Splendour and romance, desire and heartbreak, scandal and rumours Spanning the idyllic pre-war era through the storms of The Great War and beyond to the roaring 1920s, Downton Abbey tells the story of a complicated community. Home to the Crawley family for generations, it is also where their servants live, plan and dream and they are as fiercely jealous of their rank as anyone. Some of them are loyal to the family and committed to Downton as a way of life, others are moving through on the lookout for betterment or love or just adventure. The difference is that they know so many of the secrets of the family, while the family know so few of theirs. But for all the passions that rage beneath the surface, this is a secure and ordered world and, at first glance, it seems it will last forever. Little do they know, family or staff, that the tides of change will not leave Downton unscathed. SERIES ONE BONUS DELETED SCENES HOUSE IN HISTORY DOWNTON ABBEY THE MAKING OF DOWNTON ABBEY SERIES TWO BONUS EPISODE ONE COMMENTARY DELETED SCENES HOUSE TO HOSPITAL FASHION AND UNIFORMS ROMANCE IN A TIME OF WARFARE SERIES THREE BONUS DOWNTON ABBEY IN 1920 LADY MARY'S WEDDING DAY LADY EDITH'S WEDDING DAY THE MEN OF DOWNTON ABBEY AN INTERVIEW WITH SHIRLEY MACLAINE BEHIND THE SCENES THE CRICKET MATCH SERIES FOUR BONUS THE MAKING OF THE DOWNTON DIARIES NEW ARRIVALS SERIES FIVE BONUS THE ROARING TWENTIES A DAY WITH LADY ROSE BEHIND THE SCENES - DAY 100 THE MANNERS OF DOWNTON ABBEY SERIES SIX BONUS MORE MANNERS OF DOWNTON ABBEY THE CARS OF DOWNTON FAREWELL HIGHCLERE CHANGING TIMES LEGACY DISC ONE FEATURE DOCUMENTARY: THE STORY OF DOWNTON ABBEY THE CREATOR'S FAVOURITE SCENES SUPERCUTS LEGACY DISC TWO CHARACTER DOCUMENTARIES BAFTA CELEBRATES DOWNTON ABBEY
Dimples: Temple stars as a young singer who entertains the New York crowds providing the window of opportunity for her pick pocket of a grand father to carry out his work. A rich lady sees the young girl peforming - and after discovering her grim existence with her grand father - offers her an opportunity to rise out of lifestyle... The Littlest Rebel: Shirley Temple's father a rebel officer sneaks back to his rundown plantation to see his family and is arrested. How
A "two-plus-one" package from Siren, Comedy Greats features classics from the two greatest silent-screen comics, Charlie Chaplin and Buster Keaton, plus a rather dreary effort from Danny Kaye. Never the most scintillating of comedians, Kaye's personable talents are thinly spread in 1949's The Inspector General. Distantly(!) based on a short story by Russian satirist Nikolay Gogol, this tale of mistaken identity enables Kaye to indulge in obvious wisecracks and not-so-smart dialogue. Sylvia Fine's songs are mildly amusing, and Henry Koster draws capable support from Walter Slezak and Elsa Lanchester, but it's a long haul. When he made Tilli's Punctured Romance in 1914, Charles Chaplin had yet to perfect the "little man" routine which made him the most popular 1920s screen star. His loveable rogue is well displayed opposite Marie Dressler's formidable country maid, whose unexpected windfall becomes the real object of his desire. Mabel Normand contributes an attractively period chic, and if, in the hands of Mack Sennett, the humour tends to fall back on music-hall slapstick, the historical significance of the film is undoubted. Yet it's Buster Keaton's 1928 classic Steamboat Bill Jr which comes out on top here. Keaton is perfectly cast as the put upon student, whose bravery saves both his father and his steamboat-owning rival, and wins the hand of the latter's daughter. Solid support comes from Ernest Torrence and the winsome Marion Byron, with Charles Riesner getting maximum drama from the cyclone sequence, but it's Keaton's soulful expression and breathtaking stuntwork which are the most potent reminders of a talent only later to receive its due. On the DVD: Comedy Greats is acceptably remastered, with 1.33:1 aspect ratio and 12 chapter headings per film, and decently packaged, this is worth acquiring--even though Keaton's film is the only one you're likely return to often. --Richard Whitehouse
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