OA 7111; OPUS ARTE - BBC - Inghilterra; Classica Lirica
Some people don't give a damn about your daughter's welfare.... Broderick Crawford takes the role of Augusto in this finely sculpted drama about an ageing con man and his two young sidekicks Roberto and Picasso who swindle the local's out of their money. But Augusto's young accomplices have dreams dreams that are far removed from the lives they lead now. Augusto however still sees his future as a petty theif swindling enough to pay for his nightlife and a better lifestyle. Little could he know though that his own existance would take an unexpected twist as he accidentally bumps into his daughter someone he hasn't seen for some time and who he discovers is having a tough time trying to make ends meet to finish her studies. Surprisingly he finds his attitude changing as it becomes apparent that for the first time in his life his daughter needs his help and maybe he can do something for someone else! In the absence of his partners in crime he joins another group of swindlers but events turn sour and his new partners prove less than charitable toward Augusto when their money goes missing and in retribution leave him a broken and beaten man....
While other films directed by Nicolas Roeg have attained similar cult status (including Walkabout and Don't Look Now), none has been as hotly debated as this languid but oddly fascinating adaptation of the science fiction novel by Walter Tevis. In The Man Who Fell to Earth, David Bowie plays the alien of the title, who arrives on Earth with hopes of finding a way to save his own planet from turning into an arid wasteland. He funds this effort by capitalising on several highly lucrative inventions, and in so doing becomes the powerful leader of an international corporate conglomerate. But his success has negative consequences as well--his contact with Earth has a disintegrating effect that sends him into a tailspin of disorientation and metaphysical despair. The sexual attention of a cheerful young woman (Candy Clark) doesn't do much to change his outlook, and his introduction to liquor proves even more devastating, until, finally, it looks as though his visit to Earth may be a permanent one. The Man Who Fell to Earth is definitely not for every taste--it's a highly contemplative, primarily visual experience that Roeg directs as an abstract treatise on (among other things) the alienating effects of an over-commercialised society. Stimulating and hypnotic or frightfully dull, depending on your receptivity to its loosely knit ideas, it's at least in part about not belonging, about being disconnected from the world--about being a stranger in a strange land when there's really no place like home. --Jeff Shannon.
In Fellini's sardonically humorous yet powerfully dramatic 'Il Bidone' three small-time crooks impersonate priests in Rome to con poor people out of their money. Academy Award-winner Broderick Crawford is extraordinary as the group's world-weary leader whose chance meeting with his daughter opens his eyes to his wrongdoing. Too late he suffers a crisis of conscience in this absorbing tale of hope desperation and finally redemption. One of Fellini's most realistic films 'Il Bido
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