The success of the first year meant that Stargate SG-1's second series could afford to spread its wings. In only the second episode, Carter is temporarily possessed by a good Goa'uld. This immediately allowed for both any amount of quick fix inside knowledge as well as story off-shoots, now that the show was bent on franchise longevity. There appeared to be information overload (splinter group Tok'ra, Earth's second Gate, Machello, endless Apophis encounters), as the finely interwoven threads of alien histories and inter-relationships were developed. But thankfully, SG-1 never lost sight of the need for great individual stories. There was a planet of Native American Indians; a planet on the edge of a Black Hole; a planet of aliens sensitive to sound. Even a planet run by Dwight Schultz! Better still, they found time to have fun with their universe, too. "1969" remains one of the best comic romps the series has enjoyed, and is a near-perfect self-contained time-travel story to boot. The team of actors had obviously bonded early on in the first year. It may be a bit of a military faux pas that there is only ever four of them leading every major explorative expedition, but the limited number of principals is actually something else the show has always had in its favour, allowing quality screen time to be spent on each of them from the outset (although Richard Dean Anderson would probably rather not have spent an entire episode impaled by a spike). --Paul Tonks
The man with the hat is back. And this time he's brought his Dad. Indiana Jones And The Last Crusade sees Harrison Ford don his rumpled fedora for the third time as Indiana Jones. When Dr. Henry Jones (Sean Connery) goes missing whilst pursuing the Holy Grail the intrepid archaeologist - Indiana Jones (Harrison Ford) must follow in his father's footsteps in order to find the mythical Holy Grail before the Nazis get their hands on it...
After scoring a hit with the Eddie Murphy-Nick Nolte cop thriller 48 Hours, director Walter Hill returned to the buddy formula with this half-ridiculous, half-invigorating action flick about humourless Russian cop Ivan Danko (Arnold Schwarzenegger). He follows a drug dealer from Moscow to Chicago, where he's matched up with city cop Art Ridzik (James Belushi), whose work ethic is considerably more relaxed. Most of the humour revolves around Danko's grumpy reaction to good ol' American capitalism, while Ridzik urges him to chill out. Red Heat is not bad as action comedies go, but only if you get into the absurd spirit of this predictable fare, in which the unlikely buddies get to wisecrack and act casually while mayhem erupts everywhere they go. Incidentally, Red Heat was the first American film allowed to shoot in Moscow's Red Square. --Jeff Shannon, Amazon.com
Documentary about Robert McNamara, Secretary of Defense in the Kennedy and Johnson Administrations, who subsequently became president of the World Bank.
A night unparalleled in the history of human imagination... Four friends on their way to a wedding find themselves marooned on a mysterious farm. As darkness descends creatures of the night awaken and the undead rise as a night of relentless horror begins...
When Colonel Steve Austin (Lee Majors) barely survives the devastating crash of an experimental NASA aircraft, his shattered body is rebuilt using bionics a secret new medical technology developed for the U.S. government by Dr. Rudy Wells. Outfitted with atomic-powered bionic legs, an arm, and an eye, Austin is now ''better, stronger, faster'' than he was before. Austin's enhanced abilities are put to the test as he is sent on dangerous and covert missions for the government's OSI division, u...
Like a roller coaster ready to fly off its rails, Van Helsing rockets to maximum velocity and never slows down. Having earned blockbuster clout with The Mummy and The Mummy Returns, writer-director Stephen Sommers once again plunders Universal's monster vault and pulls out all the stops for this mammoth $148-million action-adventure-horror-comedy, which opens (sans credits) with a terrific black-and-white prologue that pays homage to the Universal horror classics that inspired it. The plot pits legendary vampire hunter Van Helsing (Hugh Jackman) against Dracula (the deliciously campy Richard Roxburgh), his deadly blood-sucking brides, and the Wolfman (Will Kemp) in a two-hour parade of outstanding special effects (980 in all) that turn Sommers' juvenile plot into a triple-overtime bonus for CGI animators. In alliance with a Transylvanian princess (Kate Beckinsale) and the Frankenstein monster (Shuler Hensley), Van Helsing must prevent Dracula from hatching his bat-winged progeny, and there's so much good-humored action that you're guaranteed to be thrilled and exhausted by the time the 10-minute end-credits roll. It's loud, obnoxious, filled with revisionist horror folklore, and aimed at addicted gamers and eight-year-olds, but this colossal monster mash (including Mr. Hyde, just for kicks) will never, ever bore you. A sequel is virtually guaranteed. --Jeff Shannon
Drawing from Andrei Tarkovsky's heady science fiction meditation Solaris by way of Alien and Hellraiser, this visually splendid but pulpy piece of science fiction schlock concerns a mission in the year 2047 to investigate the experimental American spaceship Event Horizon, which disappeared seven years previously and suddenly, out of nowhere, reappeared in the orbit of Neptune. Laurence Fishburne stars as mission commander Captain Miller and Sam Neill is Dr Weir, the scientist who designed the mystery ship. Miller's T-shirt-and army-green-clad crew of smart-talking pros finds a ship dead and deserted, but further investigations turn up blood, corpses, dismembered body parts, and a decidedly unearthly presence. It turns out that the ship is really a space-age haunted house where spooky (and obviously impossible) visions lure each of the crew members into situations they should know better than to enter. The ship is gorgeously designed, borrowing from the dark, organic look of Alien and adding the menacing touch of teeth sprouting from bulwark doors and clawlike spikes inexplicably shooting out of the engine room floor. Unfortunately the film is not nearly as inventive as the production design--it turns into a woefully inconsistent psychic monster movie that sacrifices mood for tepid shocks--but the special effects are topnotch, and ultimately the movie has a trashy B movie charm about it. --Sean Axmaker
John, an ambitious young copper, is sent undercover into the hardcore football gangs to track down the 'generals' - the shadowy figures who orchestrate the violence. Gradually, the hard drinking, hard fighting macho world proves irresistable and John slowly finds himself turning into one of the thugs he has been sent to destroy.
The Driller Killer is one of the most notorious flims ever. It almost single-handedly spawned the media ""video nasty"" hysteria of 1984 and the introduction of the video recordings act. It is also the film that launched the career and reputation of critically acclaimed director Abel Ferrara. Away from the hysteria The Driller Killer is a powerful and compelling story of one man's descent into madness and violence. Reno is a struggling artist close to breaking point. The loud punk
Inspector George Gently is one of the few good men at Scotland Yard his sense of public duty an increasingly rare commodity in a police force where corruption is rife and unchecked. But his relentless pursuit of notorious gangsters such as Joe Webster (Phil Davis Bleak House) leads to the murder of Gently's beloved wife Isabella a killing arranged by Webster himself in an act of revenge upon Gently. When a grieving Gently learns of the murder of a young biker Johnny Lister (Christian Cooke Where The Heart Is) who was part of a Northumberland drugs ring it has all the hallmarks of a Webster operation and he insists on being given the case deciding it will be his last...
What could be better than The Three Musketeers? D'Artagnan (Michael York) has become a Musketeer. Protestants hold La Rochelle and the Queen loves Buckingham who'll soon send ships to support the rebels. Richelieu enlists Rochefort (Christopher Lee) to kidnap Constance (Raquel Welch) the Queen's go-between and D'Artagnan's love. The Cardinal (Charlton Heston) uses the wily amoral Milady de Winter (Faye Dunaway) to distract D'Artagnan. But soon she is D'Artagnan's sworn e
Sinister and with a touch of the macabre, Tales of the Unexpected holds, at its heart, a core of black humour that makes each story both compelling and surprising, with a twist in each tale that delighted audiences throughout the country. Although Roald Dahl is best known for his children's books, his most famous and sinister adult creation was Tales of the Unexpected. Adapting works from Dahl himself, Patricia Highsmith, Ruth Rendell and a host of other celebrated writers, this highly acclaimed series ran for an impressive nine years from its first transmission on ITV in 1979. Its iconic title sequence and haunting theme tune (from prolific TV composer Ron Grainer) ensured that Tales of the Unexpected was memorable viewing. The series attracted an astonishing array of guest stars: Oscar winners Sir John Gielgud and José Ferrer, Ian Holm, Joan Collins, Sir John Mills, Peter Bowles, Derek Jacobi, Sian Phillips, Denholm Elliott, Zoe Wanamaker, Joss Ackland and Brian Blessed are just a few of the names to feature in its illustrious cast. Sometimes gory, but always surprising, the stories all have a twist to entertain and often shock the viewer. This set contains every episode of Tales of the Unexpected, originally transmitted between 1979 and 1988.
An American family moves into a spooky manor house located within a wooded area in the English countryside. Before long they start to see some odd things like mirrors that don't reflect and the ghost of a blindfolded girl. The new tenants learn that 30 years ago a teenage girl who bears an uncanny resemblance to their daughter Jan disappeared nearby. Soon the supernatural presence starts contacting both sisters.
Five criminals find themselves parachuting, with their ill-gotten goods into an abandoned cemetery. But this bone-yard is guarded by some nasty scarecrows, and they aren't made of straw ..
The final episode of the acclaimed series joins the employees of Reynholm Industries as they turn it off and on again for one last time. An accident involving spilt coffee, a tiny barista and a van with breasts leads to Roy (Chris O' Dowd) and Jen (Katherine Parkinson) being shamed on the internet. Suddenly, their reputations and that of Reynholm Industries are at risk, and everything they do only makes it worse. Can Jen and Roy restore their good names? Will a newly confident Moss (Richard Ayoade) be able to help? How will Douglas (Matt Berry) fare on Secret Millionaire'? Will a hastily-drawn chart be the key that saves the day? No, no, badly, no.
Set on one block of Brooklyn's Bed-Stuy Do or Die neighbourhood, at the height of summer, this 1989 masterpiece by Spike Lee (BlacKkKlansman) confirmed him as a writer and filmmaker of peerless vision and passionate social engagement. Over the course of a single day, the easy-going interactions of a cast of unforgettable characters Da Mayor, Mother Sister, Mister Señor Love Daddy, Tina, Sweet Dick Willie, Buggin Out, Radio Raheem, Sal, Pino, Vito, and Lee's Mookie among them give way to heated confrontations as tensions rise along racial fault lines, ultimately exploding into violence. Punctuated by the anthemic refrain of Public Enemy's Fight the Power, Do the Right Thing is a landmark in American cinema, as politically and emotionally charged and as relevant now as when it first hit the big screen.
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
The original Creature from the Black Lagoon is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Creature from the Black Lagoon: Complete Legacy Collection includes all 3 films from the original legacy including the gripping classic and the sequels that followed. These landmark motion pictures perfectly blended Universal's classic monster heritage with the science-fiction explosion of the 1950s and continue to inspire remakes and adaptations that strengthen the legend of the Creature from the Black Lagoon to this day. Bonus Features: Back to the Black Lagoon Documentary 3 Feature Commentaries Production Photographs Theatrical Trailers
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