Every episode from all 5 seasons of the action-packed adventures of Angel Investigations in a single supremely collectible box set! The vampire Angel leaves Sunnydale for Los Angeles where he uses his powers to help people. Meanwhile spoiled Cordelia is trying to make her way in the City of Angels - and her path is destined to cross with Buffy's true love!
Based on the first-hand experience of director Oliver Stone, this is powerful, intense and starkly brutal. Harrowingly realistic and completely convincing, it is a dark, unforgettable memorial to every soldier whose innocence was lost in Vietnam.
Hit the streets with famous mystery novelist Rick Castle and street-smart Detective Kate Beckett as they take on New York City's most fascinating cases while they try to solve the mystery of their own relationship. Acclaimed actor Nathan Fillion stars in the series that has become a favourite of fans and critics around the world. Relive the romance, excitement and every brilliant moment of all seven seasons, plus a host of captivating bonus features in one magnifi cent DVD collection. ABC Studios' Castle: Seasons 1-7 will bring hours of witty, wild and wonderful fun
Waking Ned When Ned Devine dies from shock after winning the lottery two longtime friends in his Irish village Michael (David Kelly) and Jackie (Ian Bannen) discover the body and agree Ned would want them to benefit from his good luck. They embark on an outrageous scheme to claim the ticket. But first they have to get all the village folk to go along with their plan! Evelyn Times are tough in Dublin Ireland. But no one has it tougher than Desmond Doyle when his wife runs off and his beloved daughter Evelyn and two young sons are sent to an orphanage by the government. Enlisting the help of loyal friends (Julianna Margulies Stephen Rea) and a feisty American lawyer (Aidan Quinn) he takes his case to Ireland's Supreme Court in a history-making quest to topple an ironclad law...and win back custody of his children. In America A coming of age story seen through the eyes of 11 year old Christy the daughter of a young Irish immigrant couple trying to find their way in America...
The dark and fantastic Harsh Realm, a science fiction series about a war fought by flesh-and-blood humans trapped inside virtual reality, was launched by The X-Files creator Chris Carter in 1999 and died a regrettable, premature death on the Fox channel after three episodes. The remaining six shows found sanctuary on the FX network, and then Harsh Realm slipped into history, its wild story, based on a comic book, far from resolved. Perhaps Harsh Realm's ratings failure had something to do with its broad similarities to the hugely popular The Matrix, released only a few months before, or, for that matter, David Cronenberg's 1999 eXistenZ, in which characters fight for their lives inside a video game. Whatever the reason, enough time has passed to take an objective look at Harsh Realm, and there is a lot to be admired in its high level of imagination, complex plotting, and cutting-edge production values. Scott Bairstow stars as U.S. Army Lieutenant Tom Hobbes, a decorated hero who risked his life rescuing a buddy, Major Mel Waters (Max Martini), during a peacekeeping mission in the former Yugoslavia. Set to return to civilian life and marry his fiancée, Sophie (Samantha Mathis), Hobbes is summoned by a mysterious superior (Lance Henriksen) and asked to test-run Harsh Realm, a virtual reality war game devised by the Pentagon. Once he begins, however, Hobbes is mentally imprisoned in the dangerous game (his body, along with those of hundreds of other "volunteers," is cared for in a secret military hospital), where he is identified by other, desperate captives as the savior they've been awaiting. D.B. Sweeney is very good as another soldier, Mike Pinocchio, whose sense of mission is re-awakened by Hobbes and who becomes a partner in an endless effort to defeat a madman named Santiago (Terry O'Quinn), who rules Harsh Realm from within. As with The X-Files, the nine episodes in this boxed set are each very striking on their own terms, with post-apocalyptic sets, constant surprises, and that special Chris Carter touch (fans of his Millennium will like Harsh Realm, too) that makes every story look and feel like a collision of a nightmare and a crisis of faith. --Tom Keogh
The winner of the first ever Academy Award for Best Foreign Language Film available on DVD for the first time! Giulietta Masina (the late Federico Fellini's wife) stars as Gelsomina who is sold by her mother into the employ of Zampano (Anthony Quinn) a vicious strongman. They join up with a travelling circus where Zampano encounters his old rival tightrope artist The Fool (Richard Basehart). The Fool befriends Gelsomina and presents her with an uplifting view of the world as oppo
Stuffy British author Giles De'Ath (John Hurt) has been completely untouched by the modern world. One day after an interviewer asks if he's ever considered adapting his best-sellers for the screen he decides to investigate cinema costume drama. By accident he views the teen movie 'Hotpants College 2' and becomes instantly enchanted by Hollywood hunk Ronnie Bostock (Jason Priestly). Soon after the eccentric De'Ath drives to Ronnie's Long Island home where he ingratiates himself i
Bing Crosby an Bob Hope star in the first of the 'Road to' movies as two playboys trying to forget previous romances in Singapore - until they meet Dorothy Lamour...
Last Action Hero (Dir. John McTiernan 1993): Danny Madigan (Austin O'Brien) a young cinema fan is crazy about his all-time great movie hero L.A. cop Jack Slater (Arnold Schwarzenneger). Having received a magic golden cinema ticket Danny is blasted through the big screen and into the action alongside his celluloid hero who is more than a little puzzled by his presence. Fasten your seatbelt as the dare-devil duo dodge bullets bombs and bad guys in a whirlwind world where anything is possible! But. ..disaster strikes when the baddies grab half the magic ticket and make their escape into the real world where they find life a doddle for two rogues intent on madness and mayhem.With Jack and Danny in hot pursuit hold your breath as the action addicts discover that real life can be even more exciting than the movies Twins (Dir. Ivan Reitman 1998): An ambitious genetic experiment takes the wrong turn when two twins (Danny De Vito and Arnold Schwarzenegger) - who look nothing alike - are born and then separated. Years later the unlikely siblings meet: Julius a highly educated but sheltered giant with a big heart and Vincent a pint-sized hustler with an insatiable lust for women and money. With girl friends in tow and a hitman on their tail the new-found brothers set off on a wild cross-country misadventure to find their mother but end up finding out more about themselves and each other... Kindergarten Cop (Dir. Ivan Reitman 1990): Arnold Schwarzenegger stars as an undercover cop posing as a kindergarten teacher in order to catch a dangerous criminal. Once he wrangles his young charges as well as the affections of a beautiful teacher (Penelope Ann Miller) he prepares for a final showdown with his intended prey in this 'Totally Enjoyable' (People Magazine) action-comedy from Director Ivan Reitman.
Season 1And so it begins. Its hard to pinpoint just when you realise how good Lost actually is. Granted, the opening episode is an astonishingly assured way to start, replete with an almighty plane crash on a seemingly deserted desert island. Yet as those who have followed the hype are well aware, theres far more on offer here, with carefully woven plotlines introducing a series of characters who are slowly and intriguingly fleshed out throughout the 25 episodes in this set.At its best, Lost is a delicately layered adventure, laced with some stand-out moments. Youll find ample instances of them here, as well as umpteen examples of the quality of writing that underpins the show. Far fetched? Yes, occasionally, and you could also argue that it takes a while to recapture the energy of those dramatic opening episodes. But this is still a lavish, compulsive show that benefits heavily from its clearly substantial production budget.Naturally as there are more episodes made and planned, there are plenty of building blocks being put in place for later on, both through the evolving life on the island and the plethora of flashbacks that back it up. Yet its at this point that the quality of Lost really hits home, thanks to lots of short term excitement with plenty still to enjoy as the show progresses. That makes Lost Series One a rewarding purchase, and one that promises even greater things ahead.--Simon Brew Season 2Season two of the television phenomenon that is Lost is where the questions, in many senses, started to be asked. Picking up directly after that first season cliffhanger, it sets off at a belting pace, continuing the adventures of a group of people stranded on a desert island following a place crash. Only, as becomes increasingly clear, the island is a mysterious place, and the survivors appear not to be alone.In true Lost fashion, the second season of the show is far better at firing out fresh questions than resolving previous ones, although again, it delights in throwing out clues that the web-inclines can research across the legion of unofficial fan websites. For the viewer of the second series of Lost though, theres plenty to like, and plenty to tear their hair out over.On the downside, after an intriguing beginning, too much of the second series settles into a comfortable rhythm, conforming too rigidly to a recipe of plenty of backstory, and not too much advancement of the main narrative. Its a device that worked first time round, but becomes tiring during the saggy middle episodes. Its a fair argument too that things move far too slowly and for little good reason.The upsides? Again, quite a few. Theres little doubt that the premise still holds intrigue, and the top and tail of season two are excellent. The last quarter, for instance, is both meaty and very entertaining, even offering clues to how the whole show may eventually end. So while even the Lost purest will surely conclude that season two is an uneven dish, theres still much to feast on, albeit with the hope that season three gets round to answering a few more question. Please. --Simon BrewSeason 3Theres a steady pattern forming to seasons of Lost, where the narrative by turns manages to enthral and frustrate with equal measure. And the shows makers are clearly wise to this, as while elements of the third season revert to type, theres a clear and genuine effort to energise a programme that continues to stretch its simple premise as far as it can.So while Lost still compromises of a group of plane crash survivors marooned on a mysterious island, theres plenty else being thrown into the pot. Season three finds new characters, greater exposition of the mysterious others, the obligatory background character work, and a pronounced fracturing of relations between many of the survivors.It too also manages to hint at some answers to the many conundrums that it continues to pose, not least a concluding episode that itself should keep fan debates fuelled until well into the next series. And, chief among its accomplishments, Lost still manages to keep us interested, and leaves plenty in the tank for the future as well.In short, theres little danger youll be short-changed by Lost season three thanks to its ideas, its nerve, and the continued clues it teasingly leaves along the way. As fascinating as it always was. --Jon FosterSeason 4Anybody whose faith in Lost was beginning to waiver will surely appreciate the fourth season of the show. For this is Lost firing on all cylinders, showing a willingness to answer a few more questions than usual, while not being afraid to deepen elements of the mystery of Ocean 815.The big new idea for Lost season four, as introduced in the cliffhanger at the end of the previous run, is flash-forwards, where we see some of the characters after they?ve left the island. This freshens the show immensely, and gives the writers some much-needed new meat to chew on. As a result, characters are more convincingly fleshed out, and more fun is had with the narrative in general.There are still a few of the ailments that have hindered Lost in the past. Whenever Matthew Fox's Jack takes centre-stage, for instance, it still tends to be an episode to forget, while one or two sub-plots are allowed to meander a little more than they should. Yet it's a transitionary season, moving the show towards its final two years by beginning to fill in some of the blanks we?ve been lacking. And with a cliffhanger at the end that, once more, has the potential to firmly pull the rug from under your feet, it?s very clear that Lost has plenty more tricks up its sleeve to come. A terrific season of an increasingly bold show. --Simon Brew
Catharine (Theresa Russell) is a sultry beauty who meticulously sets her traps. Alex (Debra Winger) is a federal sleuth who just as meticulously uncovers what no one else suspects - that this femme fatale tricks wealthy men into marrying her then kills them to inherit their fortunes. Soon Alex's obsession with the mysterious Catharine draws her deeper and deeper into danger...
This is the chilling tale of a congenial family man whose engaging smile and staid demeanor insidiously mask a deep-seated dementia. His obsessive desire to live the ideal family life ultimately leads to the family's very destruction.
The life and times of the legendary Mexican revolutionary Emiliano Zapata are brought to the screen in Darryl F. Zanuk's powerful production of John Steinbeck's screenplay. Marlon Brando, fresh from his success in A Streetcar Named Desire, gives a stunning portrayal of the outlaw turned revolutionary leader. The film also boasts Anthony Quinn's (Best Supporting Actor, 1952) Academy Award winning performance as Zapata's brother. VIVA ZAPATA! Is one of the classic political movies and another fine example of Brando's genius as a film actor.
The Young Lions: Academy Award-winning actor Marlon Brando captures the extraordinary contradictions and complexity of a decent man who winds up as a Nazi officer. The Young Lions tells the story of World War II from both sides. The American represented by Montgomery Clift and Dean Martin. And the German made tragically vivid by Brando. Based on the novel by Irwin Shaw. The Young Lions is a provocative insightful movie. It is also one of Brando's all-time best. Morituri: Forced to pose as a SS officer German war deserter Robert Crain (Brando) must seize a German freighter booby-trapped to explode upon capture. Complicating the situation is the fact that sixteen prisoners of war are also brought on board including a beautiful young concentration camp survivor (Janet Margolin)... A captivating espionage thriller fronted by outstanding performances from Marlon Brando and Yul Brynner this criminally little-seen World War II film also features a devastating appearance by veteran British hand Trevor Howard and will keep you riveted until the very final scene... Viva Zapata!: The life and times of legendary Mexican revolutionary Emiliano Zapata are brought to the screen in Darryl F. Zanuck's powerful production of John Steinbeck's screenplay. Marlon Brando fresh from his success in A Streetcar Named Desire gives a stunning portrayal of the outlaw turned revolutionary leader. The film also boasts Anthony Quinn's (Best Supporting Actor 1952) Academy Award winning performance as Zapata's brother. Sayonara: Major Lloyd Gruver (Marlon Brando) a Korean War flying ace reassigned to Japan staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos... Missouri Breaks: Montana Badlands rancher David Braxton is a self-made man. Through years of tireless effort and determination he has transformed his vast and rugged land into a thriving prosperous empire. So when his livestock his fortune are threatened by a ruthless horse thief Braxton takes matters into his own hands. Hiring a sadistic 'regulator' to track down the outlaw Braxton intends to liberate the territory from crime but what he initiates instead is a complex series of events that results in brutality and savagery far beyond anything he even thought possible...
Though it's not in the same league as the classic screen musicals, Annie's heartwarming rags-to-riches storyline, social comment (shallow as it may be) and catchy songs make for an entertaining and unpretentious 90 minutes' viewing. Aileen Quinn is the irrepressible titular orphan, by no means as irritating as she looks in the cover picture; Albert Finney is Oliver Warbucks, the tyrannical tycoon (with a hidden heart of gold, of course) who adopts her for a week in the interests of good PR. The real show-stopper, though, is Carol Burnett as the gin-soaked harpy Miss Hannigan, ruling with an iron fist over an orphanage full of unruly girls, flirting with every man in sight and eventually scheming with her unscrupulous brother (Tim Curry) to kidnap Annie and reap a fat Warbucks reward cheque. While the songs--including "Tomorrow", "You're Never Fully Dressed Without a Smile" and "It's a Hard Knock Life"--are excellent, the kids' voices are shrill and the production pretty low-rent: Annie is very obviously a stage show brought to screen on a low budget. But while it lacks the polish that make the Rodgers and Hammerstein and Lerner and Loewe musicals so special, it's funny and sweet and has a rough charm all its own. On the DVD: The film is presented in widescreen, preserving its original 2.35:1 aspect, and is enhanced for 16:9 widescreen TVs; the soundtrack is Dolby surround, though as noted above the music score is relatively rough and ready so top-notch sound isn't actually as important as it would be in other musicals. The extras are pretty disappointing--an uninspired interactive menu features only the obligatory multi-language subtitles, (very) short biographies of the key cast members, a few publicity cards and posters, the theatrical trailer and--most interestingly--an isolated musical score. No commentary from director John Huston, no documentaries, nothing about the 1930s cartoon strip that was, apparently, one of the most popular of its day. There's actually more information in the accompanying booklet than there is on the disc. --Rikki Price
While attending the United States Space Camp five teenagers and their instructor are accidentally launched into space on board a shuttle. They must figure out how to bring themselves safely back to Earth.
He's hunky, he's brooding, he's a do-gooder, and he was Buffy's first boyfriend. Angel, the tortured vampire destined to walk the earth with a soul, got his own series after three seasons on Buffy the Vampire Slayer and did what any new star might do: he moved to L.A. (the City of Angels--get it?) and set up shop. Angel (co-created by Buffy mastermind Joss Whedon) finds the titular vampire (David Boreanaz) as a kind of supernatural private investigator, fighting evil one case at a time and, like his ex-girlfriend, keeping the world from getting destroyed by vengeful demons and such. A darker, more film noir version of Buffy, Angel lacked the peppy humour that permeated Sunnydale but more than made up for it in its soul-wrenching gravitas, and it elevated Boreanaz to leading-man status, a role he filled out ably and then some. Initially, the stoic vampire was paired with Irish demon Doyle (the late Glenn Quinn) and fellow Sunnydale transplant Cordelia (Charisma Carpenter), but Angel finally found its footing when Doyle was dispatched (giving his powers of precognition to Cordelia) and replaced by Buffy alum Wesley (Alexis Denisof), a fallen watcher who, like his friends, was hoping for a new start in L.A. However, pesky law firm Wolfram and Hart (a front for the demon mafia, as it were) reared its ugly head and discovered Angel's presence, thus setting the stage for a battle of good and evil--and if you're a regular Joss Whedon fan, you know that it's a never-ending war. This first season features guest appearances by various Buffy characters, including werewolf boy Oz (Seth Green), rogue slayer Faith (Eliza Dushku), deliciously evil vamp Darla (Julie Benz), and Buffy herself (Sarah Michelle Gellar), all of whom helped get the show off and running in style. --Mark Englehart
A heart-breaking tale of love and dreams lost and realised, MIDNIGHT SUN tells the life-affirming story of 17-year-old Katie Price (Bella Thorne, Disney's Shake It Up, The DUFF), sheltered since childhood with a rare disease that makes even the smallest amount of sunlight deadly. During the day she is housebound, but after nightfall, Katie's world opens up, as she is able to venture out to the local train station and play her guitar for travellers. One night, fate intervenes when she meets Charlie (Patrick Schwarzenegger), a high school all-star athlete, whom she has secretly admired for years. She hides her condition from him as the two embark on a uniquely powerful romance over one nearly perfect summer.
Vibrant orange sunflowers. Rippling yelow grain. Trees bursting with white bloom. ""The pictures come to me as in a dream "" Vincent Van Gogh said. A dream that too often turned to life-shattering nightmare... Winner of Golden Globe and New York Film Critics Best Actor Awards Kirk Douglas gives a fierce portrayal as the artist torn between the joyous inspiration of his genius and the dark desperation of his tormented mind. The obsessed Van Gogh painted the way other men breathe drivi
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