Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
First off, if you're a GwtW fanatic, you must buy this four-disc collection. But then again, you probably don't need to read this to make that decision. For the rest of us, know that the kitchen-sink approach has been established here with two full discs of extras. The film's restoration under Warner's brilliant Ultra-Resolution process is the major contribution to the set. However, the bare-bones version released years ago isn't bad and the film still doesn't pop off the screen as do films from the headier days of Technicolor (like the earlier Ultra-Resolution DVD release of Meet Me in St. Louis). That said, the set is worthy of the most popular movie ever made. Rudy Behlmer's feature-length commentary is dry but an exhaustive reference guide to the entire history of the film. Need more? There's the excellent full-length documentary The Making of a Legend (1989) narrated by Christopher Plummer, plus two hour-long older biographies on the two main stars. There are many new vignettes on the rest of the cast, all narrated by Plummer (a nice touch to tie everything together). The new 30-minute interview/reminisce with Oliva de Havilland will be interesting to older fans, but tiresome for the younger set. The usual sort of trailers and premiere footage is here along with a curious short ("The Old South", directed by Fred Zinnemann) that was produced to help introduce the world to the history of the South. --Doug Thomas
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
A girl in a burlesque show falls in love with the same man her mother had feelings for years before... Available for the first time on DVD!
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
Laura Craig (Jill Ireland) is the new First Lady in the White House and secret agent Jay Killian (Charles Bronson) is assigned to protect her, much to her disgust. However, she begins to value his service as it seems that someone wants her dead and the termination orders look as though they are coming from inside the White House.
Directed by Dennis Hopper, Colors is a superior 1988 action movie set among the street gangs of LA that teams up Robert Duvall as Hodges, the elder cop, with young hothead partner Danny McGavin (Sean Penn). Investigating a murderous feud between the Bloods and the Crips, Duvall attempts to impress upon the impetuous Penn the value of a more cautious, easy-going approach in dealing with gang members, rather than trying to charge in among them. The film as a whole was one of the first to take a serious, unromantic and unstereotypical look at gang culture, at how youngsters are sucked into it, how few options are actually open to these macho hoodlums and how little they have in the way of family, community and stability other than the gangs. The partnership between Penn and Duvall by contrast, though well played, is pretty much the standard old cop/young cop set-up, right down to Duvalls frequent, ominous remarks about how close he is to retirement. While the action is sometimes disjointed and the relationships between the gangs at times confused, it at least helps to dispel the usual Hollywood good vs. evil dynamic. Instead, theres a more ambient sense of violence, desperation, retribution and recrimination. Penns doomed relationship with a homegirl indicates that while the LAPD may capture a few felons, theyve little chance of capturing the hearts and minds of the criminalised poor. Later films such as John Singletons Boyz 'n the Hood (1991) would go further in exploring how life looks from the gangsta perspective.On the DVD: The films is presented in an anamorphic 16:9 widescreen version, with the usual chapter and language selections. The only other feature is the original, detailed but run-of-the-mill trailer. --David Stubbs
Children of Dune is the sequel to the Sci-Fi Channel's Frank Herbert's Dune (2000), and surpasses that earlier mini-series in every way. The screenplay is again by John Harrison, who has combined Herbert's novels Dune Messiah and Children of Dune into three 84-minute TV movies, and continues the labyrinthine space opera with little concession to the uninitiated. Indeed, this a very rare attempt to put the complexity of printed SF on screen, and if the result is sometimes rather hermetic it is perhaps inevitable when realising Herbert's Byzantine, pseudo-Shakespearean tragedy. The same tableaux-like qualities infuse the new Star Wars films and the similarities between Herbert's and Lucas' worlds have never been more obvious than here. Performances range from excellent--Julie Cox, Alice Krige, Alex Newman (much better here than in the first series) and James McAvoy--to a surprisingly wooden Susan Sarandon. The set-pieces are exceptional, with many individual images sufficiently memorable to stand comparison with the work of Ridley Scott. Production-wise this is surely the most beautiful mini-series ever made, with gorgeous lighting by cinematographer Arthur Reinhart, breathtaking set design from Ondrej Nekvasil and a ravishing score from Brian Tyler. By TV standards the CGI is first-rate and, though rarely looking real, establishes a credible science fictional universe. Even when rather baffling, the production achieves moments of dramatic grandeur and a sense of wonder not experienced in TV SF since Babylon 5. On the DVD: Children of Dune on DVD has one feature-length episode on each disc. The picture is presented at 1.77:1 anamorphically enhanced for widescreen TVs. Shot in high definition, its clarity and detail is superb with virtually no blemishes to the image at all. Colour has a painterly beauty that is remarkable. However, some shots look inaccurately framed, with what was presumably a 4:3 image being a little too closely cropped for widescreen presentation. It's a minor flaw and really only noticeable in some close-ups. Sound is a richly luxuriant Dolby Digital 5.1, which gives no ground to any modern blockbuster movie. Perfunctory extras are confined to the first disc and consist of an interesting but short look at the special effects (13 minutes), a storyboard comparison for one key scene and a photo gallery. --Gary S Dalkin
When the fleet puts in at San Francisco sailor Bake Baker tries to rekindle the flame with his old dancing partner... A jamboree for fans of Hollywood musicals with music and lyrics by Irving Berlin.
Dimples: Temple stars as a young singer who entertains the New York crowds providing the window of opportunity for her pick pocket of a grand father to carry out his work. A rich lady sees the young girl peforming - and after discovering her grim existence with her grand father - offers her an opportunity to rise out of lifestyle... The Littlest Rebel: Shirley Temple's father a rebel officer sneaks back to his rundown plantation to see his family and is arrested. How
Hard-hitting action cross-country adventure...and a government conspiracy that goes all the way to the top! In this pulse-pounding political thriller action-superstar - the late - Charles Bronson is at his rugged best as a man on a mission to protect the First Lady from ruthless assassins who'll stop at nothing to kill her! When veteran Secret Service Agent Jay Killian (Bronson) is assigned to protect the president's pampered and difficult wife (Jill Ireland) he knows she will be
A bumper box set of classic films featuring the incomparable Marilyn Monroe! Ladies Of The Chorus (Dir. Phil Karlson 1948): An early Monroe feature with Marilyn starring as Burlesque singer Peggy Martin. Despite her overwhelming attraction to the wealthy Randy Peggy's mother worries that class differences will come between them. Some Like It Hot (Dir. Billy Wilder 1959): Nominated for 6 Academy Awards and winner for costumes Some Like It Hot is the quintessential madcap farce from legendary director Billy Wilder and screenwriter I.A.L. Diamond. With dazzling performances by Jack Lemmon and Tony Curtis and a memorably comic turn by Marilyn Monroe Some Like It Hot is not only one of Wilder's funniest satires but is one of the greatest of all film comedies. When Chicago musicians Joe and Jerry accidentally witness a gangland shoting they quickly board a southbound train to Florida disguised as Josephine and Daphne the two newest - and homeliest - members of an all-girl jazz band. their cover is perfect... until a lovelorn singer falls for Josephine an ancient playboy falls for Daphne and a mob boss who refuses to fall for their hoax wants them put on ice for good! Marilyn Monroe At The Movies: A detailed filmography trailers from 15 of her classic movies and fascinating newsreel footage accompanies the vintage 1962 'Legend Of Marilyn Monroe' documentary narrated by John Huston. The Misfits (Dir. John Huston 1961): A down-on-her-luck divorced woman meets and falls for a disenchanted outcast cowboy who earns his living by capturing wild mustangs. When she witnesses this cruel spectacle she teams up with a jaded rodeo performer in an attempt to free the horses. Last screen appearance for both Clark Gable and Marilyn Monroe who was married to playwright Arthur Miller during the course of the filming. Portrait Of A Legend: Examines Marilyn through an in-depth investigation of her private life. From her turbulent childhood when her mother vanished beyond the dark wall of mental illness through her short stays at various orphanages and foster homes...to her marriage at sixteen to James Dougherty. Relive Marilyn's first exposure during WWII as a calendar girl for the war efforts her first performance in Ladies of the Chorus and acting debut in Asphalt Jungle then into the glamorous Hollywood superstar. Hometown Story (Dir. Arthur Pierson 1951): Jeffery Lynn plays an ex-politician who blames big business for his failure to get re-elected. To expose big business as an evil monster he joins his uncle's newspaper. When his little sister is caught in a cave-in the town's largest company comes to her aid and he must now reconsider.
He's a cop with the odds against him ... it's time to even the score James Woods stars as detective-sergeant Lloyd Hopkins an officer with the Los Angeles Police Department. A tough brash womaniser but also a dedicated cop Hopkins gets himself assigned to a murder case where he becomes totally obsessed with finding the killer even at the expense of his own family. Based on the novel ""Blood On The Moon"" by crime fiction write James Ellroy whose 'L.A. Noir' series fea
Unable to land a radio contract for himself and his niece Rebecca Winstead (Temple) fly-by-night vaudevillian Henry Kipper (William Demarest) leaves the girl in the care of her aunt Miranda Wilkins (Helen Westley) who runs a little farm with the help of hired hands Homer (Slim Summerville) and Aloysius (Bill Robinson). Miranda has an intense dislike for ""show folks"" but her next-door neighbour Anthony Kent (Randolph Scott) a talent scout for a major radio network sees great pos
A box set of titles featuring one of America's most celebrated and controversial contemporary actors Sean Penn. The Assassination Of Richard Nixon: A chilling drama that explores and exposes the dark side of the American Dream The Assassination of Richard Nixon focuses on the tragic true story of Sam Bicke (Sean Penn) a disillusioned everyman who in 1974 was driven to plot the assassination of the 37th president of the United States. Despite the fact that his marriage i
A bumper box set of classic films featuring the incomparable Marilyn Monroe! Ladies Of The Chorus (Dir. Phil Karlson 1948): An early Monroe feature with Marilyn starring as Burlesque singer Peggy Martin. Despite her overwhelming attraction to the wealthy Randy Peggy's mother worries that class differences will come between them. Some Like It Hot (Dir. Billy Wilder 1959): Nominated for 6 Academy Awards and winner for costumes Some Like It Hot is the quintessential madcap farce from legendary director Billy Wilder and screenwriter I.A.L. Diamond. With dazzling performances by Jack Lemmon and Tony Curtis and a memorably comic turn by Marilyn Monroe Some Like It Hot is not only one of Wilder's funniest satires but is one of the greatest of all film comedies. When Chicago musicians Joe and Jerry accidentally witness a gangland shoting they quickly board a southbound train to Florida disguised as Josephine and Daphne the two newest - and homeliest - members of an all-girl jazz band. their cover is perfect... until a lovelorn singer falls for Josephine an ancient playboy falls for Daphne and a mob boss who refuses to fall for their hoax wants them put on ice for good! Marilyn Monroe At The Movies: A detailed filmography trailers from 15 of her classic movies and fascinating newsreel footage accompanies the vintage 1962 'Legend Of Marilyn Monroe' documentary narrated by John Huston. The Misfits (Dir. John Huston 1961): A down-on-her-luck divorced woman meets and falls for a disenchanted outcast cowboy who earns his living by capturing wild mustangs. When she witnesses this cruel spectacle she teams up with a jaded rodeo performer in an attempt to free the horses. Last screen appearance for both Clark Gable and Marilyn Monroe who was married to playwright Arthur Miller during the course of the filming. Portrait Of A Legend: Examines Marilyn through an in-depth investigation of her private life. From her turbulent childhood when her mother vanished beyond the dark wall of mental illness through her short stays at various orphanages and foster homes...to her marriage at sixteen to James Dougherty. Relive Marilyn's first exposure during WWII as a calendar girl for the war efforts her first performance in Ladies of the Chorus and acting debut in Asphalt Jungle then into the glamorous Hollywood superstar. Hometown Story (Dir. Arthur Pierson 1951): Jeffery Lynn plays an ex-politician who blames big business for his failure to get re-elected. To expose big business as an evil monster he joins his uncle's newspaper. When his little sister is caught in a cave-in the town's largest company comes to her aid and he must now reconsider.
Curt Taylor is a handsome con manstraight out of prison. He's paid his dues but not his debts. Underworld King Pin Phil Drexler wants back payment for protecting Taylor while he was inside. He makes Taylor an offer he can't refuse - and through a string of coincidences gets him a job as a secretary to the beautiful star Cartier Rand. But it's Iarceny Drexler's after and demands that Taylor steal the key to the security system of the star's mansion and plans a daring plot to heist her jewels. But the tables turn when the unlikely pair eventually fall in love and plan a heist themselves - to steal the jewels back....
Into the idyllic town of Brewster comes Whiley Pritcher an intense and enigmatic stranger who begins a public access show that asks the question 'What's wrong with Brewster?' The question soon has neighbour turning on neighbour and before long there are some that are ready to confide in Whiley and reveal the town's darker secrets. But is it wise to talk to strangers?
Joan Collins and David Hasselhoff star in this made-for-TV comedy caper, in which a con artist who has just gotten out of jail. Curt Taylor (Hasselhoff) finds himself back in business when he becomes an assistant to glamorous film star Cartier Rand (Collins). Curt's primary interest in working with Cartier is the opportunity to get his hands on her world famous and highly-valuable collection of jewelry. In time, however, Curt finds himself attracted to Cartier, which will take a bit of explaining, since he informed Cartier's jealous fiance that he was gay in order to win the job. The Cartier Affair also stars Telly Savalas, Charlies Napier, and Ed Lauter.
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
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