If you're not back by midnight... you won't be coming home! A little girl is accidently killed playing a game with other kids in an old deserted schoolhouse. The kids swear to silence but someone saw them do it. Six years later the same kids are anticipating the senior Prom and the night of their life. However that shadow from the tress - the one who saw their deed - has chosen this night to seek revenge. It is going to be a Prom no one will forget...
David Pountney and Quinny Sacks' production of Henry Purcell's The Fairy Queen caused something of a sensation when it hit the ENO stage in 1995. It has the feel of a decadent 17th-century masque re-invented with late-20th-century energy: half the principals and chorus are in cross-dressing costumes, female characters are played by men (leading to some rather wonderful polymorphous perversity), and everything has an air of mad, hallucinogenic hipness about it. While Robert Israel's wild sets don't appear to their full advantage on the small screen, Dunya Ramicova's costumes look fantastic (the details are simply stunning). The very fine singing is recorded with excellent clarity: while this is obviously a live performance, there are remarkably few moments that go out of microphone range, and the balance with the orchestra is handled very sensitively. The ENO band, under the baton of Nicholas Kok, respond to Purcell's wiry lines and spiky harmonies with glee, and sound like they're having a ball, as do the singers. In particular Jonathan Best as The Drunken Poet is hilarious, and it is a wonderful testament to his acting skills that he is as funny close-up as he was from the auditorium stalls.--Warwick Thompson
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