The scandal of the 1973 Cannes Film Festival, The Holy Mountain is a sprawling phantasmagoria of sacrilegious visual excess and existential yearning. Jodorowsky's most ambitious film sees the director himself play The Alchemist, a guru who guides a troupe of pilgrims, each representing a planet of the Solar System, on a magical quest to Lotus Island where they must ascend the Holy Mountain in search of spiritual enlightenment. The Holy Mountain is presented here newly restored in 4K with a selection of informative new interviews and extras which provide unprecedented insight into this momentous film. Special Features: New 4K restoration from the original 35mm camera negative approved by Alejandro Jodorowsky High Definition Blu-ray (1080p) presentation Uncompressed mono 1.0 LPCM audio and 5.1 DTS-HD Master Audio Newly translated English, Spanish and French subtitles Audio commentary by Alejandro Jodorowsky Jodorowsky Remembers The Holy Mountain, a new interview filmed in Paris Newly filmed introduction with Richard Peña, Professor of Film Studies at Columbia University Pablo Leder: Jodorowsky's Right Hand Man, Jodorowsky's personal assistant remembers acting in El Topo and The Holy Mountain and his time spent with the director The A to Z of The Holy Mountain, a new video essay by writer Ben Cobb Deleted scenes with director's commentary The Tarot, a short film in which Jodorowsky explains the secrets of the cards Original trailer Image galleries
Oliver Stone used such words as "liberating" and "fun" to talk about U-Turn's relatively quick production schedule of 42 days. Stone's ideas of film fun, however, are something older generations would call sick. This film is a Southwestern noir tale about Bobby Cooper (Sean Penn), a hotshot who is stuck in the tight confines of Superior, Arizona, when his car breaks down. His subsequent adventure is a meatball comedy--loud, obnoxious and violent, and stuffed with diffused light, a hot cast and a no-fat Ennio Morricone score. This film has plenty of odd characters but you never really find out much about them. Bobby's first encounters include a repulsive mechanic (Billy Bob Thornton under the grease) and a blind Indian (Jon Voight under the makeup). Then there's Grace McKenna (a sizzling Jennifer Lopez), who is as dangerous as the curves of her red sundress. Bobby's got time to kill and Grace seems more than willing. Unfortunately, it seems that Bobby has never seen a movie such as A Touch of Evil; if he had, he would know it can only get worse. About the time Grace's husband, Jake (Nick Nolte), shows up, Bobby is knee-deep in murder plots and double-crosses. The first 40 minutes or so are "fun" to a point. Penn is the perfect near-creep to root for and as he wanders back into town after meeting Grace, the eclectic characters pile up. But soon it gets monotonous, tiring and just plain ugly. And when incest and bloody fights begin, the fun is gone. If Penn wasn't so solid an actor and able to be empathetic in the most morose situations, the movie would be unwatchable in stretches. Lopez makes another good impression but this is not a performance that stands out. Nolte, raspy and ill-looking, is the Lee Marvin of the 90s. Before U-Turn is over, you are already wondering if Oliver Stone will do something else, something more important, soon. --Doug Thomas
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