Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
Laura Craig (Jill Ireland) is the new First Lady in the White House and secret agent Jay Killian (Charles Bronson) is assigned to protect her, much to her disgust. However, she begins to value his service as it seems that someone wants her dead and the termination orders look as though they are coming from inside the White House.
Directed by Dennis Hopper, Colors is a superior 1988 action movie set among the street gangs of LA that teams up Robert Duvall as Hodges, the elder cop, with young hothead partner Danny McGavin (Sean Penn). Investigating a murderous feud between the Bloods and the Crips, Duvall attempts to impress upon the impetuous Penn the value of a more cautious, easy-going approach in dealing with gang members, rather than trying to charge in among them. The film as a whole was one of the first to take a serious, unromantic and unstereotypical look at gang culture, at how youngsters are sucked into it, how few options are actually open to these macho hoodlums and how little they have in the way of family, community and stability other than the gangs. The partnership between Penn and Duvall by contrast, though well played, is pretty much the standard old cop/young cop set-up, right down to Duvalls frequent, ominous remarks about how close he is to retirement. While the action is sometimes disjointed and the relationships between the gangs at times confused, it at least helps to dispel the usual Hollywood good vs. evil dynamic. Instead, theres a more ambient sense of violence, desperation, retribution and recrimination. Penns doomed relationship with a homegirl indicates that while the LAPD may capture a few felons, theyve little chance of capturing the hearts and minds of the criminalised poor. Later films such as John Singletons Boyz 'n the Hood (1991) would go further in exploring how life looks from the gangsta perspective.On the DVD: The films is presented in an anamorphic 16:9 widescreen version, with the usual chapter and language selections. The only other feature is the original, detailed but run-of-the-mill trailer. --David Stubbs
Hard-hitting action cross-country adventure...and a government conspiracy that goes all the way to the top! In this pulse-pounding political thriller action-superstar - the late - Charles Bronson is at his rugged best as a man on a mission to protect the First Lady from ruthless assassins who'll stop at nothing to kill her! When veteran Secret Service Agent Jay Killian (Bronson) is assigned to protect the president's pampered and difficult wife (Jill Ireland) he knows she will be
He's a cop with the odds against him ... it's time to even the score James Woods stars as detective-sergeant Lloyd Hopkins an officer with the Los Angeles Police Department. A tough brash womaniser but also a dedicated cop Hopkins gets himself assigned to a murder case where he becomes totally obsessed with finding the killer even at the expense of his own family. Based on the novel ""Blood On The Moon"" by crime fiction write James Ellroy whose 'L.A. Noir' series fea
A box set of titles featuring one of America's most celebrated and controversial contemporary actors Sean Penn. The Assassination Of Richard Nixon: A chilling drama that explores and exposes the dark side of the American Dream The Assassination of Richard Nixon focuses on the tragic true story of Sam Bicke (Sean Penn) a disillusioned everyman who in 1974 was driven to plot the assassination of the 37th president of the United States. Despite the fact that his marriage i
Curt Taylor is a handsome con manstraight out of prison. He's paid his dues but not his debts. Underworld King Pin Phil Drexler wants back payment for protecting Taylor while he was inside. He makes Taylor an offer he can't refuse - and through a string of coincidences gets him a job as a secretary to the beautiful star Cartier Rand. But it's Iarceny Drexler's after and demands that Taylor steal the key to the security system of the star's mansion and plans a daring plot to heist her jewels. But the tables turn when the unlikely pair eventually fall in love and plan a heist themselves - to steal the jewels back....
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino rocked the film world with this powerful and controversial debut movie. Set mainly in a warehouse in the aftermath of a bungled robbery the story gradually unfolds to introduce the colour-coded gangsters and the planning of the crime step by step through Tarantino's trademark flashbacks. Four have survived after a police ambush - betrayed. What went wrong and who is the betrayer? Brilliantly scripted and complemented by the 70's retro soundtrack the scenes are stylish and violent yet intelligent and full of dark humour. With stunning performances by Harvey Keitel Tim Roth Steve Buscemi and Michael Madsen 'Reservoir Dogs' is a tense and exciting examination of male ego on a collision course that results in an unforgettable climax.
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