John Lewis a computer programming genius has it all a beautiful wife a lavish home and he is on the brink of a big career move to the prestigious 'Richfield Project'. Only the creation of one more sexy CD-ROM game is required: he must perfect 'Virtual Girl'. However he soon discovers that 'Virtual Girl' is not your basic computer game. It is a fully inter-active cyber-erotic adventure featuring a seductive character called Virtuality who can transform herself into any woman she so desires. Even when she is making love she can morph herself into an unlimited number of beautiful women. This program transcends reality and John actually believes that 'Virtuality' is falling in love with him. What John doesn't know is that others have not lived to tell of their affairs with the 'Virtual Girl'...
Sex so hot, it's deadly", announces the tagline for Sexual Malice. Originally screened in 1994, this is a quintessential late-night TV movie. The well-worn plot concerns relationships inside and outside of marriage, with a twist obvious enough for the non-rocket scientists among us to have twigged well before the denouement. As for the sex scenes--there's little here that errs on the outré side of Dirty Dancing (interestingly enough, there's a secondary role for one Don Swayze), and the visuals are stylishly, almost tastefully done--Ashley Irwin's coffee-table funk adding the right musical enhancement. As the upwardly mobile accountant Christine Chandler, Diane Barton gives a creditable portrayal of a woman caught between the routine of marriage to the predictable Richard (stolidly dependable Edward Albert) and the excitement of an illicit affair with the passably seductive Quinn, played with a certain edge by Doug Jeffrey. The two subplots are wafer thin in narrative terms, but those who enjoy bump-and-grind under piers and in changing rooms will certainly stay the course. On the DVD: Sexual Malice comes to DVD in a 4:3 full frame print that's nonetheless a classy looking effort, and the stereo soundtrack is similarly pristine. There are detailed filmographies, a well-reproduced but oddly random photo gallery, and a trailer that manages to summarise a completely different scenario. As its closing voice-over proclaims, "Caught between a boring husband and a dangerous lover, a passionate woman can commit just about anything". Now you know.--Richard Whitehouse
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