How to Get Ahead in Advertising stars Richard E. Grant as Dennis Dimbleby Bagley a brilliant young advertising executive whose constant fretting over an inability to devise a slogan for a revolutionary new pimple cream causes a growth to appear on his neck... which soon develops into a miniature talking head. Are two heads really better than one?
The career where two heads are better than one! To hotshot advertising executive Dennis Bagley (Richard E. Grant) people are pathetic sheep to whom he can sell anything...except a brand-new pimple cream. Creatively blocked Dennis becomes so stressed that he sprouts a pimple of his own...a pimple that eventually grows intoia huge head with a mind and a voice! Before long the sassy carbuncle takes over Dennis' life revealing to him a diabolical plan to control the masses. Now Dennis must find courage deep within himself to save society and himself from the beastly blemish!
Historical drama of how Napolean fought his last and most important battle against his English imprisoners on the island of Saint Helena.
Francis Ford Coppola returns to the original source of the Dracula and fashions a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
Love Never Dies Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
Johnny Depp and Helena Bonham Carter voice this quirky animation from director Tim Burton.
Karaoke is the first of two television dramas written by the acclaimed TV playwright Dennis Potter. Having been diagnosed with terminal cancer and with less than six months to live Potter undertook a race against mortality to complete two television dramas which were uniquely to be shared between Channel 4 and the BBC. In a televised interview with Melvyn Bragg he said My only regret is if I die four pages too soon. He didn't - and the result is a fitting tribute to a life committed to the creation of some of the finest television drama ever written. Daniel Feeld (Albert Finney) is working on a fictional play for television. The play entitled Karaoke concerns a beautiful young woman working in a sleazy karaoke bar run by Arthur Pig Mallion. Fiction and reality begin to intertwine when Feeld overhears snatches of his dialogue in the world around him - and encounters real people bearing his character's names. The lines between the world he has created and the world in which he lives begin to blur - and a desperate struggle to control both becomes enmeshed in his evolving sickness and a terminal diagnosis. Re-writing his will to right wrongs leaving his body to a cryogenics laboratory and plotting to go out with a bang Daniel Feeld is about to write an ending for one world that will have great repercussions in the next.
Ben Bingham has slipped into a fossilized middle-age unlike his vibrant wife Amanda. When she finally leaves him Ben is at a loss. He drowns himself in gin and refuses to get out of his pajamas until his popular 17 year-old son Justin takes over. He updates Ben's look and pushes him out into the social scene. Before Ben knows what is happening he is the most popular single man in town pursued by his nurse his trainer and karaoke-singing twins. Things change when Justin falls in love for the first time and now finds his father's lifestyle incredibly superficial. Ben is forced to refocus recapture his humanity his heart and most importantly his wife... who is now with another man.
In this second of three adventures the Scarlet Pimpernel may have met his match when he is forced to confront Gabrielle Damiens alias Mademoiselle Guillotine the French Revolution's most feared whip-wielding killer...
In this final film of the series The Scarlet Pimpernel is drawn into a mystery which threatens to destroy the French monarchy forever whilst putting his own life in grave danger. The heir to the French throne 10 year old Dauphin is under the control of Robespierre but is kidnapped by a sinister masked character. As Sir Percy gets close to witnesses who might identify the Dauphin's kidnapper they are killed before they can reveal the truth. However all the signs point to the legend
In one of his darkest roles Richard E. Grant plays an ageing professor obsessed with his star student Polly (Fraser). Polly is trapped in a dead-end job working for intrusive Professor Julius Greengrass (Grant). Her relationship with boyfriend Chapman (Adam Fenton) is falling apart and jealous sister Jimi (Antonia Bernath) rarely leaves her side. When Polly has the chance to escape her nearest and dearest have other ideas. Alone in her flat Polly struggles to keep her grip on reality. Mysterious sounds surround her voices in the darkness whispers of deceit. Polly knows she's not cuckoo but why won't the noises go away? She turns to the one person she can trust - her boss. But Julius has a dark secret of his own. He wants Polly and he'll do anything to get her. Using oppressive cinematography and a haunting soundtrack from BAFTA nominee Andrew Hewitt writer/director Richard Bracewell whose first film was the acclaimed low-budget comedy The Gigolos carefully builds Polly's world echoing her stressed and anxious state. Expertly played by Fraser we feel Polly's sense of isolation as events unfold around her in this darkly atmospheric and compelling story of deception and intrigue.
Known only as the boy he is the son of a leader of a prehistoric tribe who live in a desolate valley. Making a perilous journey with them he sees them killed one by one....
The Serpent's Kiss will probably be well received by fans of Peter Greenaway's arch and ornate films (The Draughtsman's Contract, Drowning By Numbers for example). In this movie, a young Dutch landscape artist named Chrome (Ewan MacGregor) is hired by homely but rich landowner Smithers (Pete Postlethwaite) to turn his overgrown estate into a masterpiece of topiary and hedge-mazes. But unbeknown to Smithers, Chrome is fulfilling the will of Smithers' ardent enemy (Richard E Grant), who hopes to bankrupt the wealthy man and seduce his beautiful wife (Greta Scacchi). When Chrome falls under the spell of Smithers' enigmatic daughter, all plans go awry. The strong cast wallows entertainingly in this mix of jealousy, decadence, intriguing visuals, Machiavellian schemes, and heaving bosoms, with Grant performing with his usual lurid gusto. The sumptuous Restoration-era costumes enhance this meditation on art versus nature. --Bret Fetzer, Amazon.com
From the producer of the classic Don Juan De Marco comes a comedy that asks: if love is the answer could you rephrase the question?! Ben Bingham (Richard E. Grant) has slipped into the complacency of a daily routine unlike his vibrant wife Amanda (Carrie-Anne Moss). When she finally leaves him Ben is at a loss. He refuses to get out of his pyjamas until his popular 17 year-old son Justin (Johnny Pacar) takes over. He updates Ben's 'look' and pushes him out into the social scene. Before Ben knows what is happening he is the most popular single man in town pursued by his nurse his trainer and karaoke singing twins. Things change when Justin falls in love for the first time and Ben is forced to refocus recapture his humanity his heart and most importantly his wife ... who is now with another man. Starring Richard E. Grant (Withnail & I Jack & Sarah Bright Young Things) Carrie-Anne Moss (The Matrix) Jenna Elfman (Dharma & Greg) and Janeane Garofalo (24 The Truth About Cats & Dogs Reality Bites) Love Hurts is a painfully romantic comedy
In one of his darkest roles Richard E. Grant plays an ageing professor obsessed with his star student Polly (Fraser). Polly is trapped in a dead-end job working for intrusive Professor Julius Greengrass (Grant). Her relationship with boyfriend Chapman (Adam Fenton) is falling apart and jealous sister Jimi (Antonia Bernath) rarely leaves her side. When Polly has the chance to escape her nearest and dearest have other ideas. Alone in her flat Polly struggles to keep her grip on reality. Mysterious sounds surround her voices in the darkness whispers of deceit. Polly knows she's not cuckoo but why won't the noises go away? She turns to the one person she can trust - her boss. But Julius has a dark secret of his own. He wants Polly and he'll do anything to get her. Using oppressive cinematography and a haunting soundtrack from BAFTA nominee Andrew Hewitt writer/director Richard Bracewell whose first film was the acclaimed low-budget comedy The Gigolos carefully builds Polly's world echoing her stressed and anxious state. Expertly played by Fraser we feel Polly's sense of isolation as events unfold around her in this darkly atmospheric and compelling story of deception and intrigue.
Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode!
Titles Comprise: Long Good Friday: In the savage and deadly world of the gangland king the man at the top is ruler but only as long as he controls everything in his territory. For that man the rewards can be infinate but so are the dangers. Harold Shand (Bob Hoskins) is enjoying the height of his powers and he is on the verge of something which would make his current 'arrangements' small fry. But stronger forces than even he can control have moved in and taken over. Climaxing in one long bloody day of terror an Easter Good Friday he is to see his empire begin to crack and crumble. Withnail & I London. The '60s. Two unemployed actors-acerbic elegantly wasted Withnail (Richard E. Grant) and the anxiety-ridden I (Paul McGann) - drown their frustrations in booze pills and lighter fluid. When Withnail's Uncle Monty (Richard Griffiths) offers his cottage they escape the squalor of their flat for a week in the country but soon realise they've gone on holiday by mistake when their wits - and friendship - are sorely tested by violent downpours less-than-hospitable locals and empty cupboards. An intelligent superbly acted and hilarious film. Freebird: Three London motorcycle couriers Fred (Gary Stretch) Tyg (Geoff Bell) and Grouch (Phil Daniels) set off from the capital in search of an elusive hippy and his cannabis farm in the Welsh mountains. Originally intended as a nice weekend in the country Fred has now found himself making a promise to his old friend the Chairman that whatever situations arise he will not return empty handed. Grouch has also made a promise that come Monday morning he'll be moving himself and his belongings into his new found love Lucinda's flat and finally making an attempt at the world of serious relationships. As for Tyg no such pact. This is a man who's never been further than the outskirts of London and as far as he's concerned an industrial unit near Heathrow Airport is pretty much the back of beyond. No Tyg's out to explore; to broaden his horizons; to lose any ignorance and soak up the hospitality of another nation. But what are those wild beast noises coming from the woods and why are there two gangs of bikers in the area about to settle an old score? Throw in a seven foot masked lovesick Russian wrestler and things could really get out of hand. That said it may also have something to do with the wild mushrooms they had for breakfast. It's a three and a half hour journey from London to the Welsh mountains but for Fred Tyg and Grouch it's just about to turn into the trip of a lifetime.
Peter Capaldi, the writer and director of the vaguely amusing and almost engaging Strictly Sinatra, seems to have had two recent strains of British film-making on his mind: the Guy Ritchie school of modern mob capers and the post-modern urban Scottish noir of Shallow Grave and Trainspotting. Indeed Kelly MacDonald, who starred in the latter, appears in Strictly Sinatra as a similar rough-around-the-edges love interest. The film revolves around what happens when hapless Glasgow lounge-singer Tony Cocozza (played by the always capable Ian Hart) crosses paths with the local Mafiosi. Their initial mutual attraction is derived from the ability of the parties to support each other's delusions: Cocozza wishes he was Sinatra, they wish they were Sinatra's dubious cronies. But Cocozza swiftly realises that he has, as the song goes, bitten off more than he can chew, and proceeds, predictably enough, from doubt to epiphany to redemption to happy ending.--Andrew Mueller
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