Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III: In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
The Barbra Streisand Collection consists of four movies: What's Up, Doc? (1972), Up the Sandbox (1972), The Main Event (1979) and Nuts (1987) In What's Up, Doc?, director Peter Bogdanovich tipped his hat to the classic screwball comedies of the 1930s, and especially the most glorious of them all, Howard Hawks' Bringing Up Baby. Barbra Streisand plays a charming flake who distracts a self-absorbed musicologist (Ryan O'Neal). He's engaged to be married, but soon Streisand's character has him chasing after stolen jewellery and getting into one madcap fix after another. --Tom Keogh Up the Sandbox springs from the early 1970s, when Streisand's career was in full stride. She stars as Margaret, a stay-at-home mum in the middle of New York who's feeling the strain of her narrow life. Frustrated by her self-involved husband and the mentally unstimulating tasks of motherhood, she escapes into fantasies--such as being chatted up by a cross-gendered Fidel Castro, bombing the Statue of Liberty with black militants and having a furious catfight with her overbearing mother. The movie's strength lies in these fantasies' slippery nature; some are over the top, but others are so subtle you're not always sure where they start and stop, making the portrait of Margaret's psyche intriguingly complex. --Bret Fetzer The Main Event is a comedic misfire from the mid-1970s, a futile attempt to bottle the same lightning that struck when Streisand teamed with Ryan O'Neal in What's Up, Doc? Here, Streisand plays a spoiled rich girl, the head of a bankrupt cosmetics company, who discovers she's lost everything--except her ownership of the contract of a washed-up boxer (O'Neal). So she tries to rally this dispirited pug into a comeback that will earn the kinds of purses that will put her back on her feet. Naturally, in the process, romantic sparks are kindled. But despite a loud and energetic performance by Streisand, the comedy doesn't add up to much. --Marshall Fine In Nuts Streisand is a mad high-priced "escort" accused of murder, but whether she's mad as hell or mad as a hatter is the question in this courtroom drama, adapted from the play by Tom Topor. While her doting, wilfully uncomprehending mother (Maureen Stapleton) and stepdad with a secret (Karl Malden) try to have her judged incompetent and sent to an asylum, she fights for her day in court with the help of a hapless legal aid attorney (a refreshingly understated Richard Dreyfuss). James Whitmore presides over the hearing with a compassion and sense of justice that gives one faith in the system, and la Streisand (who developed and produced the project) sinks her teeth into the tempestuous role like a starving actress. The plot holds few surprises, but the drama lies in the characters; veteran director Martin Ritt brings out the best in a top-flight cast. --Sean Axmaker
The Bombers motorcycle gang headed by the vicious Raven Shaddock kidnap diva Ellen Aim. Her hope for rescue lies with unlikely heroes: soldier of fortune Tom Cody and his sidekick the two-fisted beer-guzzling McCoy. Joined by Ellen's manager Billy Fish the trio plunge headfirst into a world of rain-splattered streets hot cars and deadly assassins.
This box set features the following films: Seven (Dir. David Fincher) (1996): Brad Pitt and Morgan Freeman star in this sinister and gripping mystery-thriller about a pair of homicide detectives who must solve a puzzling series of horrific murders based on the seven deadly sins - Gluttony Greed Sloth Pride Lust Envy and Wrath. A powerful and unforgettable film Seven reveals the dark and disturbing underworld in which evil stalks... Snakes On A Plane (Dir. David R. Ellis) (2006): On board a flight over the Pacific Ocean an assassin bent on killing a passenger who's a witness in protective custody lets loose a crate full of deadly snakes. The rookie pilot and frightened passengers must band together to try and apprehend the assassin before it's just not the witnesses' life in jeopardy... Slither (Dir. James Gunn) (2006): An invasion of slithery slug-like parasites from outer space arriving via meteorite in the redneck town of Wheelsy South Carolina where they turn most of the local yokels into flesh-eating zombies...
! A typical family in a quiet suburb of a normal California faces a frightening ordeal when its home is invaded by a Poltergeist. Late one night, 5-year-old Carol Anne Freeling (Heather O'Rourke) hears a voice coming from inside the television set ... At first, the spirits that invade the Freelings' home seem like playful children. But then they turn angry. And when Carol Anne is pulled from this world into another, Steve and Diane Freeling (Craig T. Nelson and JoBeth Williams) turn to an exorcist (Zelda Rubinstein) in this horror classic from director Tobe Hooper (Texas Chainsaw Massacre films) and producer and screenwriter Steven Spielberg. Bonus Features They Are Here: The Real World of Poltergeists documentary The Making of Poltergeist Theatrical Trailer
Two ambitious women have their friendship destroyed by jealousy. Based on a novel by Barbara Taylor Bradford.
Based on Terry McMillan's best-selling novel How Stella Got Her Groove Back, stars Angela Bassett as a 40-year-old, Manhattan stock trader and single mother whose static life gets a jolt during a vacation with her pal (Whoopi Goldberg) in Jamaica. Sparks fly when Bassett meets a 20-year-old stud (Taye Diggs) who has an ambivalent career path but a great body and lots of sexual energy to burn. After some prodding by Goldberg's warm-funny secondary character, Bassett gets it on with the fellow--and proceeds to worry about what she's doing with a man half her age. The film is most enjoyable in its sunny, exotic early scenes and becomes more formulaic once the unlikely couple transports their will-we-stay-together-or-won't-we tensions back to the Big Apple. But director Kevin Rodney Sullivan goes out of his way to make a movie unabashedly thick with fantasy and wish-fulfilment for female audiences (it's Diggs who reveals a lot more flesh than the regal Bassett). This is a Saturday-night movie all around. --Tom Keogh
US gay-themed drama written and directed by Doug Spearman. The film follows Peter Logsdon (Darryl Stephens), who has a history of pursuing married men, as he becomes romantically involved with Jack (Scott Bailey), who has been married for 12 years and has two kids. While Peter finally confronts his fear of intimacy and commitment, Jack must settle his inner conflict over his sexuality after his wife discovers his affair.
Nowadays, the word "event" is thrown around all too often when describing television programmes, but back in 1983 the debut of V: The Mini Series was a television event in the truest sense. The appearance of gigantic flying saucers over the world's largest cities heralds the arrival of aliens from a distant galaxy who look human and act benevolently. Of course, things aren't exactly what they seem, and when some suspicious humans start to question the visitors' intentions they uncover a vast alien conspiracy, along with some unusual culinary habits. Soon, the visitors have enslaved the Earth under their fascist rule, and small groups of human rebels are forced underground to fight for the freedom of their entire species. But with the future of the planet still in question the epic story comes to an abrupt end, forcing the viewer to wait for the resolution in V: The Final Battle and the on-going series. That's not to say that the original V isn't worth the price of admission: in over three hours, it manages to capture the spirit of the great classic science fiction of the 1950s and 60s. The feeling of paranoia and insecurity that runs throughout the whole thing makes it feel, at times, like an expanded episode of The Twilight Zone, only shinier (hey, it was the 1980s). The special effects were impressive for their day, inspiring similarly themed films in the 90s (the gigantic flying saucers were seen again in Independence Day, and the storage area of the mothership turns up in The X Files Movie and The Matrix). What does irritate, however, is the utter lack of subtlety in the allegorical storyline. In fact, it could only have been made more obvious by demanding that the entire cast wear "This is how it was in 1930s' Germany" t-shirts. But if V occasionally doesn't live up to its own high standards, it's still a remarkably high-quality slice of epic television drama. On the DVD: The picture is an impressive widescreen 1.85:1 ratio and the soundtrack is adequate Dolby stereo. The DVD boasts a feature-length commentary by writer and director Kenneth Johnson, as well as a 25-minute "Behind the Scenes" documentary. --Robert Burrow
A robot is sent to an alternate dimension via a time-travel experiment gone wrong and wreaks havoc in the new world in which it finds itself. A scientist is sent to investigate and attempts to stop the disaster from happening in the first place.
John Drake is a special agent in the deadly world of international espionage and intrigue. A master in his field he is free to go wherever duty calls. Danger Man does not simply attract danger he thrives on it. Episode titles: The Key View From the Villa Find and Return Time To Kill Under the Lake The Journey Ends Halfway Position of Trust The Sisters An Affair Of State Deadline Bury The Dead The Girl In Pink Pyjamas Sabotage The Traitor The Nurse The Blue Veil The Lovers The Sanctuary The Deputy Coyannis Story The Brothers Colonel Rodriguez The Relaxed Informer Find and Destroy The Prisoner The Lonely Chair Dead Man Walks The Contessa Josetta The Island The Conspirators Name Date and Place The Leak The Honeymooners The Girl Who Liked GI's Hired Assassin The Gallows Tree The Vacation The Trap The Actor.
Alexandre Dumas' classic tale of fraternal squabbling makes a more than satisfactory transition to celluloid with this 1976 made-for-television swashbuckler. Viewers familiar with the more recent Leonardo DiCaprio version may be stymied at first by the non-MTV pace and the rather unhip presence of Richard Chamberlain in the lead role(s). This well-lensed action film overcomes a somewhat poky first half to emerge as a terrific adventure, complete with plenty of derring-do, some sharply pointed dialogue, and a wonderful performance by the incomparably malevolent Patrick McGoohan. Rousing fun for burgeoning rapscallions of all ages. Director Mike Newell would later find success in a different genre with Four Weddings and a Funeral. Ian Holm, Louis Jordan, and Ralph Richardson round out the embarrassingly rich supporting cast. --Andrew Wright
Blacula: Cultivated and articulate African Prince Mamuwalde is bitten by Count Dracula as is his destiny. He develops the requisite insatiable hunger for blood and must do all that he can to satisfy the craving. Two centuries later the princely ghoul is unwittingly transported to modern day Los Angeles where bloodthirst is a way of life. Blaxploitation and the horror genre mingle in this creature feature that inspired the sequel Scream Blacula Scream. Scream Blacula Scream: When the voodoo high priestess dies her son Willis expects to inherit his mother's powers and be made leader of the cult. But this is not the case and Willis bent on revenge reincarnates Blacula. With Willis as his slave they infiltrate the voodoo cult until a police investigation leads to a bloody confrontation between police and the small army of vampires.
Meet Mr Malcolm (1954)Celebrated crime writer Colin Knowles (Richard Knowles) finds himself at the centre of a baffling real-life mystery when his estranged wife Louie (Sarah Lawson) asks for his help. Her new boss has gone missing at his grand country home - and when his body is found the hunt is on for a devious and twisted murderer. Sinister letters from London refer to a 'double crime'. Who will be the killer's next victim? Directed by Daniel Birt (The Interrupted Journey She Shall Have Murder) at Viking Studios and featuring a delightful guest appearance by renowned stage and radio comedy star Claude Dampier Meet Mr. Malcolm is a gripping Agatha Christie-style country house whodunnit with a fiendish twist! I'm A Stranger (1952)George Westcott (Patrick Doonan) arrives in London from India to claim a sizeable inheritance only to discover his grandfather's will is missing. A film star (Greta Gynt) a window cleaner (James Hayter) and a police inspector (Hector Ross) help him defeat the disinherited branch of the family and find the will but is George all he seems...
When beautiful young Carol is taken over by the spirit of Ayesha queen of the lost city of Kuma an eccentric millionaire gives her refuge unaware that she brings the dark shadow of death to everything she touches...
The war is over. The battle has just begun. Based on the novel The Pavilion On The Links written by Robert Louis Stevenson. Estranged friends Frank Cassilis and Northmour are fatefully reunited after six years and drawn together in an uneasy union. The two men play out old scores and suspicions as they struggle in their separate ways to protect an evil decrepit embezzler Huddlestone and his hardened but beautiful daughter Clara from vengeful former associates. Both men desire
Street fighter Leroy Fisk finds himself working for the Mafia taking part in illegal street fights in order to make a living. He plans to save up enough to buy a nightclub but he will have to deal with a crooked cop and find who ordered the murder of his wife and brother in law.
Erroneously labelled a "gangster film", the independently made British film Small Time Obsession is in fact a thought-provoking essay on generation gaps and loyalties. London's Polish District is the setting, where four long-term friends are used to filling time and their pockets with petty crime. Michael (Alex King) has come to realise he has increasingly less in common with the others, and also with his parents who own a delicatessen. Life's big decisions elude Michael. His exclusively Polish-speaking father wants him to take over the family business, his greyhound Bullitt is starting to win prizes at the track and he's also secretly in love with Ali (Juliette Caton). Unfortunately she's already spoken for by tough guy Chris (Jason Merrells). This love triangle hardly has time to sort itself out since Chris is inadvertently embroiling them all in more Big Time crime. Although the circumstances inevitably lead to bouts of violence , what's refreshing here is that character relationships genuinely resonate with believability. First time writer/director Piotr Szkopiak tells the story with several shades of sympathetic subtlety, sensitively portraying the problems of a generation torn between inheriting their parents' displaced traditions and "fitting in".On the DVD: In this anamorphic widescreen presentation the dirty grey backdrop of London seems to rise up and swamp the characters. A 14-minute documentary ("Behind the Obsession") talks about those locales and how the director and distributor marketed the film. As well as a trailer, the extras package includes numerous text pages devoted to: cast and crew biographies, Production Notes, Locations, Media Reviews and the Polish Community. --Paul Tonks
Please wait. Loading...
This site uses cookies.
More details in our privacy policy