Titles Comprise: Billy Rose's Jumbo (Dir. Charles Walters 1962): Pop and Kitty Wonder are the owners of the Wonder Circus and because of Pop's addiction to gambling they are constantly in debt and the creditors are very close to foreclosing on them. Their main attraction is Jumbo the elephant and it seems that their competitor John Noble wants Jumbo and is luring away all of their acts leaving them with virtually nothing. Then all of a sudden a mysterious man named Sam Rawlins joins them as a wire walker and Kitty is taken with him what they don't know is that he's Noble's son. The Glass Bottom Boat (Dir. Frank Tashlin 1966): Jennifer Nelson and Bruce Templeton meet when Bruce reels in her mermaid suit leaving Jennifer bottomless in the waters of Catalina Island. She later discovers that Bruce is the big boss at her work (a research lab). Bruce hires Jennifer to be his biographer only to try and win her affections. There's a problem Bruce's friend General Wallace Bleeker believes she's a Russian spy and has her surveillanced. But when Jennifer catches on...Watch out! Love Me Or Leave Me (Dir. Charles Vidor 1955): Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics. Please Don't Eat The Daisies (Dir. Charles Walters 1960): Drama critic Larry McKay his wife Kay and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Young Man With A Horn (Dir. Michael Curtiz 1950): Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life Rick becomes a star trumpeter but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble. Calamity Jane (Dir. David Butler 1953): Deadwood Dakota Territory is largely the abode of men where Indian scout Calamity Jane is as hard-riding boastful and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock.
High Society: Beautiful aloof Newport heiress Tracy Lord (Kelly) is about to marry bland businessman George Kittredge (John Lund) but matters become complicated when her ex-husband C K Dexter-Haven (Crosby) moves to her neighbourhood determined to win back her hand. Things go from bad to worse for Tracy when journalist Mike Connor (Sinatra) arrives to cover the wedding for Spy Magazine. When Tracy is forced to choose between her suitors will she realise that ""safe"" doesn't a
This fantastic box set brings together six of Doris Day's finest efforts. Billy Rose's Jumbo (Dir. Charles Walters 1962): Pop and Kitty Wonder are the owners of the Wonder Circus and because of Pop's addiction to gambling they are constantly in debt and the creditors are very close to foreclosing on them. Their main attraction is Jumbo the elephant and it seems that their competitor John Noble wants Jumbo and is luring away all of their acts leaving them with virtually nothing. Then all of a sudden a mysterious man named Sam Rawlins joins them as a wire walker and Kitty is taken with him what they don't know is that he's Noble's son. The Glass Bottom Boat (Dir. Frank Tashlin 1966): Jennifer Nelson and Bruce Templeton meet when Bruce reels in her mermaid suit leaving Jennifer bottomless in the waters of Catalina Island. She later discovers that Bruce is the big boss at her work (a research lab). Bruce hires Jennifer to be his biographer only to try and win her affections. There's a problem Bruce's friend General Wallace Bleeker believes she's a Russian spy and has her surveillanced. But when Jennifer catches on...Watch out! Love Me Or Leave Me (Dir. Charles Vidor 1955): Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics. Please Don't Eat The Daisies (Dir. Charles Walters 1960): Drama critic Larry McKay his wife Kay and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Young Man With A Horn (Dir. Michael Curtiz 1950): Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life Rick becomes a star trumpeter but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble. Calamity Jane (Dir. David Butler 1953): Deadwood Dakota Territory is largely the abode of men where Indian scout Calamity Jane is as hard-riding boastful and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock.
The Deadwood Stage is comin' to town bringing Doris Day and Howard Keel to fuss feud and fall in love as Calamity Jane and Wild Bill Hickok in this entertainment from the golden age of movie musicals. At first curvaceous Calamity is too durned busy fighting Indians and cracking a bullwhip to pay much mind to such girlie what-alls as dresses and perfume. And Wild Bill is too danged busy wooing a dainty chanteuse to give a hoot about a hotheaded tomboy. But things change in a rootin'
Street smart Tony is the self-styled Emperor Of The Bronx. But he's not in the same league as Falco the vicious crime boss whose murderous operatives force Tony out of New York City and into oblivion. With tough basic lessons about life from his new friends - ex-con Fitz and songtress Sandy the brooding brooding young man still has a score to settle with Falco and his gang.
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