Cover Girl was one of the big hits of Rita Hayworth's run as movie queen (and World War II pinup girl), a splashy musical geared to the talents of its redheaded star. Be warned: this is the kind of movie in which a single magazine cover turns an unknown dancer into the toast of her own Broadway show, virtually overnight. The corn runs high, but so do the spirits; plus, Eve Arden is around to toss in her trademark one-liners. Gene Kelly, as Hayworth's sulky choreographer and part-time boyfriend, stops the movie cold with his brilliant dance alongside his own reflection. The Jerome Kern-Ira Gershwin songs are middling, except for the lovely "Long Ago and Far Away". One number presents a parade of magazine cover girls come to life (great snapshot of an era). And check out the movie's hats: a parade of insane creations, perched uncertainly on many beautiful women's heads. --Robert Horton
Matt Masters (John Wayne) is a circus owner who has to start from scratch when his ship sinks in the Barcelona harbour. Starting up a Wild West act he takes under his wing Toni Alfredo (Claudio Cardinale) a trapeze artist whose mother Lili (Rita Hayworth) has abandoned her. Seeking Lili out in a Hamburg bar Masters obtains her a job in the circus anonymously so that she can get to know her daughter.
Cary Grant, Jean Arthur and Rita Hayworth star in this classic drama directed by Howard Hawks. As the San Luis ship docks into the port of Barranca to deliver supplies, cabaret singer Bonnie Lee (Arthur) seizes the opportunity to take a look around. While exploring the town she meets a group of American pilots who risk their lives on a daily basis to fly cargo planes over the Andes. As Bonnie gets to know pilot Geoff (Grant) and sparks between them fly, Geoff faces the difficult decision of whether to commit to his new love, giving up his one passion in life: his job.
After his wife discovers a telltale diamond bracelet impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in the middle of the boss's scheme. Army conscription offers Robert the perfect escape from his troubles - or does it?
In this lavish Hollywood musical the headstrong daughter (Hayworth) of a powerful Argentine hotelier has to contend with her father's attempts to get her to marry...
Rita Hayworth Academy Award winner Gene Kelly Phil Silvers and Eve Arden star in this lavishly produced musical about a nightclub dancer from Brooklyn who leaves her sweetheart after winning a Cover Girl contest - only to learn that fame and fortune are no substitute for true love. Rusty Parker is a chorus girl at a nightclub run by her sweetheart Danny McGuire. Driven by ambition she enters a ""Cover Girl"" contest. When Coudair the magazine's publisher discovers that she is the
Orson Welles' delirious and inventive film noir classic is a dazzling cinematic jigsaw puzzle. Welles plays a sailor who rescues a young woman (played by his real-life ex-wife Rita Hayworth) from a violent assault only to fall under her spell Extras 4K restoration from the original nitrate negative Original mono audio Audio commentary with filmmaker and Welles expert Peter Bogdanovich Simon Callow on 'The Lady from Shanghai' (2017, 22 mins): a new filmed appreciation by the acclaimed actor and Welles scholar An Interview with Rita Hayworth (1970, 4 mins): an archival interview filmed for the French TV programme Pour le cinéma A Discussion with Peter Bogdanovich (2000, 21 mins): the renowned filmmaker and author talks about Welles and The Lady from Shanghai Joe Dante trailer commentary (2013, 3 mins): a short critical appreciation Original theatrical trailer Image gallery New and improved English subtitles for the deaf and hard-of-hearing
Gilda, are you decent? RITA HAYWORTH (The Lady from Shanghai) tosses her hair back and slyly responds, Me? in one of the great star entrances in movie history. Gilda, directed by CHARLES VIDOR (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory's GEORGE MACREADY), as well as the former flame of his bitter henchman (3:10 to Yuma's GLENN FORD), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino's glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. BLU-RAY SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2010 by film critic Richard Schickel New interview with film noir historian Eddie Muller Appreciation of Gilda from 2010 featuring filmmakers Martin Scorsese and Baz Luhrmann Rita Hayworth: The Columbia Lady, a 2000 featurette on Hayworth's career as an actor and dancer Trailer PLUS: An essay by critic Sheila O'Malley
Following his immortal collaborations with Ginger Rogers and Eleanor Powell, Fred Astaire was paired with an up-and-coming Rita Hayworth for You'll Never Get Rich, a brilliant musical comedy with songs by Cole Porter. When womanising impresario Martin (Robert Benchley, Foreign Correspondent) tasks choreographer Robert (Astaire, Top Hat) with helping him woo headstrong dancer Sheila (Hayworth, The Lady from Shanghai), a series of comic misunderstandings involving Martin's wife (Frieda Inescort, Pride and Prejudice) and Sheila's fiancé (John Hubbard, Bullfighter and the Lady) results in Robert running away to join the Army... for his own safety! Directed by Sidney Lanfield (The Hound of the Baskervilles), You'll Never Get Rich was credited with reviving Astaire's career and elevating Hayworth to stardom. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remasterOriginal mono audioAudio commentary with film historian Peter Tonguette (2024)Christina Newland on Rita Hayworth (2024): the critic and writer discusses the career of the iconic performerFred Astaire's Approach to Filmmaking (1985): archival audio recording of a lecture delivered by John Mueller, author of Astaire Dancing: The Films of Fred Astaire, at the National Film Theatre, LondonSuper 8 version: cut-down home cinema presentationOriginal theatrical trailerImage gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearingLimited edition exclusive booklet with a new essay by Rick Burin, an archival interview with Rita Hayworth, extracts from an archival profile of Fred Astaire, an overview of contemporary critical responses, and film creditsUK premiere on Blu-rayLimited edition of 3,000 copies for the UK All extras subject to change
Hands down, Only Angels Have Wings is one of the most buoyantly entertaining movies in the American cinema. It is also a razor-sharp example of the action-oriented films of Howard Hawks, the wide-ranging auteur who would go on to make To Have and Have Not and Red River. This one is set in Barranca, a South American port city swathed in perpetual night fog, where a band of mail pilots struggle daily to get their planes through a treacherous mountain pass. They don't care about the mail so much as they live by the rules of adventure, professionalism and friendly rivalry. Cary Grant is the leader of this daredevil group, a man who won't be pinned down to anything except his own code of stoicism. ("I don't believe in laying in a supply of anything" he says, which may be why he's always asking people for matches to light his cigarettes.) His cool style is tested by the arrival of a wisecracking blonde (Jean Arthur) and an ex-mistress (Rita Hayworth); Rita's now married to a pilot (Richard Barthelmess), disgraced by a single act of cowardice. Hawks always got great mileage from throwing a bunch of colourful characters together in an enclosed space, where death could strike in a moment. The great secret about Hawks is that although his feel for action was crackling, he was really more interested in the way people exchanged sidelong glances or lit each other's cigarettes--there's a lot of both in Only Angels Have Wings. --Robert Horton
Delbert Mann's 1958 classic MGM drama Separate Tables, based on a Terence Rattigan play and co-scripted by Rattigan himself, is a star-studded character study of a group of residents at a small British seaside town. Lovely but vulnerable Anne Shankland (Rita Hayworth) travels to the hotel in hopes of starting over with her ex-husband, John (Burt Lancaster), but she does not know that he is already engaged to Pat Cooper (Wendy Hiller), the manager of the hotel. Meanwhile, Mrs Railton-bell (Gladys Cooper) discovers the hidden truth about war veteran Major Pollack (David Niven). Considered daring in its day due to its frank discussions of sexual topics, Separate Tables was nominated for seven Academy Awards, and won for Best Actor (David Niven) and Best Supporting Actress (Wendy Hiller). Special features: Other extras TBC Fully illustrated booklet with new writing on the film and full film credits
Matt Masters (John Wayne) is a circus owner who has to start from scratch when his ship sinks in the Barcelona harbour. Starting up a Wild West act he takes under his wing Toni Alfredo (Claudio Cardinale) a trapeze artist whose mother Lili (Rita Hayworth) has abandoned her. Seeking Lili out in a Hamburg bar Masters obtains her a job in the circus anonymously so that she can get to know her daughter.
One of the greatest music and dance stars in the history of motion pictures Fred rose from a fairly inauspicious start where a studio exec remarked: ""Can't sing. Can't act. Slightly balding. Can dance a little."" Well his career and achievements speak for themselves. A remarkable talent this box set features 4 of his most-loved films. You'll Never Get Rich (Dir. Sidney Lanfield 1941): After his wife discovers a telltale diamond bracelet impresario Martin Cortland tries to
To save his mother and little sister from a life of poverty in the slums of Seville, Juan Gallardo (Tyrone Power) seeks fame and fortune in the brutal bullring as a matador. He marries his childhood sweetheart (Linda Darnell) and fights his way to glory as Spain's greatest bullfighter. Gallardo's fame, however, attracts the attention of a stunningly beautiful, hot-blooded aristocrat (Rita Hayworth). She decides she wants him - and now Gallardo faces both death in the bullring and self-destruction in the arms of a fickle temptress... Blood and Sand won a well-deserved Oscar for its lush and unforgettable colour cinematography. The film has now been digitally restored and remastered for this, its first ever UK DVD release. Special Features: Digitally Remastered Picture and Sound Audio Commentary by Richard Crudo Stills Gallery Collectors Booklet
Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making The Lady from Shanghai by grabbing the title from a nearby paperback. In any case, this is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations both on and off-screen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. --Tom Keogh
Gilda, are you decent? RITA HAYWORTH (The Lady from Shanghai) tosses her hair back and slyly responds, Me? in one of the great star entrances in movie history. Gilda, directed by CHARLES VIDOR (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory's GEORGE MACREADY), as well as the former flame of his bitter henchman (3:10 to Yuma's GLENN FORD), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino's glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. Special Features: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2010 by film critic Richard Schickel New interview with film noir historian Eddie Muller Appreciation of Gilda from 2010 featuring filmmakers Martin Scorsese and Baz Luhrmann Rita Hayworth: The Columbia Lady, a 2000 featurette on Hayworth's career as an actor and dancer Trailer PLUS: An essay by critic Sheila O'Malley Click Images to Enlarge
This is the film version of Terence Rattigan's 1955 West end theatre production. Major Pollack (David Niven) is a retired officer who likes to wax eloquent about fanciful acts of heroism in WWII North Africa and Sybil Railton-Bell (Deborah Kerr) is a repressed spinster boxed in by an oppressive mother (Gladys Cooper). John Malcolm (Burt Lancaster) a cynical hard-drinking occasional writer is surprised by the sudden arrival of his ex-wife Ann (Rita Hayworth). Though Ann's legenda
Killer sharks and human jellyfish and living mummies, oh my! Arrow Video is proud to present the first ever collection of works by William Wild Bill Grefé, the maverick filmmaker who braved the deep, dark depths of the Florida everglades to deliver some of the most outrageous exploitation fare ever to go-go dance its way across drive-in screens. Bringing together seven of Grefé's most outlandish features, all new to Blu-ray, He Came from the Swamp: The William Grefé Collection packs in a macabre menagerie of demented jellyfish men (Sting of Death), zombified witch doctors (Death Curse of Tartu), homicidal hippies (The Hooked Generation) and seductive matrons (The Naked Zoo) not to mention the ubiquitous go-go dancing college kids to create one of the most wildly entertaining box-sets of all time! LIMITED EDITION CONTENTS Seven William Grefé films, all newly restored from the best surviving film elements: Sting of Death (1966), Death Curse of Tartu (1966), The Hooked Generation (1968), The Psychedelic Priest (1971), The Naked Zoo (1971), Mako: Jaws of Death (1976) and Whiskey Mountain (1977) Brand new, extended version of Ballyhoo Motion Pictures' definitive documentary They Came from the Swamp: The Films of William Grefé High Definition Blu-ray (1080p) presentations on 4 Blu-ray discs Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated collector's booklet featuring an extensive, never-before-published interview with William Grefé and a new foreword by the filmmaker Reversible poster featuring newly commissioned artwork by The Twins of Evil Reversible sleeves featuring newly commissioned artwork for each of the films by The Twins of Evil STING OF DEATH (1966) + DEATH CURSE OF TARTU (1966) Brand new introductions to the films by director William Grefé Archival audio commentaries for both films with William Grefé and filmmaker Frank Henenlotter Sting of Death: Beyond the Movie Monsters a-Go Go! a look into the history of rock 'n' roll monster movies with author/historian C. Courtney Joyner The Curious Case of Dr. Traboh: Spook Show Extraordinaire a ghoulish look into the early spook show days with monster maker Doug Hobart Original Trailers Still and Promotion Gallery THE HOOKED GENERATION (1968) + THE PSYCHEDELIC PRIEST (1971) Archival audio commentaries for both films with director William Grefé and filmmaker Frank Henenlotter Hooked Generation behind-the-scenes footage Hooked Generation Original Trailer Still and Promotion Gallery THE NAKED ZOO (1971) + MAKO: JAWS OF DEATH (1976) William Grefé's original Director's Cut of Naked Zoo Alternate Barry Mahon re-release cut of Naked Zoo Original Mako: Jaws of Death Trailer and Promo Still and Promotion Gallery WHISKEY MOUNTAIN (1977) + THEY CAME FROM THE SWAMP: EXTENDED CUT (2020) Whiskey Mountain Original Trailer Still and Promotion Gallery They Came from the Swamp: The Films of William Grefé the definitive documentary presented for the first in High-Definition and in a brand new, extended cut Extras subject to change
When Steve Emery arrives in Trinidad at the urgent request of his brother he is stunned to find that his brother has not only been murdered but that his brother's wife Chris is succumbing to the seduction attempts of the murderer. His feelings are further exacerbated when he discovers that he too is becoming strongly attracted to Chris who is a steamy cabaret singer. She in turn is playing off one against the other while betraying the secrets of both men to the police for whom she is secretly working.
Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making The Lady from Shanghai by grabbing the title from a nearby paperback. In any case, this is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations both on and off-screen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. --Tom Keogh
Please wait. Loading...
This site uses cookies.
More details in our privacy policy