coppélia (Leana Palmer). Everything is suitably magical, from the beautiful sets and costumes to the gorgeously melodic score. There is a sense of romantic playfulness throughout, and of course almost two hours of wonderful dancing, making this a treat to place beside Swan Lake and Giselle. Given live on 19 February 2000, this was the first live full-length ballet from Royal Opera House to be broadcast since 1968.On the DVD: Fortunately the DVD proves an object lesson in how to present ballet on the digital format. There is an introduction by Deborah Dull, principal ballerina with the Royal Ballet, a short but interesting profile of designer Osbert Lancaster, and a nine-minute film "Covent Garden Tales--The Ballet Moves" which gives a look behind the scenes at the Royal Ballet's new home. For a live production, the 16:9 anamorphically enhanced widescreen picture is simply superb, with excellent Dolby Digital 5.1 sound. With even the special features delivered with 16:9 anamorphic enhancement this is a high-quality production in every respect. Encoded for regions two and four. --Gary S Dalkin
Six friends unwittingly stir up a ghostly spirit... Legend has it that Jeremiah Stone was the meanest man who ever lived. Seeking the lost gold of the fabled Forty-Niner Nick Claire Tori Roxanne Axl and Hayden succeed only in resurrecting the Evil spirit of Jeremiah Stone. Now the Legendary ghost has become virtually unstoppable flesh and bloodkilling machine. The Forty-Niner is after them! One by one they are stalked and killed until Old Nellie a reclusive mountain woman tells them how to destroy the deadly creature...
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