In 1913 a woman scours the streets of Budapest, Hungary, to find the brother she never knew she had. Directed by László Nemes, who won the Best Foreign Language Oscar with his previous film Son of Saul.
Stunning animation and epic new villains highlight the first new Dragon Ball Z feature film in seventeen years! Beerus the God of Destruction travels to Earth in search of a good fight. Only Goku humanity’s greatest hero can ascend to the level of a Super Saiyan God and stop Beerus’s rampage! This double disc edition includes both the 85 minute Theatrical Cut and the 105 minute Director’s Cut. Both versions include the English and Japanese dubs and English subtitles. This edition also includes bonus content including “The Voices of Dragon Ball Z: Unveiled” and “Behind The Scenes: Battle of Voice Actors!
A lawyer takes on a negligent homicide case involving a priest who performed an exorcism on a young girl.
The New Statesman' is a multi-award winning masterpiece of political satire. Rik Mayall stars as the ruthless Alan B'Stard the egocentric MP who will stop at nothing to further his political career. With no morals no depth to which he wouldn't sink and no plot too cunning following the antics of such an immoral MP makes for unbelievable nonstop comedy. This DVD box set features all four series of 'The New Statesman' culminating with the feature length special 'Who Shot Alan B'Stard'.
The Tom Cruise Collection. Vanilla Sky: David Aames (Tom Cruise) appears to lead a charmed life. Handsome wealthy and charismatic the young New York City publishing executive's freewheeling existence is enchanting yet he seems to be missing something. Then in one night David meets Sofia (Penelope Cruz) the girl of his dreams but loses her by making a small mistake. Thrust unexpectedly onto a roller-coaster ride of romance comedy suspicion love sex and dreams Davi
Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked businessmen. The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.
It is a quiet sort of a day in the heart of the English countryside when Peter Susan Edmund and Lucy stumble through the back of an old wardrobe into the enchanted land of Narnia. They embark on an extraordinary adventure discovering talking fauns friendly beavers giants and flying horses. When the White Witch learns of their presence in Narnia their lives are in danger but there is talk that Aslan the Great Lion is on the move. Originally broadcast in 1988 this adaptation o
Adapted from the George Simenon novel 'Les Fiancailles De M. Hire' it tells the story of old Monsieur Hire who lives a lonely existence in an apartment block. He spies on a woman called Alice who also lives there and he knows everything about her until one evening he sees something he shouldn't and his life changes for ever.
1950s sci-fi horror produced by Howard Hawks. After an unknown spacecraft crashes near a remote scientific outpost in the Arctic, a US Air Force crew is dispatched from Alaska to investigate. They frantically begin to recover the craft, which is encased in ice, and find a frozen body buried nearby. They take it back to their base and, while they argue over how to proceed with their discovery, the alien life form escapes and begins feeding on any living creature it can find...
Sandra Bullock stars as a homicide detective saddled with a new inexperienced partner, on the trail of two gifted high school students who execute the "perfect" murder.
Series 1: The first episode begins at midnight on the day of the California Presidential Primary. Jack Bauer (Kiefer Sutherland) heads up the government's Counter-Terrorist Unit. He discovers that there's going to be an assassination attempt on Senator Palmer (Dennis Haysbert) an African-American presidential candidate. Bauer faces a battle against the clock to avert disaster. The series follows several characters as they live through a day that none of them will forget. For Kimberly (Elisha Cuthbert) a night on the town takes an unexpected turn. Teri (Leslie Hope) sets out to find Kimberly and encounters more danger than she ever imagined possible. Senator Palmer unaware there's going to be an attempt on his life faces the threat of a long buried scandal resurfacing. Meanwhile Jack with help from his Chief-of-Staff Nina Myers (Sarah Clarke) is charged with the responsibility of stopping the assassination. But who can he trust when it appears a rogue element inside the Agency is in on the hit? And all the time the clock keeps ticking... Series 2: Jack Bauer (Kiefer Sutherland) and the Counter Terrorist Unit (CTU) race to prevent a nuclear bomb being detonated by terrorists in Los Angeles in the second season of 24. Series 3: When the head of a Mexican drug cartel is imprisoned by Jack Bauer (Sutherland) a plot ensues to blackmail the US Government with the threat of a released bio-weapon that will kill millions to ensure his release. With Palmer seeking re-election to a second term will Jack survive this day? Series 4: 18 months after day 3 CTU has a new leader Erin Driscoll a steely government agent who made firing Jack one of her first priorities. After the explosion of a commuter train Jack who is now working for Secretary of Defense James Heller and also is romantically involved with Heller's married daughter Audrey Raines suddenly finds himself heading back to CTU for a meeting with Driscoll. Jack believes that the train explosion is a prelude for bigger things to come...
Hell Drivers sees James Bond (Sean Connery), Doctor Who (William Hartnell), one of the men from UNCLE (David McCallum), the Prisoner (Patrick McGoohan) and a Professional (Gordon Jackson), all supporting Stanley Baker in this hard-as-nails British action picture realistically set in a bleak late-1950s England. Baker plays Tom Yately, an ex-con who takes the only job he can get--truck driving at breakneck speeds for a corrupt manager (Hartnell) and brutal foreman (McGoohan). The constant short runs and competition between the drivers makes for an intense atmosphere which inevitably explodes into violence. Baker's only friend is an Italian ex-POW played sensitively by Herbert Lom, while Peggy Cummings is a remarkably free-spirited heroine for a British film of the time. Baker himself is superb, quietly tough, and broodingly charismatic, McGoohan is compellingly malevolent and Hartnell simply chilling. The film is consistently engrossing and often exciting, even when the plot spirals into melodrama towards the finale. One has to wonder where the police are during all this mayhem, but the fact that the screenplay, by John Kruse and Cy Endfield, received a BAFTA nomination suggests the scenario was at least reasonably realistic. Endfield also directed this, the second of six films he would helm for Baker, the most famous of which would be the all-time classic, Zulu (1964). On the DVD: Hell Drivers is presented in an anamorphically enhanced ratio of 1.77:1. This means a little of the original 1.96:1 VistaVision (70mm) image is cropped at the sides, which is just noticeable in a few shots. The print used is excellent, with only very minor damage, and the mono sound is fine. The disc also includes Look in on Hell Drivers, a 1957 TV programme that offers interviews with Stanley Baker, Cy Endfield and Alfie Bass, as well as comments from genuine truck drivers confirming the realism of the story, and a contemporary 15-minute television interview with Baker, which focuses on Hell Drivers, Sea Fury(1958) (also directed by Cy Endfield) and Violent Playground (1958). The original trailer rounds out an excellent package. --Gary S Dalkin
If the idea of a French, subtitled, gay, soul-searching road film doesn't exactly sound like your cup of tea, think again: Drole de Felix is a film that will transcend any barrier. Felix of the title is a young, gay French Arab who decides to travel south from Normandy to Marseilles in search of the father who abandoned him before he was born. His journey (mainly by hitchhiking but also by slightly less legal means) forms the bulk of the film's storyline, combined with a handful of characters who become brief but important parts of his life. Sami Bouajili carries the film magnificently, switching effortlessly from the lighter, comedic moments (of which there are many, including a surprising amount regarding the character's HIV-positive status) to Felix's search for self. There is a rather unnecessary subplot concerning a witnessed murder, but even it has a moving conclusion. On paper, perhaps, not the most enticing of prospects, Drole de Felix is, in it's own quiet way, a gem. --Phil Udell
Benjamin Britten's final opera, written between 1971-1973, recorded at Teatro La Fenice in Venice in 2008. Bruno Bartoletti conducts, while there are performances by Marlin Miller, Scott Hendricks, and Alessandro Riga. Tracklist: Act 1 1. Opening 2. My mind beats on (Aschenbach) 3. Who's that? (Aschenbach) 4. Hey there, hey there, you! (Chorus) 5. Ah, Serenissima! (Aschenbach) 6. We are delighted to greet the Signore (Hotel Manager) 7. Poles, I should think (Aschenbach) 8. ...
El Dorado doesn't quite have the scope or ambition of Howard Hawks' greatest Westerns, Red River and Rio Bravo. But this relaxed picture, made near the end of Hawks' marvellous career, still shows the steady, sure hand of a master. Hawks reunites with John Wayne, playing a hired gun mixed up in a range war; Robert Mitchum is Wayne's old pal, now a sheriff in the midst of a hopeless drunken bender. James Caan, in one of his first sizable roles, plays a kid who can't shoot straight and wears a funny hat (every character in the movie makes fun of this hat). As the plot moves along, it begins to resemble Rio Bravo rather closely ("I steal from myself all the time", Hawks was fond of admitting). But in El Dorado the heroes are a bit older, their powers a bit weaker; at the end Wayne must revert to a bit of subterfuge in order to get the drop on the steely gunslinger (ice-cold Christopher George) he needs to put down. As relaxed as the movie is, Hawks and Wayne and company are in good spirits, with plenty of broad humour and easy camaraderie on display. Hawks and Wayne would make just one more film, the disappointing Rio Lobo, before ending their fruitful partnership. --Robert Horton
Danny DeVito's adaptation of the Roald Dahl book for children is mostly just fine, helped along quite a bit by the charming performance of Mara Wilson (Mrs Doubtfire) as the eponymous young Matilda, a brilliant girl neglected by her stupid, self-involved parents (DeVito and Rhea Perlman). Ignored at home, Matilda escapes into a world of reading, exercising her mind so much she develops telekinetic powers. Good thing, too: sent off to a school headed by a cruel principal, Matilda needs all the help she can get. DeVito takes a highly stylized approach that is sometimes reminiscent of Barry Sonnenfeld (director of Get Shorty, a DeVito production), and his judgement is not the best in some matters, such as letting the comic-scary sequences involving the principal go on too long. But much of the film is delightful and funny.--Tom Keogh
With epic battle scenes reminiscent of Tora! Tora! Tora!, Battle of the Pacific is a classic war movie told from both Japanese and American perspectives.
There's nowhere to turn nowhere to hide no way to stop... A monstrous black sedan roars out of the desert without warning and mercilessly begins to terrorize the residents of a small New Mexico town. Is it a phantom a demon...or even the Devil himself?
It s a rare person who would give up fame and fortune to toil in obscurity for someone else s creative vision. Yet, that s exactly what Leon Vitali did after his acclaimed performance as Lord Bullingdon in Stanley Kubrick s Barry Lyndon. The young actor surrendered his thriving career to become Kubrick s loyal right-hand man. For more than two decades, Leon played a crucial role behind-the-scenes helping Kubrick make and maintain his legendary body of work. The complex, interdependent relationship between Leon and Kubrick was founded on devotion, sacrifice and the grueling, joyful reality of the creative process. By entering their unique world, we come to understand how the mundane gives rise to the magnificent as timeless cinema is brought to life at its most practical and profound level.
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