Genre master Clint Eastwood tries something different with the languid, introspective Hereafter--and succeeds (for the most part). All of the characters at the heart of Peter Morgan's screenplay, which has the feel of a European art film, have suffered a loss or survived an ordeal. They feel disconnected from those who can't relate, which is most everybody. George Lonegan (Matt Damon, Invictus), a Bay Area factory worker, developed psychic powers after a childhood illness but just wants to lead a normal life, despite his brother Billy's efforts to turn him into a John Edwards-like celebrity (Jay Mohr plays Billy). Marie LeLay (the versatile Cécile De France), a TV reporter, emerges unharmed from 2004's Indian Ocean earthquake, only to find her Parisian existence slipping away from her (the tsunami sequence that opens the film is frightfully convincing). And in London, soft-spoken 12-year-old Marcus (Frankie McLaren) loses his twin, Jason (George McLaren), only to end up in foster care. While George reaches out to a lovely, if insecure woman (the overly jittery Bryce Dallas Howard) he meets in a cooking class, Marie writes a book about her experience, and Marcus seeks spiritual guidance. In a Babel-like turn of events, all three find themselves in the United Kingdom, where they cross paths, but what sounds contrived plays out in a surprisingly believable fashion. Eastwood and Morgan (The Queen) don't presume to know what happens after death, suggesting instead that those who search for answers deserve something other than disrespect and derision. --Kathleen C. Fennessy
Jim Carrey stars in this live action special effects extravaganza, adapted from the famous childrens book by Dr Seuss.
Set in an alternate history where masked vigilantes are treated as outlaws, this epic series from executive producer Damon Lindelof (Lost; HBO's The Leftovers) embraces the nostalgia of the original groundbreaking graphic novel of the same name, while attempting to break new ground of its own. Regina King (HBO's The Leftovers) leads the cast as Angela Abar, who wears two masks; one as a lead detective in The Tulsa Police Force and another as wife and mother of three. The cast also includes Jeremy Irons, Don Johnson, Jean Smart, Tim Blake Nelson, Louis Gossett Jr., Yahya Abdul-Mateen II, Tom Mison, Frances Fisher and Sara Vickers.
Marion Crane is a Phoenix, Arizona working girl fed up with having to sneak away during lunch breaks to meet her lover, Sam Loomis, who cannot get married because most of his money goes towards alimony.
Cross 'Romeo & Juliet' with the Demolition Derby and you have 'Grand Theft Auto' Ron Howard's directorial debut produced by Roger Corman. Can a young runaway couple get hitched in Vegas before two sets of parents a jealous boyfriend a private dick and a mob of bounty hunters catch them?
Extraordinary documentary about a seemingly typical, upper-middle class family whose world is destroyed when the father and his youngest son are arrested and charged with shocking and horrible crimes.
The second of the terrific Stewart/Mann Westerns is characteristic of their pairings: adult themes played out against prairie vistas in which betrayal and violence can erupt at any time. Formerly a vicious Missouri raider Stewart now leads a wagon train through Indian raids and hijackings to the new boom town of Portland where he becomes embroiled in the conflict between wealthy miners and farmers.
George Romero's 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals, etc. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
The quite terrifying and gory Dawn of the Dead was George Romero's 1978 follow-up to his classic 1968 Night of the Living Dead. But it is also just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping centre to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals and so on. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film after all and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
Universal Soldier offered director Roland Emmerich and screenwriter Dean Devlin their first venture before going on to make a mountain of money as the creators of Independence Day and Godzilla. Teaming up for this action flick disguised as a science fiction thriller, muscle hunks Jean-Claude Van Damme and Dolph Lundgren play embattled Vietnam soldiers who kill each other in combat. They are subsequently revived 25 years later as semi-android "UniSols" in a high-tech army of the near future. Their memories were supposedly wiped clean, but flashbacks occur to remind them of their bitter hatred (Lundgren committed wartime atrocities; Van Damme had tried to stop him) and the warriors resume their tenacious battle while a journalist (Ally Walker) uncovers the truth about the secret UniSol program. With energy to spare, the standard action sequences are adequate for anyone with a short attention span. And besides, with Van Damme and Lundgren in the lead roles, who needs dialogue? --Jeff Shannon, Amazon.com
The latest spin-off series from C.S.I. in which New York forensic detectives employ the very latest hi-tech methods to catch criminals in the Big Apple... The head of the lab is no-nonsense First Grade Detective Mac Taylor (Sinise) taking a scientist's eye to crime Mac believes that everything is connected no matter how big or small. Originally from Chicago his military background fast-tracked him through the force leading him ultimately to the crime lab. Mac's trusted second in command Second Grade Detective Stella Bonasera (Kanakaredes) her half Greek half Italian heritage is New York through and through. A tough uncompromising officer Bonasera is a match for anyone in and outside the lab. Joining Taylor and Bonasera are Third Grade Detective Danny Messer (Carmine Giovinazzo) and Third Grade Detective Aiden Burn (Vanessa Ferlito) both tough young officers completely dedicated to Mac and their work. This release features the concluding half of the second season. Episodes Comprise: 13. Risk 14. Stuck On You 15. Fare Game 16. Cool Hunter 17. Necrophilia Americana 18. Live Or Let Die 19. Super Men 20. Run Silent Run Deep 21. All Access 22. Stealing Home 23. Heroes 24. Charge Of This Post
Oscar winning director and on-screen legend Clint Eastwood brings this dramatic tale of death and how it effects three different people from three different parts of the world. The story focuses on George Lonegan (Matt Damon), an American factory worker who has a special connection to the afterlife and can communicate with the dead. Marie (Ccile De France), a French journalist who comes close to death when she is caught up in a Tsunami, and Marcus, an English school boy who is coping with the death of his twin brother, the closest person to him in the world.Each trying to cope with their own problems and looking for answers to life’s cruel ways; their lives will interconnect and possibly come to each other’s rescue in a fateful and dramatic conclusion. -M.F.
A historic Hollywood hotel houses a supernatural evil. It's been subdued for decades - but when renovations start, a series of murders take place. It's up to our heroine to solve the mystery.
The true story of the worlds first kickboxer. In 1865 a corrupt Texas land owner's plan to evict innocent settlers is stopped dead by a new kind of fighter.
Genre master Clint Eastwood tries something different with the languid, introspective Hereafter--and succeeds (for the most part). All of the characters at the heart of Peter Morgan's screenplay, which has the feel of a European art film, have suffered a loss or survived an ordeal. They feel disconnected from those who can't relate, which is most everybody. George Lonegan (Matt Damon, Invictus), a Bay Area factory worker, developed psychic powers after a childhood illness but just wants to lead a normal life, despite his brother Billy's efforts to turn him into a John Edwards-like celebrity (Jay Mohr plays Billy). Marie LeLay (the versatile Cécile De France), a TV reporter, emerges unharmed from 2004's Indian Ocean earthquake, only to find her Parisian existence slipping away from her (the tsunami sequence that opens the film is frightfully convincing). And in London, soft-spoken 12-year-old Marcus (Frankie McLaren) loses his twin, Jason (George McLaren), only to end up in foster care. While George reaches out to a lovely, if insecure woman (the overly jittery Bryce Dallas Howard) he meets in a cooking class, Marie writes a book about her experience, and Marcus seeks spiritual guidance. In a Babel-like turn of events, all three find themselves in the United Kingdom, where they cross paths, but what sounds contrived plays out in a surprisingly believable fashion. Eastwood and Morgan (The Queen) don't presume to know what happens after death, suggesting instead that those who search for answers deserve something other than disrespect and derision. --Kathleen C. Fennessy
The third film in the 'Children of the Corn' series. When a farmer is brutally murdered in a Nebraskan cornfield it results in his two young sons, Eli and Joshua, being moved to Chicago to live with foster parents. Joshua soon settles in, but Eli, possessed by an evil force, begins to build an army of followers, determined to murder every adult in the city as part of a grim, ritualistic sacrifice.
The continuing popularity of horror spoofs has created an opportunity for low-quality slashers such as A Crack In the Floor to pass themselves off as humorous. The story follows axe-wielding psychotic hermit Jeremiah who meets a bunch of fresh-faced young hikers and the movie employs every trick in the genre's book but still fails to rise itself above cheap exploitation (best indicated by the tasteless rape of Jeremiah's mother that prefaces the action). Brazenly claiming to feature Tracy Scoggins and Gary Busey--who in reality appear for about five minutes each--the film features young unknowns, the most high profile being Saved By the Bell's Mario Lopez. Which is fitting really because the film, with its mix of teen enthusiasm, redneck stereotypes and crass violence, is little more than that show meets The Dukes of Hazzard meets Deliverance meets Friday the 13th. Recommended for connoisseurs of everything gory and tacky but no-one else. On the DVD: The DVD manages to keep the quality set so spectacularly by the film itself--featuring an appalling trailer, a reprint of the information on the disc's box, biographies of the handful of established actors who make the briefest of cameos and trailers for some equally naff TV movies. Not what DVD was invented for. --Phil Udell
Matilda: Unfortunately for Matilda her father Harry (Danny DeVito) is a used car salesman who bamboozles innocent customers and her mother Zinnia (Rhea Perlman) lives for bingo and soap operas. Far from noticing what a special child Matilda is they barely notice her at all! They bundle Matilda off to Cruncham Hall a bleak school where students cower before the whip hand and fist of a hulking monster headmistress Miss Trunchball (Pam Ferris). But amid Crunchem's darkness Ma
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