In this poignant and humorous love story nominated for four Academy Awards, Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else, they agree to meet six months later at the Empire State Building if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and uncertain turn.
Twists, double-crosses and political intrigue abound in this classic thriller starring the golden couple of film noir, Veronica Lake and Alan Ladd (The Blue Dahlia, This Gun For Hire). A crooked political boss, Paul Madvig (Brian Donlevy), falls for Janet Henry (Lake), daughter of a prospective Baltimore governor, and decides to mend his ways. However, when Janet s no-good brother turns up dead, Madvig s colourful past returns to haunt him as he is fingered as the likely suspect. Which of his many enemies conspired to frame him? And can he, with the assistance of right-hand man Ed Beaumont (Ladd), prove his innocence before he is sent down for murder? The earliest collaboration between Lake and Ladd, The Glass Key boasts a screenplay adapted from the novel by Dashiell Hammett (The Maltese Falcon), father of hard-boiled crime. Now appearing for the first time ever on Blu-ray in the UK, this timeless noir thriller shines like never before. SPECIAL EDITION CONTENTS High Definition Blu-ray (1080p) presentation Original uncompressed PCM mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary by crime fiction and film expert Barry Forshaw New visual essay on the film by Alastair Phillips, co-author of 100 Film Noirs Rare 1946 half-hour radio dramatization of The Glass Key by The Screen Guild Theater, starring Alan Ladd, Marjorie Reynolds and Gene Kelly Original theatrical trailer Extensive gallery of vintage stills and promotional materials Reversible sleeve featuring original and newly commissioned artwork by Tonci Zonjic
The original Creature from the Black Lagoon is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Creature from the Black Lagoon: Complete Legacy Collection includes all 3 films from the original legacy including the gripping classic and the sequels that followed. These landmark motion pictures perfectly blended Universal's classic monster heritage with the science-fiction explosion of the 1950s and continue to inspire remakes and adaptations that strengthen the legend of the Creature from the Black Lagoon to this day. Bonus Features: Back to the Black Lagoon Documentary 3 Feature Commentaries Production Photographs Theatrical Trailers
The original Creature from the Black Lagoon is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Creature from the Black Lagoon: Complete Legacy Collection includes all 3 films from the original legacy including the gripping classic and the sequels that followed. These landmark motion pictures perfectly blended Universal's classic monster heritage with the science-fiction explosion of the 1950s and continue to inspire remakes and adaptations that strengthen the legend of the Creature from the Black Lagoon to this day. Bonus Features: Back to the Black Lagoon Documentary 3 Feature Commentaries Production Photographs Theatrical Trailers
Zombies! Werewolves! Atomic Mutation! Intergalactic Avians! Let this quartet of classic terrors take you back to the golden age of B-Movie Monsters! A mob boss hires an ex-Nazi scientist to reanimate his dead thugs in Creature with the Atom Brain. An auto-accident survivor is used as an experimental subject to create a vaccine for nuclear fall-out with hair-raising side-effects in The Werewolf. Treasure hunters get more than they bargained for in the search for a cargo of diamonds that went down with a sunken ship when they discover the zombified crew members are guarding the loot in Zombies of Mora Tau. Meanwhile, an enormous bird from outer-space descends to chow down on the people of planet Earth in The Giant Claw! Four fantastic feature presentations from prolific producer Sam Katzman with a bounty of informative extras. These Cold War Creatures are coming for you! Special Edition Contents High Definition Blu-ray (1080p) presentations of all 4 films Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Reversible sleeves featuring original and newly commissioned artwork for each film by Matt Griffin Disc 1: Creature With The Atom Brain Introduction by historian and critic Kim Newman Audio commentary by critic Russell Dyball Sam Katzman: Before and Beyond the Cold War Creatures, a feature-length illustrated presentation on the life, career, and films of Sam Katzman by historian and critic Stephen R. Bissette Condensed Super 8mm version of Creature with the Atom Brain, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 2: The Werewolf Introduction by historian and critic Kim Newman Audio commentary by critic Lee Gambin Beyond Window Dressing, a visual essay exploring the oft-overlooked role of women in the films of Sam Katzman by historian and critic Alexandra Heller-Nicholas Condensed Super 8mm version of The Werewolf, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 3: Zombies Of Mora Tau Introduction by historian and critic Kim Newman Audio commentary by critic Kat Ellinger Atomic Terror: Genre in Transformation, a visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado Theatrical Trailer Image Gallery Disc 4: The Giant Claw Introduction by historian and critic Kim Newman Audio commentary by critics Emma Westwood and Cerise Howard Family Endangered!, a visual essay examining the theme of Cold War paranoia in Sam Katzman monster movies, by critic Mike White Condensed Super 8mm version of The Giant Claw, produced for home cinema viewing Theatrical Trailer Image Gallery
Get out your handkerchiefs for this four-star weepie, a 1957 remake of the 1939 Love Affair, directed by Leo McCarey, who also made the original. Grant and Kerr are strangers on an ocean liner, involved with other people, who can't resist each other for a shipboard romance. But they decide to test whether this is the real thing by agreeing to split up, then meeting in six months atop the Empire State Building. Is there anyone who can resist that set-up or the tragic romantic mishap that nearly splits them up? Can you keep dry eyes during the famous finale? Some prefer the original (with Charles Boyer); practically no one liked the underrated 1994 remake with Warren Beatty and Annette Bening. While occasionally a shade slow, this one soars on Grant's charm and Kerr's noble suffering. --Marshall Fine, Amazon.com
Jack Arnold's horror classic The Creature from the Black Lagoon spawned not one but two iconic images: the web-footed humanoid gill-man with a hankering for women and the leggy, luscious Julia Adams, the object of his desire, swimming the lagoon in a luminous white bathing suit. Not since King Kong has the "beauty and the beast" theme been portrayed in such sexually charged (though chaste) terms. Arnold turns an effectively B-movie plot--a small expedition up a remote Amazon river captures a prehistoric amphibian man, who escapes to wreak havoc on the team and kidnap his bathing beauty--into a moody, stylish, low-budget feature. The jungle exteriors turn from exotic to treacherous when the creature blocks their passage and strands them in the wilds. Much of the film is shot underwater, where the murky dark is animated by shimmering shards of sunlight, creating images both lovely and alien (the studio-built sets of the creature's underground lair are far less naturalistic, but serve their purpose). As with most of Arnold's '50s genre films, he's saddled with a less than magnetic leading man (in this case the colorless but stalwart Richard Carlson) and a conventional script, but he overcomes such limitations by creating a vivid and sympathetic monster (helped immeasurably by a marvelous suit of scales and fins) and establishing a mood thick with atmosphere. The film was originally shot in 3-D. --Sean Axmaker
In this legendary tearjerker the world's most eligible bachelor (Cary Grant) is set to marry an heiress. But unfortunately for his bride-to-be while he's traveling alone on a luxury liner he meets Terry McKay (Deborah Kerr) and realizes he's engaged to the wrong woman--and she's engaged to the wrong man. They finally agree to spend six months apart; if they still love each other at the end of that time they will reunite at the top of the Empire State Building. But the path of true
Scientists drug and capture the creature who becomes enamoured with the head scientist's female assistant. The lonely creature escapes and kidnaps the object of his affection. leaving it up to the chief scientist to rescue his assistant and cast the ominous creature back to the depths from which he came.
Captured and imprisoned for scientific study, a living amphibious missing link becomes enamored with the head researcher's female assistant (Julie Adams). When the hideous creature escapes and kidnaps the object of his affection, a crusade is launched to rescue the helpless woman and cast the terrifying creature back to the depths from which he came. Featuring legendary makeup artist Bud Westmore's brilliantly designed monster, Creature from the Black Lagoon is an enduring tribute to the imaginative genius of its Hollywood creators. Special Features: Creature from the Black Lagoon in Blu-Ray 3D Back to the Black Lagoon Production Photographs Feature Commentary with Film Historian Tom Weaver 100 Years of Universal: The Lot Trailer Gallery
Zombies! Werewolves! Atomic Mutation! Intergalactic Avians! Let this quartet of classic terrors take you back to the golden age of B-Movie Monsters! A mob boss hires an ex-Nazi scientist to reanimate his dead thugs in Creature with the Atom Brain. An auto-accident survivor is used as an experimental subject to create a vaccine for nuclear fall-out with hair-raising side-effects in The Werewolf. Treasure hunters get more than they bargained for in the search for a cargo of diamonds that went down with a sunken ship when they discover the zombified crew members are guarding the loot in Zombies of Mora Tau. Meanwhile, an enormous bird from outer-space descends to chow down on the people of planet Earth in The Giant Claw! Four fantastic feature presentations from prolific producer Sam Katzman with a bounty of brand new extras and a raft of new writing by a range of respected raconteurs. These Cold War Creatures are coming for you! Special Features: High Definition Blu-ray (1080p) presentations of all 4 films Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated 60-page collector's book featuring extensive new writing by Laura Drazin Boyes, Neil Mitchell, Barry Forshaw, Jon Towlson and Jackson Cooper 80-page collector's art book featuring reproduction stills and artwork from each film and new writing by historian and critic Stephen R. Bissette 2 double-sided posters featuring newly commissioned artwork by Matt Griffin Reversible sleeves featuring original and newly commissioned artwork for each film by Matt Griffin Disc 1 - Create with the Atom Brain Brand-new introduction by historian and critic Kim Newman Brand-new audio commentary by critic Russell Dyball Sam Katzman: Before and Beyond the Cold War Creatures, a brand-new feature-length illustrated presentation on the life, career and films of Sam Katzman by historian and critic Stephen R. Bissette Condensed Super 8mm version of Creature with the Atom Brain, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 2 - The Werewolf Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Lee Gambin Beyond Window Dressing, a brand-new visual essay exploring the oft-overlooked role of women in the films of Sam Katzman by historian and critic Alexandra Heller-Nicholas Condensed Super 8mm version of The Werewolf, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 3 - The Zombies of Mora Tau Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Kat Ellinger Atomic Terror: Genre in Transformation, a brand-new visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado. Theatrical Trailer Image Gallery Disc 4 - The Giant Claw Brand-new introduction by critic Kim Newman Brand-new audio commentary by critics Emma Westwood and Cerise Howard Family Endangered!, a brand-new visual essay examining the theme of Cold War paranoia in Sam Katzman monster movies, by critic Mike White Condensed Super 8mm version of The Giant Claw, produced for home cinema viewing. Theatrical Trailer Image Gallery
A classic murder mystery based on the the Dashiell Hammet novel and said to be the inspiration for Kurosawa's Yojimbo. When a corrupt politician is accused of murder his assistant hunts the real killer avoiding amorous advances from his boss' fiancee and attacks from gangsters along the way.
Although each is engaged to someone else, Nickie (Cary Grant) and Terry (Deborah Kerr) meet aboard an ocean liner and fall deeply in love. They agree to rendezvous six months later atop the Empire State Building, but tragedy strikes...and the lovers' future takes an emotional and uncertain turn
The Mummy: Boris Karloff's legendary performance has become a landmark in the annals of screen history. As the mummy Im-Ho-Tep he is accidentally revived after 3 700 years. Alive again he sets out to find his lost love. Today over 70 years after it was first released it still remains as compelling as ever! Creature From The Black Lagoon: Scientists drug and capture the terrifying creature who subsequently becomes enamoured with the head scientist's female assist
It Happened When A Killer With A Rope Ruled Nevada! Hangman's Knot is an exciting suspense-filled Western starring Randolph Scott and an excellent supporting cast including Donna Reed and Lee Marvin. At the end of the American Civil War a small band of Confederate soldiers ambush a Union gold shipment. To their horror they learn from a dying soldier that the war between the North and the South has been over for a month. Now facing certain criminal prosecution for a
A Butchers 1956 production starring American leads Richard Denning and Carole Mathews. Was the idea to make the film more saleable in the USA? Or to make a British film more American? A bit of both I would think... It’s a story of murder, counterfeit money and international crime with a pinch of Nazis. Our brit Ronald Adam is the bad guy - funny how brits are the bad guys in American films these days!! Ronald Adam featured in 148 productions, his last in 1978, just a year before his death in 1979 . Quite a good little feature, with picture and sound of good quality, after some extensive restoration.
Jack Arnold's horror classic The Creature from the Black Lagoon spawned not one but two iconic images: the web-footed humanoid gill-man with a hankering for women and the leggy, luscious Julia Adams, the object of his desire, swimming the lagoon in a luminous white bathing suit. Not since King Kong has the "beauty and the beast" theme been portrayed in such sexually charged (though chaste) terms. Arnold turns an effectively B-movie plot--a small expedition up a remote Amazon river captures a prehistoric amphibian man, who escapes to wreak havoc on the team and kidnap his bathing beauty--into a moody, stylish, low-budget feature. The jungle exteriors turn from exotic to treacherous when the creature blocks their passage and strands them in the wilds. Much of the film is shot underwater, where the murky dark is animated by shimmering shards of sunlight, creating images both lovely and alien (the studio-built sets of the creature's underground lair are far less naturalistic, but serve their purpose). As with most of Arnold's '50s genre films, he's saddled with a less than magnetic leading man (in this case the colorless but stalwart Richard Carlson) and a conventional script, but he overcomes such limitations by creating a vivid and sympathetic monster (helped immeasurably by a marvelous suit of scales and fins) and establishing a mood thick with atmosphere. The film was originally shot in 3-D. --Sean Axmaker
One of Hollywood's most popular leading women of the 1950s, Lana Turner (Imitation of Life) stars alongside Oscar nominee Jeff Chandler (Broken Arrow) in this inventive 1958 film part comedy, part romance, part thriller about the lengths to which we'll go for love. In the aftermath of World War Two, former Air Force colonel Mike Dandridge (Chandler) launches a lucrative air-ferry service with wartime pal Al Reynolds (Richard Denning, Creature from the Black Lagoon). With business booming, Mike hires the gifted and gorgeous Maggie Colby (Turner) as his lead pilot. Together, Mike and Maggie take to the skies and travel the world. In each new city they hit London, Madrid, Paris, Japan sparks fly, and the pair find themselves deeper and deeper in what promises to be a fun-filled, one-of-a-kind romance. But as the stakes are raised for Mike and Maggie both in their lives at home and in the air the duo discovers that the lifestyle they've grown to love might be too difficult to sustain.
A rancher and his daughter are holed up in their ranch after a nuclear holocaust decimates most of the world's population. Five survivors arrive but an altogether unwelcome presence is hot on their heels: a pack of mutated radioactive animals!
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