WE HAVE SUCH SIGHTS TO SHOW YOU! In 1987, master of horror Clive Barker unleashed Hellraiser upon unsuspecting audiences launching what has proven to be one of the genre s most enduring franchises and creating an instant horror icon in the figure of Pinhead in the process. In Barker s original Hellraiser, Kirsty Cotton (Ashley Laurence) comes head-to-head with the Cenobites demonic beings from another realm who are summoned by way of a mysterious puzzle box. Picking up immediately after the events of the original Hellraiser, Hellbound: Hellraiser II finds Kirsty detained at a psychiatric institute and under the care of Dr. Channard, a man with an unhealthy interest in the occult. Meanwhile, Hellraiser III: Hell on Earth sees Pinhead and his band of Cenobites let loose in our own world, with terrifying consequences.
Dr. Peter Brady (Tim Turner) is a brilliant English scientist who working with the principles that govern the reflection of light has developed a theory that every form of matter can be reduced to invisibility just as a jellyfish becomes invisible in water. During an accident in the laboratory Brady himself becomes invisible but his experiments have not yet gone far enough for him to reverse the process and regain visibility!
John Cusack (The Frozen Ground 2012) is Detective Mike Fletcher a cop who is on the trail of a serial killer prowling the streets of Buffalo N.Y. Working with his partner Kelsey Walker (Jennifer Carpenter - Dexter) Mike becomes increasingly obsessed with finding the savage killer. However with no leads the case is under threat of being shut down. Mike risks being left powerless struggling to accept the killer may escape justice free to slaughter again. But when his own teenage daughter disappears he drops any professional restraint in pursuit of the killer. Just like the others Mike knows only too well that if he doesn’t find her in 48 hours he probably never will.
Sylvester Stallone stars as Barney Ross, leader of The Expendables, a tight-knit team of skilled combat vets turned mercenaries. Hired by a powerful covert operator, the team jets off to a small South American country to overthrow a ruthless dictator. Once there, they find themselves caught in a deadly web of deceit and betrayal. Using every weapon at their disposal, they set out to save the innocent and punish the guilty in this blistering action-packed thriller. Disc 1 4K Ultra HD (Movie Only) AUDIO COMMENTARY WITH DIRECTOR SYLVESTER STALLONE BONUSVIEW⢠- THE EXPENDABLES: ULTIMATE RECON MODE FROM THE ASHES: POST PRODUCTION DOCUMENTARY Disc 2 Blu-Ray (Movie + Special Features) DELETED SCENE GAG REEL MARKETING ARCHIVE
Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon
Set in 1797 at the beginning of the Napoleonic Wars, HMS Defiant is an enthralling British naval drama made to capitalise upon MGM's epic remake of Mutiny on the Bounty, also released in 1962. Based on the novel Mutiny by Frank Tilsey and starring Alex Guinness as a fair-minded captain locked in psychological conflict with Dirk Bogarde, his manipulative, coldly malicious first officer, the parallels with the famous true story are clear. However there were many naval mutinies at this period and this large-scale saga, which includes some spectacularly staged widescreen naval battles, offers a realistic depiction of life in the British navy at the time--from the press gangs and floggings, to the appalling food and living conditions. Director Lewis Gilbert--who previously helmed Sink the Bismarck! (1960)--strikes a good balance between the personal drama and sweeping maritime adventure. Guinness successfully varies his firm-but-fair officer from The Bridge on the River Kwai, Bogarde is chillingly hateful and Anthony Quayle gives strong support. ITV's recent Hornblower cumulatively offers a more detailed portrait of the British navy during the Napoleonic Wars, though the TV series cannot match the visual scale of this big-screen production. On the DVD: HMS Defiant is presented anamorphically enhanced at 2.35:1, though a little of the original CinemaScope frame is still cropped at the sides. The image is generally very good, though a handful of scenes near the end show considerable print damage and there is an inconstancy of colour grading between some shots. Grain is variable, but not generally a problem, though some unattractive "ringing" from edge enhancement is noticeable, particularly around Alex Guinness when he stands against a bright sky. The sound is in very clear mono with just occasional distortion on the music score. The disc offers the option of watching with dubbed French, German, Italian or Spanish soundtracks. The original trailer is included--under the American title of Damn the Defiant!--as are trailers for three other classic war films. The only other extra features are a small gallery of original publicity materials and three very basic filmographies. --Gary S Dalkin
Nicole and Chase live next door to each other - but are worlds apart.
An unusual adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One of the real stars of the picture is the gorgeous three-strip Technicolor photography by George J.Folsey. The West has rarely looked more colorful.
The tagline states, "Only love can bring you to your senses." Well, your senses have to be pretty dulled to love At First Sight. On paper the story--based on the writings of medical writer extraordinaire Oliver Sacks (Awakenings)--is intriguing: a blind man regains sight after surgery yet can never connect with what he sees, including a lovely new girlfriend. Indeed, maybe blind was better. From such interesting stuff (and a talented cast) comes a tepid love story and an unconvincing drama. Val Kilmer plays Virgil, a serene resort worker who plays hockey in the dark and is the best masseur this side of the Catskills. Onto his table comes Amy, a bone-weary NYC architect (Mira Sorvino) who cries the first time Virgil does his magic. Instead of a voyage into the world of blindness, Amy's first instinct is to take Virgil to an eye doctor who can restore sight (Bruce Davison). Virgil receives sight, crumbling the trust between him and Amy. The clichés start building up and by the time Amy is wooed by her ex-husband (Steven Weber), her boss no less, one's patience wears thin. The medical curiosities of the story--Virgil can see an item but can't grasp what it is until he touches it--do not translate well on screen. The film's liveliest character is Nathan Lane as a teacher of the blind. A scene with Virgil that gets to the heart of his ailment is so filled with spontaneity, one wonders if it was scripted or simply Lane's own extemporaneous dialogue. After an admirable start as a director (Guilty by Suspicion), Oscar-winning producer Irwin Winkler has not been able to put cinematic highs or believable angst into his films (The Net, Night in the City). At First Sight may look good but it is blind where it counts. --Doug Thomas
Titles Comprise: Skew: House of Bones: Underground:
John Cusack (The Frozen Ground 2012) is Detective Mike Fletcher a cop who is on the trail of a serial killer prowling the streets of Buffalo N.Y. Working with his partner Kelsey Walker (Jennifer Carpenter - Dexter) Mike becomes increasingly obsessed with finding the savage killer. However with no leads the case is under threat of being shut down. Mike risks being left powerless struggling to accept the killer may escape justice free to slaughter again. But when his own teenage daughter disappears he drops any professional restraint in pursuit of the killer. Just like the others Mike knows only too well that if he doesn’t find her in 48 hours he probably never will.
Vengeance Valley: An unusual Western for its time Vengeance Valley gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One o
The African Queen The boozing smoking cussing captain of a tramp steamer Charlie Allnut saves prim and proper Rose Sayer after her brother is killed by German soldiers at the beginning of World War I in Africa. Many quarrels later the two set sail on the Ulonga-Bora in order to sabotage a German ship. Based on the 1935 novel by C.S. Forester the wonderful combination of Hepburn and Bogie (who won an Oscar) makes this a thoroughly enjoyable blend of comedy and adventure. Later came the book (and Clint Eastwood film) White Hunter Black Heart which chronicled screenwriter Peter Viertel's experiences observing Huston throughout the making of the picture. On Golden Pond Family tensions explode for a loving couple Ethel and Norman Thayer (Katherine Hepburn and Henry Fonda in Academy Award winning performance) at their New England summer cabin on Golden Pond. Their daughter Chelsea (Jane Fonda) has come to visit with her new lover Bill (Dabney Coleman) and his tough young son Billy (Doug McKeon). The three generations collide. But what begins as a stubborn battle of wills between Norman and Billy slowly turns into a relationship that Chelsea always wanted with her father and Norman discovers how much he has missed by denying his daughter's love. Iron Petticoat A US Air Force captain forces down a Russian MIG only to be confronted by a Russian fighter ace. The Captain is tasked with converting her to capitalism.
Hardwired (Fight Factory)
Dr. Peter Brady (Tim Turner) is a brilliant English scientist who working with the principles that govern the reflection of light has developed a theory that every form of matter can be reduced to invisibility just as a jellyfish becomes invisible in water. During an accident in the laboratory Brady himself becomes invisible but his experiments have not yet gone far enough for him to reverse the process and regain visibility!
The Exorcism Of Emily Rose What happened to Emily? Based on a true story. In 1976 the Catholic Church officially recognised the demonic possession of a German college freshman. During her exorcism the young woman died and the priest stood trial for causing her death. Academy Award nominee Laura Linney plays an attorney who defends the priest. The case reawakens her faith. (Dir. Scott Derrickson 2005) Gothika: ""Just because someone is dead doesn't mean they're gone."" A brilliant psychiatrist wakes up as a patient in the very asylum where she worked with no memory of having killed her husband.... (Dir. Mathieu Kassovitz 2003) The Grudge: American nurse Karen Davis (Sarah Michelle Gellar) living and working in Tokyo is drawn to an odd house and exposed to a mysterious supernatural curse one that locks a person in a powerful rage before claiming their life and spreading to another victim... Produced by Sam Raimi 'The Grudge' sees Sarah Michelle Gellar changing tack from her 'Buffy' guise in this superior chiller directed by Takashi Shimizu adapted from his own Japanese horror classic. (Dir. Takashi Shimizu 2004)
Dr. Peter Brady is a brilliant English scientist who working with the principles that govern the reflection of light has developed a theory that every form of matter can be reduced to invisibilty just as a jellyfish becomes invisible in water. During an accident in the laboratory Brady himself becomes invisible but his experiments have not yet gone far enough for him to reverse the process and regain visibility!
Episode titles: Secret Experiment Crisis In The Desert Behind The Mask Shadow On The Screen The Mink Coat The Locked Room Jailbreak Blind Justice Bank Raid Strange Partners Odds Against Death Picnic With Death Play To Kill Point Of Destruction Death Cell The Vanishing Evidence The Prize Flight Into Darkness
An unusual adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One of the real s
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