A Nazi strike force plots to assassinate Winston Churchill while he is resting in a desolate Norfolk village. Colonel Radl masterminds the plot which if successful would change the outcome of the war. He enlists the help of Colonel Steiner and Liam Devlin. Disguised as Polish airmen German paratroopers land in England. Radl's plan appear to be going smoothly until an unforeseeable incident exposed the Germans. But the kidnap continues and Steiner Luger in hand approaches the unmistakable figure of Churchill...
In 1987, Buster was as much an experiment in film as its subject matter was in robbery. Could audiences ignore the rock singer status of Phil Collins in the lead role? Would audiences still be interested in a 25-year-old cash grab that had been considerably devalued by a currency gone metric? By and large the answer to both was "yes", helped considerably by a high budget (for a British film) it perfectly remade the 1960s experience. Collins as Buster Edwards is only one of a gang who all seem doomed to be captured after their £2.5 million train heist. The caper is over within 30 minutes. However, the film is really about the love story between Buster and his doting yet long-suffering wife June (an excellent Julie Walters). When the action switches to sun-drenched Mexico, you just know her loyalty is going to be tested to extremes because that's when Collins' award-winning songs kick in! "Two Hearts" and "Groovy Kind of Love" may not be 60s-styled, but the message is that love always conquers time and place.On the DVD: The transfer is rather average, as are the talent profiles of Collins, Walters, Ralph Brown (the legendary Ronnie Biggs), and director David Green. Making up for them is a 50-minute "Making of" featurette that interviews everyone involved, including the real-life Buster. There's lots of on-set tomfoolery, and some first attempts at the hit songs that hardly flatter Collins' live singing voice! --Paul Tonks
The epic story of a man a hero and a nation. An infant escapes the edict calling for the death of all male Hebrew babies and is raised in the Egyptian Court by a princess who gives him the name Moses. After her death Moses (Burt Lancaster) returns to his poverty sticken people including his sister Miriam (Ingrid Thulin) and brother Aaron (Anthony Quayle). He flees into the desert to marry Ziporah the Chief of the Midianites. There he encounters the voice of God in the burning bush. Moses goes back to Egypt confronts the Pharoah predicts the ten plagues leads the Exodus recieves the Ten Commandments takes the Israelites from exile and finally before his death sees the Promised Land.
The title Ice Cold in Alex refers to the beer the heroes of this 1958 British World War Two classic plan to drink in Alexandria, once they have escaped from the Germans, negotiated minefields and survived both mechanical failure and the killing heat of the North African sands. The setting is Libya in 1942, at the height of the campaigns featured in The Desert Fox (1951) and The Desert Rats (1953), and a disparate group in a military ambulance--which include a Nazi agent to add tension of one kind and a beautiful nurse to add tension of another--must make an epic journey to safety. Staring John Mills, Sylvia Sims, Anthony Quayle and Harry Andrews the terror and poignancy comes from our certainty that not everyone will survive, such that the suspense sometimes reaches near unbearable levels. Director J Lee-Thomson was clearly inspired by the then recent French masterpiece, The Wages of Fear (1952) and handles both the character drama and set-pieces with great skill. He would go on to make another great war adventure, The Guns of Navarone (1961), also starring Anthony Quayle, who then returned to the desert for the ultimate British war classic, Lawrence of Arabia (1962). --Gary S. Dalkin
Richard Burton stars as Henry VIII in this historical drama, with Genevieve Bujold playing his tragic wife, Anne Boleyn. Amidst the splendour of the Tudor court, Henry and Anne's tempestuous marriage mirrors the political and religious intrigues that threaten to divide the kingdom, as Henry grows ever more desperate for a male heir to continue his line.
Based on the true story of the building of a bridge on the Burma railway by British prisoners-of-war held under a savage Japanese regime in World War II, The Bridge on the River Kwai (1957) is one of the greatest war films ever made. The film received seven Oscars, including Best Picture, Director, Performance (Alex Guinness), for Sir Malcolm Arnold's superb music, and for the screenplay from the novel by Pierre Boulle (who also wrote Monkey Planet, the inspiration for Planet of the Apes). The story does take considerable liberties with history, including the addition of an American saboteur played by William Holden, and an entirely fictitious but superbly constructed and thrilling finale. Made on a vast scale, the film reinvented the war movie as something truly epic, establishing the cinematic beachhead for The Longest Day (1962), Patton (1970) and A Bridge Too Far (1977). It also proved a turning-point in director David Lean's career. Before he made such classic but conventionally scaled films as In Which We Serve (1942) and Hobson's Choice (1953). Afterwards there would only be four more films, but their names are Lawrence of Arabia (1962), Dr Zhivago (1965), Ryan's Daughter (1970) and A Passage to India (1984). On the DVD: Too often the best extras come attached to films that don't really warrant them. Not so here, where a truly great film has been given the attention it deserves. The first disc presents the film in the original extra-wide CinemaScope ratio of 2.55:1, in an anamorphically enhanced transfer which does maximum justice to the film's superb cinematography. The sound has been transferred from the original six-track magnetic elements into 5.1 Dolby Digital and far surpasses what many would expect from a 1950s' feature. The main bonus on the first disc is an isolated presentation of Malcolm Arnold's great Oscar-winning music score, in addition to which there is a trivia game, and maps and historical information linked to appropriate clips. The second disc contains a new, specially produced 53-minute "making of" documentary featuring many of those involved in the production of the movie. This gives a rich insight into the physical problems of making such a complex epic on location in Ceylon. Also included are the original trailer and two short promotional films from the time of release, one of which is narrated by star William Holden. Finally there is an "appreciation" by director John Milius, an extensive archive of movie posters and artwork, and a booklet that reproduces the text of the film's original 1957 brochure. --Gary S Dalkin
The Battle Of River Plate - Ten days before World War II Germany's crack battleship Admiral Graf Spee sails with orders to carry out action against Allied merchant shipping in the South Atlantic. Captained by Hans Langsdorff (Peter Finch) Graf Spee with her superior speed sinks ship after ship. Meanwhile the net is tightening round the German Killer. Outwitted by British Intelligence the Germans are convinced Graf Spee is trapped by a massive naval force. The captain eva
John Duncombe, the British consul in Florence, returns home from his wife's funeral to his two children, who are unaware of their mother's passing. He makes the decision to tell his eldest son, Andrea, but hides the truth from his sickly younger son, Milo. Director Luigi Comenicini (The Sunday Woman) captures the innocence and carefree moments of youth alongside the agonising feelings of grief, creating one of the finest films about childhood, one which can stand alongside The 400 Blows, The Spirit of the Beehive and L'enfance nue. A Palme d'Or nominee at the Cannes Film Festival and recipient of multiple awards from Italian institutions, Misunderstood features remarkable performances from the children and from Anthony Quayle (Lawrence of Arabia) as Duncombe.'One of the most beautiful portraits of a child in the history of the cinema'- Claude Michel Cluny, Cinéma'This pure melodrama, perhaps the most devastating ever made in the history of Cinema, to be placed on a level with the greatest works of Griffith and Sirk.' - Guy Bracourt'Comencini treats a difficult subject of great importance: the misunderstanding between a father and his son, and gets results that are not only devastating but also highly believable.' - Bertrand Tavernier, Positif'Made in 1966, this masterpiece by Luigi Comencini has lost none of its radiant beauty or its subversive force.' Le Monde (1978)Product FeaturesLIMITED EDITION BLU-RAY SPECIAL FEATURES:New 2024 2K restoration from the original negativeUncompressed mono PCM audioInterview with co-screenwriter Piero De Bernardi and Cristina Comenicini, the director's daughter and herself a noted filmmaker (2008, 36 mins)Interview with legendary critic Michel Ciment (2021, 24 mins)A Child's Heart - a visual essay by David Cairns on Comencini and the filmmaker's affinity for childhood stories (2023, 25 mins)TrailerNewly translated English subtitlesReversible sleeve featuring designs based on original promotional materialsLimited edition booklet featuring new writing by critic Manuela Lazic and a newly translated archival interview with ComenciniLimited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
A captivating romantic drama unfolds against a backdrop of Cold War paranoia in this acclaimed feature by multi-award-winning director Blake Edwards. Featuring an outstanding score by multiple Oscar winner John Barry and presented here in a brand-new High Definition transfer from original film elements The Tamarind Seed stars Julie Andrews as a Home Office minister's assistant and Omar Sharif as the Paris-based Soviet attache with whom she falls in love; among an outstanding support cast are Anthony Quayle and Sylvia Syms whose performance earned her a BAFTA Award in 1974. Holidaying in Barbados in the hope of overcoming the unhappiness of a broken love affair Englishwoman Judith Farrow meets debonair Russian Feodor Sverdlov. As they explore the island paradise together and their mutual feelings grow so too do the suspicions of the intelligence agencies in both London and Moscow. In a world where no-one is to be trusted and appearances can be fatally deceptive every move they make is being watched... Bonus Features: Soundtrack suite featuring score and musical arrangements by John Barry Song suite featuring music by John Barry Theatrical Trailer Image Gallery Archive interviews with Omar Sharif and Blake Edwards Film and Soundtrack Notes by Geoff Leonard and Pete Walker
John, Paul, George and Ringo's first big screen adventure is re-released in cinemas; an exaggerated "Day In the Life" of the Beatlemania era Beatles.
In 1962 Lawrence of Arabia scooped another seven Oscars for David Lean and crew after his previous epic, The Bridge on the River Kwai, had performed exactly the same feat a few years earlier. Supported in this Great War desert adventure by a superb cast including Alex Guinness, Jack Hawkins and Omar Sharif, Peter O'Toole gives a complex, star-making performance as the enigmatic TE Lawrence. The magnificent action and vast desert panoramas were captured in luminous 70mm by Cinematographer Freddie Young, here beginning a partnership with Lean that continued through Dr Zhivago (1965) and Ryan's Daughter (1970). Yet what made the film truly outstanding was Robert (A Man For All Seasons) Bolt's literate screenplay, marking the beginning of yet another ongoing collaboration with Lean. The final partnership established was between director and French composer Maurice Jarre, who won one of the Oscars and scored all Lean's remaining films, up to and including A Passage to India in 1984. Fully restored in 1989, this complete version of Lean's masterpiece remains one of cinema's all-time classic visions. --Gary S Dalkin On the DVD: This vast movie is spread leisurely across two discs, with Maurice Jarre's overture standing in as intermission music for the first track of disc two. But the clarity of the anamorphic widescreen picture and Dolby 5.1 soundtrack justify the decision not to cram the whole thing onto one side of a disc. The movie has never looked nor sounded better than here: the desert landscapes are incredibly detailed, with the tiny nomadic figures in the far distance clearly visible on the small screen; the remastered soundtrack, too, is a joy. Thanks are due to Martin Scorsese and Steven Spielberg who supervised (and financed) the restoration of the picture in 1989; on disc two Spielberg chats about why David Lean is his favourite director, and why Lawrence had such a profound influence on him both as a child and as a filmmaker (he regularly re-watches the movie before starting any new project). Other features include an excellent and exhaustive "making-of" documentary with contributions from surviving cast and crew (an avuncular Omar Sharif is particularly entertaining as he reminisces about meeting the hawk-like Lean for the first time), some contemporary featurettes designed to promote the movie and a DVD-ROM facility. The extra features are good--especially the documentary--but the breathtaking quality of both anamorphic picture and digital sound are what make this DVD package a triumph. --Mark Walker
British film legends Michael Powell and Emeric Pressburger revisit the world of music once more in their comedy adaptation of Johan Strauss's Die Fledermaus, updated to post-war Vienna. A scintillating, light-hearted musical, it features memorable performances from Michael Redgrave, Mel Ferrer, Anthony Quayle, Anton Walbrook and prima ballerina Ludmilla Tcherina as the titular Rosalinda. The film is presented here as a brand-new High Definition transfer from the original film elements in its original CinemaScope aspect ratio. Vienna, 1955 - a city under occupation by the four Allied powers. Through the chaos Dr Falke moves gracefully - an elegant man-about-town and friend to the highest echelons of power. He is decidedly less graceful, however, when he is deposited by a friend in the lap of a giant Soviet statue, rather the worse for drink and dressed as a giant bat. Falke swears revenge... Special Features: Image gallery PDF material
Murder by Decree has the distinction of being not only one of the best Sherlock Holmes films, but one of the best pastiches (i.e., a Holmes fiction created by someone other than author Sir Arthur Conan Doyle) featuring the late-Victorian detective. Christopher Plummer is very good as Holmes, and James Mason redeems the many mishandled screen portrayals of Dr John Watson with a rare, insightful performance. The story may not be unique in post-Doyle Holmes adventures--the private investigator pursues Jack the Ripper during the latter's murderous reign in foggy London--but the script by John Hopkins (Thunderball) is keenly intelligent, developing concentric circles of power and evil with great subtlety. Before losing himself in Porky's, director Bob Clark did a masterful job of surprising audiences with Murder by Decree, convincing viewers they were watching one kind of drama but then unleashing something very different, very unsettling. --Tom Keogh
The incomparable Alfred Hitchcock presents a collection of his finest suspenseful thrillers! Includes: 1. Strangers On A Train (1951) 2. Stage Fright (1950) 3. I Confess (1953) 4. Dial M For Murder (1954) 5. The Wrong Man (1956) 6. North By Northwest (1959)
A U.S. Sheriff entrusted with a map of the legendary Valley of Gold is attacked by an unruly bandit gang and his own local townspeople. They are all fired by greed and gold lust but bound together by a fear of their common enemy - the Apache. Based on a novel by Will Henry with music by Quincy Jones.
Featuring all the episodes from Series 1 to 4 including: 'Rooksby' 'Black Magic' 'Charisma' 'Night Out' 'All Our Yesterdays' 'The Prowler' 'Permissive Society' 'Food Glorious Food' 'A Body Like Mine' 'The Perfect Gentleman' 'The Last Of The Big Spenders' 'Things That Go Bump In The Night' and 'Moonlight And Roses'. Includes the unreleased episode 'Stand Up And Be Counted'.
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall
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