"Actor: Rob Brown"

  • The Astounding She Monster (Region 2)The Astounding She Monster (Region 2) | DVD | (09/10/2009) from £19.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

  • Goodbye Bruce Lee - His Last Game Of Death [1975]Goodbye Bruce Lee - His Last Game Of Death | DVD | (21/01/2002) from £6.24   |  Saving you £9.75 (156.25%)   |  RRP £15.99

    This film of the legendary martial arts expert and actor Bruce Lee became a huge theatrical hit breaking the house record at the Cinecenta London. Starring Bruce Lee's great friend basketball star Kareem Abdul-Jabbar Bruce Lee look-alike Bruce Li Lee Roy Lung Ronald Brown 'Big Jonny' Floyd and Mun Ping 'Goodbye Bruce Lee - His Last Game of Death' is based on the making of 'The Game of Death' the film Bruce Lee started but put on hold to star in 'Enter the Dragon'. Soon aft

  • Abominable Snowman, The / X The Unknown [1956]Abominable Snowman, The / X The Unknown | DVD | (08/03/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £23.99

    A double bill of vintage horrors from Hammer Studio: Val Guest directs Nigel Kneale's script of The Abominable Snowman (1957) while Leslie Norman directs Jimmy Sangster's Quatermass-inspired X The Unknown (1956).

  • Don't Turn Out The Light [1987]Don't Turn Out The Light | DVD | (06/10/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

    A gripping story unfolds after a cop accidentally shoots a hostage and sees his partner killed. Tortured by guilt he leaves the area and vows to avoid firearms... a decision he will soon regret! Haunted by the past his further weakness and indecision lead to three convicts escaping transfer to a top security prison. By a cruel twist of fate the trio led by a psychopathic killer take his family hostage. Tormented by his past and his pledge to never use a gun he prepares to take on

  • Black And White [2002]Black And White | DVD | (28/06/2004) from £15.98   |  Saving you £2.00 (14.30%)   |  RRP £15.99

    Australia 1958. A nine year old white girl is found murdered in a remote cave and the local police are quick to arrest an illegitimate Aborigine by the name of Max Stuart. Under interrogation Max admits to the the killing and signs the statement that will send him to the gallows. With no Court of Appeal established in the country and a legal system compromised by intimidation tactics from institutional racism gifted but naive lawyers David O'Sullivan (Carlyle) and Helen Devaney (

  • The Stranger [1946]The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

    The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

  • Peter Cushing - The Peter Cushing CollectionPeter Cushing - The Peter Cushing Collection | DVD | (13/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £29.99

    This terrific box set features a profusion of Peter Cushing-led horror films. The Abominable Snowman (Dir. Val Guest 1957): The final film collaboration between director Val Guest and writer Nigel Kneale. Starring Forrest Tucker and Peter Cushing The Abominable Snowman tells of an expedition to the Himalayas to track down the mythical Yeti. A wonderfully atmospheric chiller from the heyday of the Hammer Studios. Island of Terror (Dir. Terence Fisher 1966): When oh when will scientists learn to stop playing with radiation? Island of Terror takes place on a remote island off the coast of Ireland. No phones no regular transport to and from the mainland but there is a well-equipped cancer research center where the well intentioned - but foolish! - scientists are irradiating lumps of tissue. The local constable finds a body with no bones in it ('No bones?' 'No bones!') and soon a team from London led by the ever-game Peter Cushing arrives to investigate. Let's hope that darned generator doesn't give out... Island of Terror isn't going to keep you awake at night but it is a lot of silly fun. Be warned though - whatever the evil menace is it can climb trees! The Blood Beast Terror (Dir. Vernon Sewell 1968): A Victorian English entomologist whose daughter happens to be a giant moth moves with her to a quiet village where he can begin work on an insect mate for her. His family problems worsen when his winged daughter starts killing people and drinking their blood. Frankenstein and the Monster from Hell (Dir. Terence Fisher 1974): Doctor Helder (Briant) is sent to an asylum for experimenting on cadavers. There he is rescued by Doctor Carl Victor (Cushing) the original Doctor Frankenstein now living under a new identity who learns that a new monster is set to walk the earth...

  • Cinema Collection - Vol. 3Cinema Collection - Vol. 3 | DVD | (27/06/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

    Features eight movies. In 'Take Out The Beast' two men returning home in a cosmic station are ordered to kill the biorobot that is accompanying them. Unfortunately for them the robot is more human than they think... Also features: 'Under The Car' 'On Hope' 'Override' 'Present Tense Past Perfect' 'Evening Class' 'Peacock Blues' and 'Partners'.

  • Edward G. Robinson - Scarlet Street / The Stranger [1946]Edward G. Robinson - Scarlet Street / The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

    In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp

  • Gambler [Blu-ray] [1980] [US Import]Gambler | Blu Ray | (05/11/2013) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  • Closer [DVD] [2004]Closer | DVD | (06/06/2005) from £9.99   |  Saving you £5.00 (50.05%)   |  RRP £14.99

    Are humans meant to mate for life - What drives someone in a perfectly good relationship to cheat and risk losing the one that they love and that loves them - Is it possible to love more than one person at the same time - How well does anyone really know the one that they love. Directed by Mike Nichols (THE GRADUATE, BIRDCAGE, WORKING GIRL), CLOSER questions the nature of relationships and fidelity as it follows the tangled web created by Dan (Jude Law), Alice (Natalie Portman), Anna (Julia Roberts), and Larry (Clive Owen). Dan, a British writer of obituaries, and Alice, a young American stripper, meet in the film's opening scene when a London cab runs her down. Cut to a year later: Dan and Alice are now a couple, but he is suddenly smitten with Anna, a beautiful American photographer. In an ironic twist of fate, Anna meets Larry, a British doctor, and they are soon a couple, despite Dan's continuing obsession. But the entanglements don't end there, and ultimately, someone is sure to get hurt. The four players do justice to a script that is humorous, raw and disarmingly honest about adult relationships.

  • 50 First Dates [UMD Universal Media Disc] [2004]50 First Dates | UMD | (08/05/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  • Bullitt (Deluxe Series) [1968]Bullitt (Deluxe Series) | DVD | (12/08/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £49.99

    San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon

  • The Stranger [1946]The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

    The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

  • She's the Man/Bring It on/Take the LeadShe's the Man/Bring It on/Take the Lead | DVD | (22/10/2007) from £23.45   |  Saving you £-3.46 (N/A%)   |  RRP £19.99

    This box set features the following films: She's The Man (Dir. Andy Fickman) (2006): Viola Johnson (Amanda Bynes) had her own good reasons for disguising herself as her twin brother Sebastian (James Kirk) and enrolling in his place at his new boarding school Illyria Prep. She was counting on Sebastian being AWOL from school as he tried to break into the music scene in London. What she didn't count on was falling in love with her hot roommate Duke (Channing Tatum) who in turn only has eyes for the beautiful Olivia (Laura Ramsey). Making matters worse Olivia is starting to fall for Sebastian who-for reasons Olivia couldn't begin to guess-appears to be the sensitive type of guy she'd always dreamed of meeting. If things weren't complicated enough the real Sebastian has come back from London two days earlier than expected and arrives on campus having no clue that he's been replaced... by his own twin sister. Bring It on (Dir. Peyton Reed) (2000): The Toro cheerleader squad from Rancho Carne High School in San Diego has got spirit spunk sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly choreographed routines were in fact stolen from the Clovers a hip-hop squad from East Compton by the Toros' former captain. While the Toros scramble to come up with a new routine the Clovers led by squad captain Isis (Gabrielle Union) have their own problems coming up with enough money to cover their travel expenses to the championships. With time running out and the pressure mounting both captains drive their squads to the point of exhaustion: Torrance hell bent on saving the Toros' reputation and Isis more determined than ever to see that the Clovers finally get the recognition they deserve. But only one team can bring home the title so may the best moves win... Take The Lead (Dir. Liz Friedlander) (2006): Pierre Dulaine is a Manhattan ballroom teacher and competitor who volunteers his time to teach ballroom dancing to a group of New York inner city high school kids. Initially forced to participate as a form of detention the kids reject Mr. Dulaine's efforts until his unwavering commitment and dedication finally inspires them to embrace the program infusing it with their own unique hip-hop style while subconsciously learning valuable life lessons about pride respect self-esteem and honour.

  • The Endless Summer [1964]The Endless Summer | DVD | (26/01/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

    The definitive surf movie, this 1966 documentary by Bruce Brown is beautifully shot and thrilling to see in its portrait of youthful freedom on the world's shores. Brown followed two surfers around the globe in their quest for the perfect wave, finding it eventually on a remote beach far from home. The narration by "Big Kahuna Brown" cuts through the reverence a bit, being cheeky in tone. --Tom Keogh, Amazon.com

  • Devious Beings [2002]Devious Beings | DVD | (29/03/2010) from £10.78   |  Saving you £-0.79 (N/A%)   |  RRP £9.99

    Casey. Arrow. Jackson. They've been buddies since they were kids. They're the rave crowd who can get any illicit drug for the right price. No way these guys could get played right? Wrong. When their latest deal goes south their entire world may go up in smoke. They're up against the wall and they're running out of options. In the tradition of Go and Pulp Fiction Devious Beings is a wild ride you'll never forget.

  • The Stranger [1946]The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

    The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

  • Cinema Collection - Vol. 3Cinema Collection - Vol. 3 | DVD | (27/06/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £7.99

    Experience an amazing collection of Academy Award winning and Academy Award nominated features compiled in one box!

  • Special NeedsSpecial Needs | DVD | (02/04/2007) from £2.80   |  Saving you £11.45 (743.51%)   |  RRP £12.99

    Shot in New Zealand Finland Sweden USA Norway Canada Austria and Swirzerland this DVD features the most reknowned snowboarders around ; and they really push back the boundaries of possibility. The riders undertake such challenges as the Arctic Challenge Skating the Battle Ice Race and Base Jumping.

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