When a British writer visits her publisher's home in the South of France, her English reserve is jarred after the publisher's reckless daughter unexpectedly arrives and sets off an unsettling series of events.
Max (Dirk Bogarde) is a night porter in a Vienna hotel in the 1950's. When beautiful Lucia (Charlotte Rampling) checks in, they recognise each other from a terrible past; Max was an SS officer in a Nazi concentration camp who had abused and tortured the then teenage Lucia, a prisoner. Lucia is traveling with her husband, an orchestra conductor and when he leaves to continue his tour, Lucia stays behind as she and Max find themselves compelled to renew their former, intense, sadomasochistic relationship. Max is a reluctant member of a group of former SS who are ruthlessly covering up their pasts. They soon consider Lucia a threat and urge Max to hand her over. He refuses and hides out with Lucia, while his former comrades enact their threats. This is the story of an obsessive passion, an 'amour-fou' which compels two lovers to be together - despite their lucid awareness of contravening all morality, even their own, and the certainty of their oncoming tragic destiny. This is the newest 4K restoration supervised by the director herself, making this the most definitive version of THE NIGHT PORTER, finally doing justice to the filmmaker s extraordinary vision. Extras: New exclusive interview with Charlotte Rampling New exclusive interview with the director Liliana Cavani
Butch Cassidy and the Sundance KidOne of the most popular screen Westerns ever made, this Academy Award-winning classic blends adventure, romance and comedy to tell the true story of the West's most likeable outlaws. No-one is quicker than Butch Cassidy (Paul Newman) when it comes to get rich quick schemes, and his sidekick Sundance (Robert Redford) is a wizard with a gun. When these two bungling bank and train robbers tire of running from the law, they set out for Bolivia with Sundance's girlfriend (Katharine Ross). Though they can barely speak enough Spanish to communicate: This is a stick-up!, that's only a minor detail to the two nicest bad-guys whoever rode the West. Special Features: The Making of Butch Cassidy and the Sundance Kid Audio Commentary by George Roy Hill, Hal David, Robert Crawford and Conrad Hall Cast and Crew Interviews Theatrical Trailers Alternative Credit Roll Production Notes Interactive Menus Scene Access The VerdictSidney Lumet’s riveting courtroom drama earned five Oscar nominations including Best Picture and Best Actor for Paul Newman's towering performance as a down-and-out alcoholic attorney who stumbles on one last chance to redeem himself. When attorney Frank Galvin (Newman) is given an open-and-shut medical malpractice case that no one thinks he can win, he courageously decides to refuse a settlement from the hospital. Instead he takes the case and the entire legal system as well, to court. James Mason, Jack Warden, Milo O'Shea and Charlotte Rampling co-star. Special Features: Audio Commentary by Paul Newman and others Featurette Theatrical Trailer Behind the Scenes Gallery Interactive Menus Scene Access The HustlerPaul Newman heads a superb cast featuring Jackie Gleason, George C. Scott and Piper Laurie in this riveting film that received an Academy Award nomination as Best Picture of 1961 and brought all four of its stars Oscar nominations. Newman (Best Actor nominee) is electrifying as Fast Eddie Felson, an arrogant, amoral hustler who haunts back street pool rooms fleecing anyone who'll pick up a cue. Determined to be acclaimed as the best, Eddie seeks out the legendary Minnesota Fats (Gleason, Supporting Actor nominee), who's backed by Bert Gordon (Scott, Supporting Actor nominee). The love of a lonely woman (Laurie, Best Actress nominee) could turn Eddie's life around, but he won't rest until he bests Minnesota Fats, no matter what price he must pay. Voted one of the year's ten best by the New York Times and Time, and distinguished by two Academy Awards, The Hustler is a dazzling cinematic triumph. Special Features: Audio Commentary by Dede Allen and others The Hustler: The Inside Story How to Make the Shot Trick Shot Analysis Theatrical Trailer Spanish Theatrical Trailer Behind the Scene Stills Gallery Interactive Menus Scene Access
The film packed with stunning images jaw-dropping scenes and superb performances from Robert De Niro and Mickey Rourke is a fusion of two genres - the classic Chandleresque detective story and the supernatural. Harry Angel is hired for $125 a day to track down the big band swinger Johnny Favourite. What seems like a straight-forward missing person case dramatically becomes a murder hunt for this down-and-out private detective. His client Louis Cypher a mysterious stranger is forced to up his fee to keep Angel on the case. Each of Angel's leads ends up as a victim of a ritualistic act of murder as he begins to put together the pieces in the jigsaw of Johnny's strange story... the nightmare has just begun.
With these six films, Woody Allen made one of the most remarkable transitions ever seen in American cinema, from the slapstick buffoonery of the early, funny films to the Oscar-winning breakthrough of Annie Hall and the wholly serious Interiors. Along the way there's the Latin American revolutionary satire Bananas, genre-bending sex-education spoof Everything You Always Wanted To Know About Sex and hilarious time-travelling trips to a future America (Sleeper) and Napoleon-era Russia (Love and Death). All these early films star Allen himself, usually as a hapless victim of unfortunate events, aided by the likes of Diane Keaton (several times), John Carradine, Jessica Harper, Louise Lasser, Lynn Redgrave, Burt Reynolds, Gene Wilder and Daisy the sheep. But the the mature Woody Allen was first revealed in Annie Hall, a film firmly of its time and place (mid-1970s Manhattan) but also universal in its wry and witty examination of the foibles of human relationships. The claustrophobically Bergmanesque family drama Interiors once seemed like a startling change of direction, but now anticipates much of what came later. Collection includes: Bananas (1971) Everything You Always Wanted to Know About Sex *But Were Afraid to Ask (1972) Sleeper (1973) Love and Death (1975) Annie Hall (1977) Interiors (1978) Exclusive to this collection: Annie Hall and a 100-page hardback book featuring new and archive writing on all the films by Woody Allen, Michael Brooke, Johnny Mains, Kat Ellinger, John Leman Riley, Hannah Hamad and Brad Stevens.
There is just one week until Kate Mercer's 45th wedding anniversary and the planning for the party is going well. But then a letter arrives for her husband. The body of his first love has been discovered, frozen and preserved in the Swiss Alps.
Vin Diesel stars as a mercenary hired to deliver a package from the ravages of post-apocalyptic Eastern Europe to a destination in the teeming megalopolis of New York City. The "package" is a mysterious young woman with a secret.
Sea, sex and sun for Ellen, Brenda and Sue, three North American ladies who are on the wrong side of forty.
Oscar® nominee Michael Fassbender stars in this big-screen action-adventure, based on the wildly popular gaming phenomenon. Fassbender plays Callum Lynch, who experiences the life of his 15th-century ancestor through a technology that unlocks his genetic memories. Callum discovers he once belonged to a secret society of assassins and amasses lethal skills to take on the oppressive Templars.Click Images to Enlarge
Available for the first time on DVD! The wildest thing to hit the world since the mini-skirt! Lynn Redgrave stars as the homely girl who takes on the role of mother to her beautiful roommate's unwanted baby. With her father's employer trying to take her on as a mistress and her roommate's husband taking her on as an easy lover Redgrave's Georgy navigates the narrows between prostitution and purity as she tries to hang on to the baby she has grown to love...
Zardoz
A film thats utterly anchored by a terrific central performance from Sean Bean, Cleanskin is a gritty British thriller, dealing with a sensitive subject. Beans character is a secret service agent, one who is tracking down a terrorist cell in the UK, but the film also devotes a good chunk of time to one of the terrorists, too. That focus is trained on Ash, played by Abhin Galeya, who finds himself persuaded into terrorism, and inevitably on a collision path with Bean. Cleanskin then builds things up on different sides of the law, before its inevitable climax. Its a brave and well-handled film at its best, too. Theres the odd tonal problem, where the deathly serious drama at the heart of the story is sacrificed for a less deathly serious action sequence, but theres a real commitment here to tell the story well. Bean, too, is excellent, dragging the film through its weaker moments, and proving once more what a compelling screen presence he is. Its a pity that the discs extra features dont dig too much deeper into the complex subject matter, although you do get some behind the scenes material to complement the main feature. And, the presentation of the movie is terrific, too. Cleanskin is a divisive film, though, courtesy of the subject decisions its not afraid to make. In spite of its flaws, its a compelling piece of cinema, that overcomes its tight budget to present something both interesting and engaging. No easy feat. --Jon Foster
New York, 1955, Private Detective Harry Angel has a new case on his hands. Washed up crooner Johnny Favorite has gone missing. Anybody that might be holding clues is being killed. Informants and witnesses are being murdered one by one. The bodies are piling up, time is running out and Harry Angel is being kept awake at night by strange satanic visions. From the mean streets of New York to the backwoods of New Orleans, Harry suddenly finds himself being dragged into a world of sex, murder, voodoo and death. This is no ordinary case, and Harry is no ordinary detective. Directed by Alan Parker (Midnight Express, Mississippi Burning) and starring Mickey Rourke (Sin City, The Wrestler), Robert De Niro (Taxi Driver, Heat), Lisa Bonet (High Fidelity) and Charlotte Rampling (Red Sparrow), Angel Heart is a deeply disturbing film with an incredibly unsettling atmosphere. A prime example of late eighties neo-noir, it successfully manages to blend elements of detective fiction with dark horror.
From Academy Award® nominated director Michael Anderson (Around The World In Eighty Days) and starring screen legends Richard Harris and Charlotte Rampling, ORCA, THE KILLER WHALE is a terrifying tale of man versus beast. Initially on the hunt for a great white shark, the obsessive Captain Nolan (Harris) accidentally kills a pregnant orca. Seeking vengeance, her mate begins to terrorise the nearby fishing village in a rampage of death and destruction. Realising that only he can bring an end to the carnage, Nolan sets out on a deadly quest to face his enemy from the deep
Joy (Shirkey Henderson) is married to a man with an unresolved 'affliction' and recieves visitations from her deceased ex-lover. Her sister Trish (Allison Janney) meets an unlikely new suitor (Michael Lerner) who she hopes will bring stability to her family while her husband (Ciaran Hinds) is just out of prison and keen to reconnect with his son. Helen (Ally Sheedy) the third sister is feeling intense pressure from her family and her Hollywood success. Ten years after the critically acclaimed Happiness director Todd Solondz returns to the familiar themes and characters with Life During Wartime and presents us with a tale thats poignant funny disturbing shocking and sad while creating a resonant portrait of modern life and love.
Revisit recent British classics by visionary directors Andrew Haigh, Terence Davies, Andrea Arnold and Lynne Ramsay with a special collection of films celebrating Artificial Eye's 40th anniversary. Read more at http://www.curzonartificialeye.com/artificial-eye-40th-anniversary-collection-volume-1-contemporary-british-cinema/#44ulBRqwOaqMTGZ3.99
A box office failure at the time, John Boorman's 1974 cult science fiction film Zardoz is an entrancing if overly ambitious project that offers pointed commentary on class structure and religion inside its complex plot and head-movie visuals. Its healthy doses of sex and violence will involve viewers even if the story machinations escape them. Beautifully photographed near Boorman's home in Ireland's Wicklow Mountains by Geoffrey Unsworth (2001), its production design is courtesy of longtime Boorman associate Anthony Pratt, who creates a believable society within the film's million-dollar budget. A bewigged Sean Connery is Zed, a savage "exterminator" commanded by the mysterious god Zardoz to eliminate Brutals, survivors of an unspecified worldwide catastrophe. Zed stows away inside Zardoz's enormous idol (a flying stone head) and is taken to the pastoral land of the Eternals, a matriarchal, quasi-medieval society that has achieved psychic abilities as well as immortality. Zed finds as much hope as disgust with the Eternals; their advancements have also robbed them of physical passion, turning their existence into a living death. Zed becomes the Eternals' unlikely messiah, but in order to save them--and himself--he must confront the truth behind Zardoz and his own identity inside the Tabernacle, the Eternals' omnipresent master computer. --Paul Gaita
In Liliana Cavani's scintillating drama, a concentration camp survivor (Charlotte Rampling) discovers her ex-torturer & lover (Dirk Bogarde) working as a night porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them....Operatic and disturbing, the controversial The Night Porter deftly examines the cruelty and decadence of Nazi culture.
One of the defining films of the 1960s, Silvio Narizzano's adaptation of Margaret Foster's 1965 novel stars Lynn Redgrave in an Oscar-nominated role as the put-upon teenager Georgy Parkin. Awkward and full of self-doubt, Georgy finds herself forever just outside of the Swinging Sixties' London life she craves. Marked by a wonderfully warm and appealing central performance from Redgrave, and with its superb supporting cast including Charlotte Rampling (Death in Venice, The Night Porter), Alan Bates (A Kind of Loving, Women in Love) and the great James Mason (The Reckless Moment, Age of Consent, The Deadly Affair), Georgy Girl captures the spirit of the era and boasts one of the all-time great film theme tunes. Extras: High Definition remaster Original mono audio Audio commentary with Diabolique magazine's editor-in-chief Kat Ellinger The Guardian Interview with Charlotte Rampling (2001, 59 mins): an archival audio recording of a career-spanning interview conducted by Christopher Cook at London's National Film Theatre The Tempo of the Time (2018, 8 mins): a new interview with author, playwright and co-screenwriter Peter Nichols A Wonderful Sense of Freedom (2018, 29 mins): editor John Bloom discusses his work on the film Georgy's Geography (2018, 4 mins): a new interview with art director Tony Woollard Going for a Song (2018, 5 mins): lyricist Jim Dale and editor John Bloom reveal the origins of Georgy Girl's famous theme song Original radio spot Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing
A stylish piece of neo-noir, D.O.A. was directed by Rocky Morton and Annabel Jankel during their glory days as creators of Max Headroom. Sometimes mocked at the time for its extravagant visual imagery, this is a film which has aged better than might have been expected. Vastly reworked from the 40s original, D.O.A. stars Dennis Quaid as the burned-out campus novelist who discovers he has been fatally poisoned and sets out to find his killer in the short time left to him, along the way rediscovering his love for the life he is going to lose. Quaid is good enough both at chain-smoking cynicism and angry zest that this becomes emotionally credible; a worryingly young Meg Ryan is excellent as the hero-worshipping sophomore he co-opts into his search. With camerawork of sometimes hallucinatory vividness, rather too many shots of fans and Ferris wheels, and Charlotte Rampling playing a dragon-lady villainess to the hilt, this is a film which teeters on the brink of camp, but has the courage of its individuality. On the DVD: D.O.A. comes to disc with almost no special features whatever save for a Spanish soundtrack and subtitles in Spanish and the Scandinavian languages. Its widescreen visual aspect is 1.85:1 and the Dolby sound does full justice to a very loud score by bands like Timbuk 3.--Roz Kaveney
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