The master of bebop trumpet captured live in concert.
Bout Listing: 1. Jean Silva v Vitor Ribeiro 2. Andy Costello v James Thompson 3. Melvin Manhoef v Fabio Piemonte 4. Mark Weir v Kyosuke Sasaki 5. Marcelo Azevedo v Jorge Rivera 6. Darren Little v ""Cyborg"" Santos 7. Anthony Rea v Remus Ciobnu 8. Brad Pickett v Ozzy Haluk 9. Abdul Mohamed v Alexandre Lzidro 10. Dean Bray v Jeremy Bailey
Bob Dylan turned 70 in May 2011, marking his iconic career at five decades. Yet, a true portrait of the reclusive voice of the generation has eluded Dylan fans. Through exclusive insider interviews, and never-before-seen photos and footage spanning Dylan's 50-year career, Bob Dylan Revealed offers an intimate biography of who Bob Dylan was, and who he is today.Producer Jerry Wexler and award-winning songwriter Al Kasha provide an untold account of Dylan's early days at Columbia Records in 1962. Drummer Mickey Jones chronicles the 1966 Bob Dylan and the Band electric world tour that changed Rock n' Roll forever, while soon after, Dylan used the cover of a motorcycle accident to enter drug rehab. Dylan's 1974 comeback tour is illustrated by tour photographer Barry Feinstein through his finest photos and behind-the-scenes accounts. Bob Dylan Revealed culminates with Dylan's Never Ending Tour that began in 1992 and continues to this day, as drummer Winston Watson recounts his personal journey as a warrior in Bob Dylan's Never Ending Band.
In a world of love sex race and betrayal not all suspects are created equal. On the surface it appears the Anthony (Mailon Rivera) has the perfect life - a thriving career an impressive home a lovely wife and a beautiful mistress. Underneath it all though his wife (Kristen Shaw) has become increasingly distant his mistress (Debra Wilson) is becoming increasingly psychotic and his best friend Michael (Steve White) accuses him of being a sellout. When Michael and his sex
Valentina (Nieves Navarro a.k.a. Susan Scott) a fashion model agrees to try a new hallucenogenic drug as part of a publicity stunt. Under the influence of the drug she has a vision of a woman being violently attacked by a man with a viscious spiked glove. When her story is published by the newspapers Valentina finds herself being stalked by the killer from her dream. But that is only the beginning of her descent into hell. Death Walks At Midnight is a gorgeously stylised thrill
In the dead of the night a lone soldier runs for his life. In a blind panic he stumbles and falls. His pursuers move in for the kill. No mercy. But this isn't war it's murder... a U.S. Soldier gunned down by his own for breaking the rules. Shipped to the military's Fort Chaney to investigate the killing undercover specialist John Murphy (Antonio Sabato Jr.) masquerades as a new recruit and joins an elite squad under the command of Colonel Straus (James Remar). It's not long before Murphy realises it's the fanatical Straus and his platoon who are judge jury and executioner in the trial of any soldier who steps out of line. But just as he's about to make the bust Murphy's cover is blown. For his betrayal he's sentenced to death by Straus and on the run knows he must kill or be killed...
By the marginal-or-miss standards of British TV spin-offs, Ali G in da House is well above adequate, even though it drags out every smart line or decent routine until they lie dead on the screen just begging for a laugh track. The film pulls back a bit from the absolute obnoxiousness of the Ali G TV skits, which makes Sacha Baron Cohen's character bearable at feature length, but also significantly less funny. Here it is finally confirmed that Ali is a weedy white kid called Alistair who pretends to be Jamaican, rather than a weedy white comedian doing a Jamaican character. Believe it or not, there's actually a plot, with a scheming Chancellor of the Exchequer (Charles Dance) recruiting Ali as a parliamentary candidate for Staines in a devious attempt to unseat Prime Minister Michael Gambon. Yet this framework is really an excuse for the sketch-like bits, such as a Los Angeles ghetto movie fantasy, Ali G addressing a meeting of lesbian feminists ("I've seen a lot of your videos"), and Charles Dance forced to read a budget speech in Ali G speak. Oddly, the film makes early-1990s jokes about Tories rather than going after New Labour, but any political satire here comes in second to knob-polishing jokes and sometimes-hilarious patter. Luckless inhabitants of the M4 corridor will nod ruefully at the final gag, in which Ali G persuades the PM not to devastate Staines and nods agreement as Gambon reassures him, "it's all right, we'll destroy Slough instead". --Kim Newman
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