London, 1928. Nine years have passed and Harry Selfridge is at the pinnacle of his wealth and celebrity and enjoying the frenzy of the roaring 20s.
Sandra Bullock stars as a briliant lawyer with a sharp mind, with Hugh Grant as her handsome charming and undeniably self-absorbed millionaire boss.
From David Fincher, director of "Seven" and "Fight Club" comes this new thriller about four investigators obsessed with finding a serial killer who is terrifying the San Francisco Bay Area.
A Nightmare On Elm Street Nancy (Heather Langenkamp) is having grisly nightmares. Meanwhile her high-school friends who are having the very same dreams are being slaughtered in their sleep by the hideous fiend of their shared nightmares. When the police ignore her explanation she herself must confront the killer in his shadowy realm... From modern horror master Wes Craven comes a timeless shocker that remains the standard bearer for terror. Featuring Johnny Depp in his fi
Inspiration vs Motivation - which enhances the ability to learn more effectively? The Lesson is a darkly satirical look at education. A teacher who has dedicated his life to his students, a class of children devoid of any appreciation of his sacrifice , living in a bleak and rural decaying community - what happens if something snaps? The Lesson is the love child of Fritz Lang and Harmony Korine, combining a coming of age, deadbeat summer with a charismatic, morally ambiguous, anti-hero led main narrative. Unashamedly intellectual but deeply violent, The Lesson is a dark, painful and savagely funny psychological thriller unlike any you've seen before. Click Images to Enlarge
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
A River Runs Through It is a lyrical and nostalgic film from director Robert Redford (Quiz Show, Ordinary People), based on the popular autobiographical novel by Norman MacLean. The film chronicles two brothers' coming of age in early 20th-century Missoula, Montana, under the stern tutelage of their minister father (Tom Skerritt). He instils in them a love of fly fishing, which for one brother (Brad Pitt) becomes a lifelong passion even as he sets out to become a newspaperman and struggles with his addiction to gambling. The other brother, Norman (Craig Sheffer), dreams of exploring the world outside Missoula as he falls in love with a local girl (Emily Lloyd) who also dreams of broader horizons. Soon one brother must discover the true meaning of family loyalty when the other finds himself in deeper trouble than ever before. Redford, who also narrates the film, does a masterful job in re-creating the period and in drawing out affecting performances from his young cast. An Oscar winner for Philippe Rousselot's luminescent cinematography, this is a poignant and special film. --Robert Lane, Amazon.com
From David Fincher, director of "Seven" and "Fight Club" comes this new thriller about four investigators obsessed with finding a serial killer who is terrifying the San Francisco Bay Area.
Michael Faraday (Jeff Bridges) and his 10 year old son Grant (Spencer Treat Clark) are both trying to come to terms with the loss two years earlier of Michael's wife Grant's mother. When they befriend a family from across the road things seem to get a little better for them. However as the families become closer Michael starts having misgivings about Oliver and Cheryl Lang (Tim Robbins Joan Cusack) and begins investigating them. He soon realises that the Langs are definitely no
A tale of intrigue adventure and romance. This enchanting BBC dramatization captures the spirit and wit of Austen's classic novel Northanger Abbey. The setting is eighteenth-century Bath a society of decadence and deceit into which Catherine Morland arrives bursting with freshness integrity and a passion for macabre Gothic novels. In a time when materialism not love governs marriage Catherine's head is full of fantasy and fiction of maidens being abducted to sinister c
From David Fincher, director of "Seven" and "Fight Club" comes this new thriller about four investigators obsessed with finding a serial killer who is terrifying the San Francisco Bay Area.
Steven Seagal needed a new approach to his standard head-busting heroics, so he teamed up with Keenen Ivory Wayans for this routine 1996 action flick. This time stone-faced Steve plays Los Angeles homicide detective Jack Cole, newly transplanted from New York and teamed up with Jim Campbell (Wayans). They're assigned to track down "The Family Man," a serial killer who earned his nickname by crucifying entire families and leaving religious graffiti as his calling card. The case heats up when the latest victim turns out to be Cole's ex-wife, and Cole is considered a primary suspect. That makes Seagal get really mad--you don't want to get Seagal too upset, y'know--but he still has time to quote Buddhist wisdom and crack wise with Wayans, who plays it relatively straight as the practical half of this partnership. Glimmer Man is typical Seagal stuff all the way, with obligatory fight scenes every 10 minutes or so, but Seagal fans will enjoy it and Brian Cox makes a suitably hissable villain. --Jeff Shannon
For his part in a failed bank robbery Frank Ross has served years in prison. Now he's out and looking for the cuplrit responsible for his incarceration...
It's easy to understand why Arlington Road sat on the studio shelf for nearly a year. No, the film isn't awful; rather, it's an extremely edgy and ultimately bleak thriller that offers no clear-cut heroes or villains. In other words, Hollywood had no idea how to sell it. Director Mark Pellington's underrated directorial debut, Going All the Way, suffered the same fate, essentially because the film-maker's presentation of suburban America often shifts dramatically within the same film. Characters are usually miserable and bordering on meltdown, no situation is straightforward and things usually end badly. Arlington Road begins as an astute study of suburban paranoia. Michael Faraday (a face-pinched Jeff Bridges, who spends most of the film on the brink of tears) is a college professor who teaches American history courses on terrorism. He's been a conspiracy freak since his wife, an FBI agent, was killed during a botched raid that feels like a thinly fictionalised reference to the Waco tragedy. After saving the life of his next-door neighbour's child, he initially befriends the family (Tim Robbins and Joan Cusack), but soon believes the husband is a terrorist. The first half of the film mocks Faraday: he has no real evidence and is not the most stable of protagonists. Despite the fact that it was government paranoia that got his wife killed, Faraday repeats the same type of behaviour. Pellington shifts gears in the second half, however, and for a while, it seems that the film has simultaneously sunk into a cheap, high-octane brand of Hollywood entertainment and undermined its own point. But Arlington Road possesses a stunning ending that's a real gut punch, one that may leave you needing a second viewing to catch all of its smartly executed setup. --Dave McCoy
Comedy about Carnelle (Hunter) a sexually-loose hellraiser who enters the Miss Firecracker contest in the very old-fashioned town where she was raised Yazoo City Mississippi. Carnelle's not the usual kind of contestant -- but her cousin is a famous winner -- and Carnelle's determined to equal her no matter what the obstacles.
Three Businessmen (1998): Two lone businessmen Bennie and Frank find themselves alone one night in the dining room of a large Victorian hotel in Liverpool England. Abandoned by the staff of the weird dining room they tentatively join forces and go in search of food - in a city neither of them knows. But restaurant after restaurant fails them. Without realising their destination Bennie and Frank travel half way around the planet via public transport. Prattling on about cred
Alex Cox's Three Businessman is an existentialist fable for the independent businessman. Two travelling art dealers staying in a labyrinthine Liverpool hotel, Frank King (Alex Cox) and Bennie Reyes (Miguel Sandoval of Clear and Present Danger), sit down for dinner only to find that the hotel staff have deserted them. They begin to walk the Mersey streets in search of sustenance, talking about dogs, dinner, the "Plutonium" credit card and the state of the world. But lost without a map, they inadvertently wander half way across the world on public transport in search of their hotel, touching down in Rotterdam, Hong Kong, Japan and Spain. In a desert, they come across a third businessman, Leroy Jasper (Robert Wisdom), clutching a replica of the Mir space station. Soon after, they stumble across a food stand outside a small abode that holds within it the true object of their quest. It is a destination that they have found without looking for. This small, mannered movie grows in stature as it progresses. Sandoval and Cox are amiably crotchety travelling companions. Aided and abetted by jump cuts, the surrealist conceit that allows the businessman to roam across the world without ever realising they have left Liverpool is distinctly Bunuelian (cf. the name of Cox's production company Exterminating Angel Films). On the DVD: An amusing commentary by Alex Cox and writing partner and producer Tod Davies has the added bonus of Cox acting out deleted scenes. The feature appears in widescreen format with an excellent sound and picture transfer, enhanced by Pray for Rain's melancholic soundtrack. But the Debbie Harry and Iggy Pop promo video promised on the sleeve and liner notes does not appear anywhere on the disc. --Chris Campion
An aging King invites disaster when he abdicates to his corrupt toadying daughters and rejects his one loving but honest one... The most revered actor of the 20th century stars in 'King Lear' Shakespeare's greatest tragedy. Laurence Olivier gives an outstanding performance portraying drama's most celebrated octogenarian with spirit and pathos. This internationally acclaimed production boasts Olivier in his first appearance in a Shakespeare play filmed exclusively for television.
A trio of Julia Roberts movies featuring her Oscar-winning turn in Erin Brockovich in addition to Stepmom and My Best Friend's Wedding. Erin Brockovich: Erin Brockovich was never trained or indeed meant to work in a lawyers office. Circumstances take this down-on-her-luck twice-divorced mother of three into a legal practice. Here she discovers some legal files that don't add up... On investigation she discovers an injustice and decides against the odds to take on the bad guys on behalf of a poor and very ill community. Stepmom: ; Jackie (Susan Sarandon) is a divorced mother of two. Isabel (Julia Roberts) is the career minded girlfriend of Jackie's ex-husband Luke (Ed Harris) forced into the role of unwelcome stepmother to their children. It is the universal dilemma of the 'non-traditional family' they all love the children but the complex interplay between parents step-parents step-children ex-spouses and significant others is decidedly tricky. But when Jackie discovers she is ill both women realise they must put aside their differences to find a common ground and celebrate life to the fullest while they have the chance. My Best Friend's Wedding: Roberts dazzles as the commitment-shy Julianne Potter who suddenly realises she is in love with her best friend Michael. There's one catch...he's about to marry someone else. Now she has to win him back. And with just four days the help of her resourceful boss and the benefits of an extremely devious mind Jules will do anything to get her man...except tell him the honest truth.
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