Agatha Christie's Ten Little Indians has been turned into a film more than once but none can compare with Rene Clair's version. The film begins as eight strangers find themselves on a small boat heading to the island retreat of their mysterious host. The guests have diverse backgrounds but all harbour a dark secret. When they are joined by the cook and a maid they become ten. The host fails to materialize and when the maid plays a recording that accuses each of the guests of murder each deny their involvement but this doesn't stop them being murdered one by one. Can the remaining guests find the murderer before it is their turn to die?
Samuel Jackson stars as "the cat who wont cop out whens theres danger all about" in this new take on the blaxploitation classic.
Released in 1977, Close Encounters of the Third Kind was that year's cerebral alternative to Star Wars. It's arguably the archetypal Spielberg film, featuring a fantasy-meets-reality storyline (to be developed further in E.T.), a misunderstood Everyman character (Richard Dreyfuss), apparently hostile government agents (long before The X-Files), a sense of childlike awe in the face of the otherworldly, and a sweeping feel for epic film-making learned from the classic school of David Lean. Contributing to the film's overall success are the Oscar-winning cinematography from Vilmos Zsigmond, Douglas Trumbull's lavish effects and an extraordinary score from John Williams that develops from eerie atonality à la Ligeti to the gorgeous sentiment of "When You Wish Upon a Star" over the end credits. Not content with the final result, Spielberg tinkered with the editing and inserted some new scenes to make a "Special Edition" in 1980 which ran three minutes shorter than the original, then made further revisions to create a slightly longer "Collector's Edition" in 1998. This later version deletes the mothership interior scenes that were inserted in the "Special Edition" and restores the original ending. On the DVD: CE3K is packaged here with confusing documentation that fails to make clear any differences between earlier versions of the film and this "Collector's Edition"--worse, the back cover blurb misleadingly implies that this disc is the 1980 "Special Edition" edit. It is not. A gorgeous anamorphic widescreen print of Spielberg's 1998 "Collector's Edition" edit occupies the first disc: this is the version with the original theatrical ending restored but new scenes from the "Special Edition" retained. The second disc rounds up sundry deleted scenes that were either dropped from the original version or never made it into the film at all--fans of the "Special Edition" can find the mothership interior sequence here. The excellent "making-of" documentary dates from 1997 and has interviews with almost everyone involved, including the director speaking from the set of Saving Private Ryan. Thankfully the superb picture and sound of the feature make this set entirely compelling and more than compensate for the inadequate packaging. --Mark Walker
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
BOTTOMS UP! Chiselbury School, according to the prospectus, is an academy 'for the sons of gentlefolk'. Regardless of what the prospectus says, however, the boys are very far from being gentlemen; they are an undisciplined rabble! DON'T BOTHER TO KNOCK Bill Ferguson's troubles begin when he gives a house key to each of the glamorous girls he meets on a continental holiday all of whom turn up at his flat just as he is about to marry his British fiancée! SHE'LL HAVE TO GO When Francis and Douglas Oberon learn that their late grandmother has bequeathed the family fortune to distant cousin Toni, they immediately start plotting to get their hands on the money either by murder... or marriage! THE IRON MAIDEN Aviation designer Jack Hopkins' greatest passion is an old showman's traction engine called The Iron Maiden. Jack has his heart set on entering the prestigious Annual Steam Rally at Woburn Abbey, but hadn't reckoned on some fierce and devious opposition!
Anybody who has written him off because of his string of stinkers--or anybody who's too young to remember The Goodbye Girl --may be shocked at the accomplishment and nuance of Richard Dreyfuss's performance in Close Encounters of the Third Kind. Here, he plays a man possessed; contacted by aliens, he (along with other members of the "chosen") is drawn toward the site of the incipient landing: Devil's Tower, in rural Wyoming. As in many Spielberg films, there are no personalized enemies; the struggle is between those who have been called and a scientific establishment that seeks to protect them by keeping them away from the arriving spacecraft. The ship, and the special effects in general, are every bit as jaw-dropping on the small screen as they were in the theater (well, almost). Released in 1977 as a cerebral alternative to the swashbuckling science fiction epics then in vogue, Close Encounters now seems almost wholesome in its representation of alien contact and interested less in philosophising about extra-terrestrials than it is in examining the nature of the inner "call." Ultimately a motion picture about the obsession of the driven artist or determined visionary, Close Encounters comes complete with the stock Spielberg wives and girlfriends who seek to tether the dreamy, possessed protagonists to the more mundane concerns of the everyday. So a spectacular, seminal motion picture indeed, but one with gender politics that are all too terrestrial. --Miles Bethany, Amazon.com
James Cameron wrote the script for Strange Days, a not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addictive, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
Dambusters legend Richard Todd turned his talents to comedy to play a philandering travel agent with too many girlfriends for his own safety in this delightful romantic romp of 1961. Executive-produced by Todd and co-written by Oscar winner Frederic Raphael Don't Bother to Knock also features Golden Globe winner and Playboy sensation Elke Sommer June Thorburn John Le Mesurier and Nicole Maurey among a high-calibre international cast. The film is presented here in a brand-new transfer from the original elements in its as-exhibited theatrical aspect ratio. Bill Ferguson's troubles begin when he mislays the key to his flat and a friend helpfully presents him with several more with his name and address attached. Sentimentally he gives one to each of the glamorous girls he meets on a continental holiday - all of whom turn up at his flat just as he is about to marry his British fiancée! Special Features: Original Theatrical Trailer Image Gallery Original Promotional PDF
Richard Johnson gives a suave performance as Hugh 'Bulldog' Drummond in this cool '60s take on the exploits of H.C. McNeile's famous fictional hero. Giving Bond a run for his money Deadlier Than the Male sees Drummond involved with daring escapes murderous plots femmes fatales and dolly birds by the score! The film is presented here as a High Definition transfer from the original film elements in its original aspect ratio. When insurance underwriter Hugh Drummond learns of the deaths of top oil executives – at the hands of a pair of beautiful but brutal female assassins – he is convinced that it is the work of an international crime syndicate. His investigations uncover that the syndicate is after a big oil concession and to get it they must commit regicide... Special Features: Original theatrical trailer (HD) Archive interviews Archive location reports Extensive image galleries Promotional materials PDFs
British agent Bulldog Drummond is assigned to stop a master criminal who uses beautiful women to do his killings.
Celebrate the 40th Anniversary of Steven Spielberg's scifi blockbuster, now fully restored in 4K. Richard Dreyfuss stars as cable worker Roy Neary, who experiences a close encounter of the first kind witnessing UFOs soaring across the sky. Meanwhile, government agents have close encounters of the second kind discovering physical evidence of extraterrestrial visitors in the form of a lost fighter aircraft from World War II and a stranded military ship that disappears decades earlier only to suddenly reappear in an unusual place. Roy and the agents follow the clues that have drawn them to reach a site where they will have a close encounter of the third kind contact. Includes All 3 Versions of the Film: Theatrical Version, Special Edition & Director's Cut - all restored in 4K.
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
Every episode from all seven seasons of the Golden Globe-winning drama from 'Sopranos' writer Matthew Weiner, set in a prestigious advertising agency in early 1960s New York, where sexism is a way of life and everyone smokes like a chimney. In this highly competitive, all white, male-dominated environment, the indefatigable Don Draper (Jon Hamm) is the top ad executive, but there are plenty of young guns eager to topple him from his perch. Season 1 episodes are: 'Smoke Gets in Your Eyes', 'Ladies Room', 'Marriage of Figaro', 'New Amsterdam', 'Five G', 'Babylon', 'Red in the Face', 'The Hobo Code', 'Shoot', 'Long Weekend', 'Indian Summer', 'Nixon Vs. Kennedy' and 'The Wheel'. Season 2 episodes are: 'For Those Who Think Young', 'Flight 1', 'The Benefactor', 'Three Sundays', 'The New Girl', 'Maidenform', 'The Gold Violin', 'A Night to Remember', 'Six Month Leave', 'The Inheritance', 'The Jet Set', 'The Mountain King' and 'Meditations in an Emergency'. Season 3 episodes are: 'Out of Town', 'Love Among the Ruins', 'My Old Kentucky Home', 'The Arrangements', 'The Fog', 'Guy Walks Into an Advertising Agency', 'Seven Twenty Three', 'Souvenir', 'Wee Small Hours', 'The Colour Blue', 'The Gypsy and the Hobo', 'The Grown-Ups' and 'Shut the Door. Have a Seat'. Season 4 episodes are: 'Public Relations', 'Christmas Comes But Once a Year', 'The Good News', 'The Rejected', 'The Chrysanthemum and the Sword', 'Waldorf Stories', 'The Suitcase', 'The Summer Man', 'The Beautiful Girls', 'Hands and Knees', 'Chinese Wall', 'Blowing Smoke' and 'Tomorrowland'. Season 5 episodes are: 'A Little Kiss: Part 1', 'A Little Kiss: Part 2', 'Tea Leaves', 'Mystery Date', 'Signal 30', 'Far Away Places', 'At the Codfish Ball', 'Lady Lazarus', 'Dark Shadows', 'Christmas Waltz', 'The Other Woman', 'Commissions and Fees' and 'The Phantom'. Season 6 episodes are: 'The Doorway: Part 1', 'The Doorway: Part 2', 'Collaborators', 'To Have and to Hold', 'The Flood', 'For Immediate Release', 'Man With a Plan', 'The Crash', 'The Better Half', 'A Tale of Two Cities', 'Favors', 'The Quality of Mercy' and 'In Care Of'. Season 7 episodes are: 'Time Zones', 'A Day's Work', 'Field Trip', 'The Monolith', 'The Runaways', 'The Strategy', 'Waterloo', 'Severance', 'New Business', 'The Forecast', 'Time & Life', 'Lost Horizon', 'The Milk and Honey Route' and 'Person to Person'.
Pinky (Jordan) is released from prison and has decided to go straight from now on, but takes a job as a maintenance man at a large bank, which gives him a lot of undue attention from Ivan the Terrible (Niven), the local hoodlum. By using Pinky, Ivan hopes to rob the bank and Pinky starts to liken to the idea of going back to his old ways.
A rarely seen 1966 tongue-in-cheek spy thriller starring Richard Johnson as Hugh Bulldog Drummond investigating the attempted sabotage of oil deals and assassination of a Persian King. Elke Sommer co-stars.
Close Encounters Of The Third Kind is a mesmerizing movie about earth's encounter with spaceships and alien beings as experienced by one ordinary man.
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