Dorzak: A spaceship lands on the moon. A beautiful young woman emerges from inside seeking medical attention for a colleague who was injured by a criminal that they had captured. The criminal turns out to be a man from Maya's home planet Psychon named Dorzac and persuades Maya that he was not responsible for the injury signalling the start of the troubles to come. Devil's Planet: Answering a distress signal Koenig and Blake Maine go to Entra. The first thing they see is a man being chased by three beautiful girls carrying long electric whips! Maine is killed and then Koenig imprisoned. Can he escape? The Immunity Syndrome: On a seemingly inhabitable planet a series of misfortunes befall Alpha's advance party. Tony Verdeschi is rendered insane by a piercing sound. The metal in the Eagle corrodes and the craft starts to fall apart. Two Alphans die after drinking spring water. Then a skeleton is found inside a geodetic structure with a video beside it explaining how any future visitors might survive. The Dorcons: A huge alien Dorcon ship materialises nearby. When the three leaders demand Maya be sent to them Koenig refuses. A leader comes aboard the spaceship and takes Maya and Alpha by force. But Koenig manages to come along too and using the power struggle between the three leaders tries to rescue Maya.
Richard Gecko (Quentin Tarantino) a deranged rapist is on a road-kill journey with his brother Seth (George Clooney) whose ass was rotting in jail for bank robbery and murder before he escaped. After killing a bunch of police officers Texas Rangers and civilians they kidnap a preacher (Harvey Keitel) and his family (including Juliette Lewis) to cross the Mexican border and flee for the safety of a remote nightclub. But when they face the bar's truly notorious and blood-thirsty clientele the Gecko's are forced to team up with their hostages in order to make it out alive! Directed by Robert Rodriguez (Sin City Machete) and written by Quentin Tarantino (Pulp Fiction Kill Bill Inglorious Basterds). Special Features: Audio Commentary with Quentin Tarantino and Robert Rodriguez Outtakes Hollywood goes to Hell. Featurette Music Videos Stills Gallery The Art of Making the Movie Deleted Scenes and Alternative Takes On the Set Trailer Exclusive Titty Twister Edition Poster 2 Titty Twister Shot Glasses 6 Limited edition Postcards 3 Badges Exclusive Santanico Pandemonium Tattoo
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
Quentin Tarantino rocked the film world with his powerful and controversial debut movie. They were perfect strangers, assembled to pull off the perfect crime. When their simple robbery explodes into a bloody ambush, the ruthless killers realise one of them is a police informer, but which one? With stunning performances from Harvey Keitel, Tim Roth, Steve Buscemi and Michael Madsen, Reservoir Dogs loudly announced Tarantino as a talent to be reckoned with and remains one of the most important films ever made. This 2 disc collector's edition features a tonne of extras including a commentary with Quentin Tarantino, Documentary, Cast interviews, Deleted Scenes, A guide to tipping 'Reservoir Dogs style', an introduction to film noir and much more! Special Features: Commentary with Quentin Tarantino, producer Lawrence Bender and selected cast and crew Pulp Factoid Viewer - Insider information about Reservoir Dogs and its sources of inspiration The Critics' Commentaries Playing It Fast and Loose - An insightful documentary about the impact and ripple effect of Reservoir Dogs from its release in 1992 and how it has helped redefine contemporary cinema Profiling the Reservoir Dogs - A unique perspective into the criminal minds of the film's colourful characters Tipping Guide - Proper tipping etiquette Reservoir Dogs style The Class of '92 -Sundance Interviews Tarantino's Sundance Institute Film-makers Lab An Introduction to Film Noir - Writers and Film-makers feature Securing the Shot - Location Scouting with Billy Fox Original Interviews with Tarantino and cast Deleted Scenes Reservoir Dolls K-Billy Super Sounds of the '70s Reservoir Dogs Style Guide Dedications - Tarantino on his influences
Based on documents compiled by leading French philosopher Michel Foucault I Pierre Riviere a unique and original film charts the gruesome events which took place in a Normandy village in 1835 when a young man Pierre Riviere murdered his mother sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives including the written confession of Pierre himself and form a rich and complex narrative that interrogates the concepts of 'truth' and 'history'. Radical bold and uncompromising director Rene Allio's extraordinary work is at one and the same time an ethnographic enquiry an historical reconstruction and an unflinching portrait of psychopathology and its aftermath.
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
It's all go in the hit sitcom Life of Riley, where Maddy and Jim head up a modern day extended family - with children, stepchildren, step siblings, half siblings - plus a few ex-partners, mothers and neighbours thrown in.The third series finds Maddy discovering her mum has a new boyfriend and her husband has a secret admirer. Meanwhile Jim is battling caffeine addiction and trying to learn how to express his feelings.Little surprise that they don't notice that Danny has smuggled a girlfriend into the house, Ted has lost a snake and Katy has mis-placed a car. With the neighbours facing marital meltdown, life continues to swerve perilously and hilariously out of control as they live the Life of Riley.
The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
The fascinating story of two classic car enthusiasts and how the returned a scrapped Austin Healey 3000 to award-winning perfection. Introduced and narrated by TV's Quentin Willson the film features compelling highlights from the meticulous restoration project. Classic cars have a large and dedicated following of enthusiasts such as the extensive membership of the UK's Austin Healey Club. There is a massive multi-million pound industry surrounding classic car restoration and programmes focusing on the rebuilding of classic vehicles are proven top-selling titles.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
Richard Gecko (Quentin Tarantino), a deranged rapist, is on a road-kill journey with his brother Seth (George Clooney), whose ass was rotting in jail for bank robbery and murder before he escaped. After killing a bunch of police officers, Texas Rangers and civilians, they kidnap a preacher (Harvey Keitel) and his family (including Juliette Lewis) to cross the Mexican border and flee for the safety of a remote nightclub. But when they face the bar’s truly notorious and blood-thirsty clientele, the Gecko's are forced to team up with their hostages in order to make it out alive! Direct by Robert Rodriguez (Sin City, Machete) and written by Quentin Tarantino (Pulp Fiction, Kill Bill, Inglourious Basterds). Blu-Ray Special Features: Audio Commentary with Quentin Tarantino and Robert Rodriguez Outtakes Hollywood Goes to Hell Featurette Music Videos Stills Gallery The Art of Making the Movie Deleted Scenes and Alternative Takes On the Set Trailer Limited Edition Box Set Includes: Exclusive Titty Twister Edition Poster 2 Titty Twister Shot Glasses 6 Limited Edition Postcards Titty Twister Iron Bar Sign 3 Badges Exclusive Santanico Pandemonium Tattoo
Muppet Movie (1979): Jim Henson's Muppets make their film debut in this charming story that chronicles their rise to fame. It all begins with Kermit the Frog sitting in a swamp singing and strumming a guitar. Realizing he can use his talent to ""make people happy "" Kermit decides to head for Hollywood. During his trip Kermit meets fellow Muppets Fozzie the Bear the Great Gonzo Miss Piggy and an odd assortment of others who join Kermit on his song-filled journey. But before
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