He rules the night as Gotham City's shadowy protector - a crusading Dark Knight defending the innocent and striking fear into the hearts of evildoers. The legend of Batman continues in this thrilling collection of the third volume of the award-winning 'Batman: The Animated Series'. Episodes comprise: Two Face Part 1 / Two Face Part 2 / It's Never Too Late / I've Got Batman In My Basement
The third series of the self-reliance sitcom. Episodes comprise: 1. The Early Birds 2. The Happy Event 3. A Tug Of The Forelock 4. I Talk To The Trees 5. Whos Fleas Are These? 6. The Last Posh Frock
Filmed at the world famous O2 Channel 4's Comedy Gala sees the cream of the UK's comedy crop come together for one rip roaring comedy night all in aid of Great Ormond Street Hospital. This Comedy Spectacle of 2013 includes 22 of the biggest names in TV and Comedy along with an alternative dance performance from the amazing Diversity and their new recruits all guaranteeing your biggest laughs of the year. Starring: Adam Hills Alan Carr Diversity Jack Dee Jason Byrne Jo Brand Jon Richardson Jonathan Ross Josh Widdicombe Kevin Bridges Lee Evans Michael McIntyre Miranda Hart Nina Conti Paddy McGuiness Paul Chowdhry Rhod Gilbert Rich Hall Russell Brand Seann Walsh Tom Stade Warwick Davis
Reprising the classic sitcom roles that first made them household names, Richard Beckinsale and Paula Wilcox star as Geoffrey and Beryl an inexperienced young couple attempting to negotiate the sexual minefield of the 'permissive' society. This big-screen transfer of Jack Rosenthal's top-rated comedy series sees old-fashioned girl Beryl continuing to slap down the advances of her frustrated boyfriend whose clumsy attempts to initiate 'Percy Filth' suggest he's not quite up to speed himself! The Lovers! is featured here as a brand-new High Definition restoration from original film elements in its original theatrical aspect ratio. Like everyone else Geoffrey and Beryl want to fall in love or they think they do; like everyone else since Adam and Eve. But Adam and Eve didn't live in Manchester in 1972... Special Features Fullscreen version Brand-new interviews with composer Carl Davis and production designer Peter Mullins Theatrical trailers Image gallery Limited edition booklet written by Martin Cater
Adapted from the novel by Anthony Powell this miniseries tells the story of the upper classes in England from the early 1920s to modern times. Friendship murder adultery ambition and failure are set against a backdrop of social political and artistic life during the pivotal years of this century - from the decadence of the early Twenties to the sobering Thirties from the devastation of the Second World War to the world created in its aftermath. Centre stage is Kenneth Widmerpool and his rise to power through business the military and politics. The comings and goings of Widmerpool and his circle is charted by the omnipresent Nicholas Jenkins.
What kind of guy was the wizard Merlin, anyway? He lives a long time, raises a boy to be a king, props up a Utopian empire with his magic and wisdom, and then watches as it all crumbles under such banal forces as vengeance and betrayal. This four-hour mini-series re-tells the story of Camelot and King Arthur from the perspective of the magic man who sacrifices a great deal to guide mortals toward a better destiny. Sam Neill plays Merlin as an accessible, flesh-and-blood fellow of real passion, powerless to undo the spell of a rival (Rutger Hauer) who has virtually imprisoned Merlin's great love, Nimue (Isabella Rossellini), but gifted enough to counter the treachery of Morgan Le Fey (Helena Bonham Carter) and the wicked Queen Mab (Miranda Richardson). The battle sequences and special effects are striking and original, and it is great fun to see such art-house movie actors as Richardson, Carter, Neill, etc., in fantasy entertainment the whole family can enjoy. (An unrecognizable Martin Short must be singled out, however, for a wonderful, largely dramatic performance as Mab's sidekick, Frik.) Directed by Steve Barron (The Adventures of Pinocchio), Merlin is a nice bit of glossy revisionism of a beloved legend. --Tom Keogh
Winner of the 1950 Academy Award for writing (Best Motion Picture Story) and directed by Elia Kazan (On the Waterfront Street Car Named Desire) Panic In The Streets is a gripping and powerful crime story that builds relentlessly from beginning to its shattering end. What begins as a simple homicide case turns into a race against an epidemic of death! An autopsy of a murdered man reveals he had the bubonic plague; now his killer must be found before he becomes contagious and begins spreading the deadly scourge. It's a nightmare manhunt through the seamy steamy underside of the New Orleans waterfront. This classic crime melodrama features an all-star cast taut action and searing performances by Richard Widmark Jack Palance and Zero Mostel. Palance is the cold-blooded killer who becomes a ticking time bomb. Widmark is the public health service doctor who has 48 hours to find him.
Elvis: Films That Rock contains three of the King's early screen efforts: Love Me Tender (1956), Flaming Star (1960) and Wild in the Country (1961). It's pointless to suggest that they aren't among Elvis's best movies (you'll have to look elsewhere for King Creole and Jailhouse Rock, which probably are), partly because any fan's going to want them all anyway, but also because all three are interesting in their different ways. Love Me Tender, made in black and white in 1956, was Presley's first stab at acting, and this story of a family split by the American Civil War--one brother goes off to fight, the other doesn't--sees him short on screentime and being upstaged by pretty much everyone else. That said, it was a reasonably brave move for Presley to begin his movie career by dealing with this kind of subject matter, however sentimentalised. Four years later, Flaming Star took the steer by the horns with Presley portraying a young man of mixed parentage caught up in the ethnic conflict between Native Americans and the white race. Again, a brave choice of subject; this was a landmark movie insofar as it showed Presley certainly had enough acting ability to create a credible parallel career along the lines of, say, Sinatra. It wasn't to be, though, as even then his talents were being manipulated by others, which is why all his later movies--even the best ones--were little more than advertisements for his records. Wild in the Country, from the following year, saw Presley as a young tearaway who finds redemption in his talent for writing. It's pure melodrama, but the moralising is kept under control. This is a nice little collection, all in all, and an essential for any fan. On the DVD: Elvis: Films That Rock presents the three pictures in positively radiant transfers, which are absolutely gunge-free and make the very best of the beautifully stylised lighting and cinematography of the period, while the classic Cinemascope presentations translate perfectly into widescreen. Special features include trailers for all three movies. --Roger Thomas
Episodes include: The Man From Nowhere: A stranger enters Jean's flat and claims to be her husband... When The Spirit Moves You: Marty demonstrates how a ghost detective can sometimes do better than his mortal counterparts... Somebody Just Walked Over My Grave: Marty finds himself accusing his partner of seeing things! Could You Recognise the Man Again? Jeff and Jean are non-plussed to find a dead body in the back seat of their car...
A broken wand forces Sooty to stop his magic show. With Sweep stuck in the sawing-in-half box and Richard transformed into a chicken, Sooty must put things right if he's going to impress World Famous Magicians Paul Daniels and Debbie Magee...
Five students are hunted by a decaying creature and haunting visions in this horror.
During WWII a collection of Canadian soldiers and American misfits are brought together and promised that upon successful completion of a special mission their sentences will be struck off military records. The mission: a semi-suicidal charge to scale a well-fortified enemy emplacement on a steep hill...
Starring Richard E. Grant and Paul McGann in career defining roles, Withnail And I is one of the most hilarious and iconic comedies of British cinema. Written and directed by Bruce Robinson, this twisted, timeless and acerbic masterpiece is a genuine cult classic.It's 1969 and London isn't exactly swinging for struggling, unemployed actors Withnail (Richard E. Grant) and I (Paul McGann). Living amongst the crumbling squalor of a Camden flat their uneventful existence is fuelled by cheap drugs, bad booze and lighter fluid. When Withnail's eccentric Uncle Monty (Richard Griffiths) offers them his cottage retreat, both Withnail and I decide to escape to the glorious English countryside for a carefree weekend. But what they find is less than idyllic as they're forced to contend with disastrous weather conditions, hostile locals and the amorous motives of a certain Uncle Monty. It's the end of the greatest decade in the history of mankind and there's going to be a lot of refugees.
One of Thames TV's most successful sitcoms about the ups and downs of mixed flat-sharing. Three's A Crowd: Chrissy and Jo throw a farewell party for their flatmate who's getting engaged and moving out. Next morining they find Robin asleep in their bath. They're looking for a new flatmate and Robin is looking for somewhere to live so the girls ask Robin to stay. All they have to do then is to talk the Ropers into agreeing to the new arrangement... And Mother Makes Four:
101 Films presents Tammy and the T-Rex, a jaw-dropping assault on good taste from cult filmmaker Stewart Raffill (The Ice Pirates), released for the first time in the UK. Starring Denise Richards and Paul Walker in early roles, the film was originally released in the USA with a PG-13 rating. This release features the recently restored 'Gore Cut', presented as originally conceived in all its gore-filled glory, featuring the stellar work of special make-up effects legend John Carl Buechler. Tammy is a popular high school cheerleader whose new boyfriend, Michael, might be the love of her life. But Tammy's jealous ex, Billy, won't stand for anyone coming between him and 'his' girl, so he and his friends kidnap Michael, leaving him to be mauled by a lion in a local wildlife reserve. Comatose and at death's door, Michael's body is stolen from the hospital by mad scientist Dr. Wachenstein, who extracts his brain and implants it into a giant robotic T-Rex. Horrified by his predicament and new dinosaur body, Michael escapes from the doctor's lab and begins brutally killing his former bullies. Meanwhile Tammy and her best friend Byron start searching for a suitable human corpse in which to re-transplant Michael's brain... Product Features Scanned & restored in 4k from its 35mm original camera negative Audio commentary with director Stewart Raffill and producer Diane Kirman Blood, Brains, and a Teenage T-Rex - an interview with director Stewart Raffill A Blast from the Past - an interview with actress Denise Richards Having the Guts - an interview with actor Sean Whalen A Testicular Stand-Off - an interview with actor George Pilgrim Full length PG-13 cut of Tammy and the T-Rex (SD)
"The Cove" begins in Taiji, Japan, where former dolphin trainer Ric O'Barry has come to set things right after a long search for redemption and bids to put a stop to the underhand and dangerous hunts that take place here.
Director Barry Levinson treats The Natural as a kind of shrine to America's national pastime, baseball, complete with all the possible mythic resonance that can be gleaned from the subject. Fans of the Bernard Malamud novel may be dismayed, but anyone who fell for the similarly mythic Field of Dreams will be hooked. Levinson displays an unabashed devotion to the game, although the film could use more of the realities of chewing tobacco and pine tar. The story opens as a young man (Robert Redford, in soft lighting) emerges from the sun-dappled heartland as maybe the best baseball player anybody's ever seen. On his way to the majors, he is waylaid by an enigmatic black widow (Barbara Hershey) and vanishes for many years. When he re-emerges, a silent mystery, he lands a spot with a New York team and begins tearing up the league--he's still the natural. Redford is fine, and Kim Basinger and Oscar-nominated Glenn Close are effective as the women in his life. The crowning touch is the soaring, extraordinary music by Randy Newman, the singer-songwriter turned orchestral composer. --Robert Horton, Amazon.com
Some people don't give a damn about your daughter's welfare.... Broderick Crawford takes the role of Augusto in this finely sculpted drama about an ageing con man and his two young sidekicks Roberto and Picasso who swindle the local's out of their money. But Augusto's young accomplices have dreams dreams that are far removed from the lives they lead now. Augusto however still sees his future as a petty theif swindling enough to pay for his nightlife and a better lifestyle. Little could he know though that his own existance would take an unexpected twist as he accidentally bumps into his daughter someone he hasn't seen for some time and who he discovers is having a tough time trying to make ends meet to finish her studies. Surprisingly he finds his attitude changing as it becomes apparent that for the first time in his life his daughter needs his help and maybe he can do something for someone else! In the absence of his partners in crime he joins another group of swindlers but events turn sour and his new partners prove less than charitable toward Augusto when their money goes missing and in retribution leave him a broken and beaten man....
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