Some comedies secure cult status after just one episode. The first series of Phoenix Nights, created by and starring Bolton-born comic Peter Kay, is one of those rare gems that few saw on first showing but that everyone was soon talking about. Wheelchair-bound Brian Potter (Kay) runs the Phoenix, a shabby social club populated by an assortment of wonderfully observed characters. It's grim up North and despite the best efforts of the staff to inject life into the proceedings--be it an alternative comedy night, a version of Robot Wars in Potter's beloved Pennine Suite or a Wild West extravaganza--each evening's entertainment always ends badly. Undaunted, the Phoenix denizens continue to strive for their dream: a world in which "clubland never dies". Even though Kay is the focus of the show (having also directed and penned the series), this is no star vehicle; the hapless security guards, the club entertainer Jerry, and Ray Von the dodgy DJ all combine in an ensemble comedy the like of which hasn't been seen since Fawlty Towers. You have to watch it a couple of times just to catch all the visual gags, let alone pick up on all the nuances of the brilliantly written script. If you missed it first time round, now's your chance to own one of the best British sit-coms of recent years. On the DVD: Phoenix Nights on disc comes with a plethora of extras to enjoy. "One Man and His Horse" is behind the scenes footage of Trigger and his handler (who is almost as entertaining as his charge); there are some great deleted scenes, trailers for the first series and an episode-by-episode sequence of outtakes where the cast hilarity is definitely contagious. A commentary from Kay and some of the team consists more of reminiscence than information, but is well worth a listen. --Kristen Bowditch
The beginning of the second series of Phoenix Nights sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. This second instalment of Peter Kay's cult sit-com is more upbeat than the first, with some genuine success coming to the characters and club, but it still has its hilariously subversive undertones: a botched hit job; an inflatable castle with an extra appendage; and Brian stuck on his stair lift for a day after a power cut, to take just three examples. The script remains brilliantly surreal and incredibly funny. All the favourite characters remain, with club bouncers Paddy and Max featuring in a couple of the meatier storylines (perhaps setting them up for their own spin-off series?) and Jerry continuing to wow the crowds with his original vocal stylings, the highlight being the grand Stars in Their Eyes final in which he offers his own unique clubland take on Eminem. It's brilliantly original stuff: roll on Series 3. --Kristen Bowditch
Leading a phenomenal cast including Val Kilmer, Kelly McGillis, Anthony Edwards, Meg Ryan and Tim Robbins, Tom Cruise soars as Maverick, the young, in-your-face U.S. fighter pilot with a need for speed, a lot to prove, and even more to learn. Forever ranking with the best action films of all time, Top Gun remains a high-octane adrenaline rush certain to take your breath away.
A hip, heart-pounding combination of action, music and incredible aerial photography helped make "Top Gun" the blockbuster hit of the '80s.
Inspired by a shocking true story, a tenacious attorney (Ruffalo) uncovers a dark secret that connects a growing number of unexplained deaths due to one of the world's largest corporations. In the process, he risks everything his future, his family, and his own life - to expose the truth.
A prominent banker unjustly convicted of murder spends many years in the Shawshank prison. He is befriended by a convict who knows the ropes and helps him to cope with the frightning realities of prison life. Special Features Commentary by Writer/Director Frank Darabont Hope Springs Eternal: A Look Back at The Shawshank Redemption Shawshank: The Redeeming Feature Comic Spoof The SharkTank Redemption Stills, Storyboards and Collectibles Galleries Theatrical Trailer
The story of Calamity Jane, her saloon, and her romance with Wild Bill Hickok.
Created by and starring Bolton-born comic Peter Kay, Phoenix Nights is one of those rare gems that few saw on first showing but that everyone was soon talking about. The first series introduces wheelchair-bound Brian Potter (Kay), who runs the titular Phoenix, a shabby social club populated by an assortment of wonderfully observed characters. It's grim up North and despite the best efforts of the staff to inject life into the proceedings--be it an alternative comedy night, a version of Robot Wars in Potter's beloved Pennine Suite or a Wild West extravaganza--each evening's entertainment always ends badly. Undaunted, the Phoenix denizens continue to strive for their dream: a world in which "clubland never dies". The beginning of the second series sees Brian Potter's beloved Phoenix Club lying in ashes and the staff scattered to the four winds. Even club compere Jerry St Clair is reduced to singing "Come get your black bin bags" to the tune of Men in Black in the local supermarket. But not even being barred from having a licence for the rest of his natural life can deter the northern Svengali from reopening the club and making it bigger and better than before--even if that means making Jerry the licensee and offering up-market Chinese nosh. --Kristen Bowditch
Two brothers are sent on an interstellar adventure while playing a mysterious board game.
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Behind The Scenes Documentary Soul In Cinema: Filming Shaft On Location Shaft: The Killing (1973 TV Episode) Theatrical Trailers
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
Episode 1: First Impressions - The Royal is, in the 1960s, the local hospital for the North Yorkshire town of Elsinby. Its administrator T.J. Middleditch is a benevolent figure whilst the elderly matron is firm but fair with her nursing staff. Surgeon Mr. Rose is likely to light up his pipe whilst performing an operation and Dr. Jill Wetherill is a highly confident practitioner though she does come unstuck on a home visit and Ken the hospital porter comes a cropper trying to fit an aerial on the roof. Young doctor David Cheriton turns up for his first day at the Royal and is surprised not only at how ill-equipped it seems to be but because noone was expecting him so early. Episode 2: Second Time Around - A motor-bike crash brings a cruel end to a romantic escapade for a young couple but elsewhere Matron assists Dr. Ormerod in bringing marital harmony to patient Brian Lynson and his wife. The porters have to deal with a rodent infestation problem and unwisely turn to patient, Aidensfield wheeler-dealer Claude Greengrass for advice, though he keeps hallucinating that spiders are crawling all over him.Episode 3: Coffin Fit - Jill Wetherill comes to learn the folly of jumping to the wrong conclusion after she suspects that older Dr. Alway has misdiagnosed a patient. David Cheriton proves himself at a car accident despite Dr. Ormerod's fears that he may have been affected by an earlier crash and Greengrass arouses the porters' suspicions after asking them to store a coffin, supposedly containing his late sister, in the hospital.Episode 4: Sister of Mercy - Jill Wetherill helps the Heatons, an elderly couple, whilst Sister Brigid,a secular Irish nun working as a nurse at the Royal, discovers an abandoned baby which she believes is linked to missing teenager Susan. Whilst a Russian sailor is admitted to the Royal Greengrass attempts to play the system to ensure a longer stay for himself,whilst an official hospital inspection looms.Episode 5: Immediate Care - David Cheriton is faced with the unenviable task of telling young Francesca that she has only a short time to live, though it does lead to a wedding. Efficiency-mad Nigel Harper ruffles feathers with cost-cutting ideas but the arrival of a famous jockey as a patient in the hospital means that the basic fund-raising scheme of having a raffle to help hospital coffers gives way, thanks to Greengrass, to having a flutter on the horses.Episode 6: Kiss and Tell - Aidensfield copper Ventress comes to the Royal for a bunion removal and sees a supposed amnesiac, who is not what he claims. Doctors Wetherill and Ormerod get close at Cheriton's house-warming but Middleditch is faced with the news that the hospital may be forced to close and dreads having to tell the staff.Episode 7: Crash - It's Dr. Alway's last day at the Royal before retirement but he,and the rest of the staff,are kept busy, following a bus crash, one of the wounded being Dr. Ormerod's wife Caroline. Whilst Cheriton gets cosy with Staff Nurse Taylor, Bernard Hussey, the NHS administrator, gets in everyone's way and Greengrass is re-admitted, apparently suffering from malaria.
George Lucas presents this comedy adventure spectacular about a cigar chewin' beer swillin' fast talkin' duck from a parallel universe who is mysteriously sucked from his existence through space and winds up in Cleveland. The incredible fantasy sees Howard become the object of everyone's desire fall in love with feisty rock chick Beverly Switzler and finally do fearsome battle with the Dark Overlord as he frantically attempts to return to his own planet. Never in the history of cinema has there been a hero quite like this!
It's 1666, and medieval England is in the grip of the Great Plague. But when the Doctor and his companions arrive, they discover an even greater threat: the entire planet is in danger. As the Grim Reaper stalks the countryside, the Doctor uncovers an alien menace intent on wiping out humanity and claiming our planet for themselves. The Terileptils have arrived - and only the Doctor can stop them... Special Features: Commentary with Peter Davison, Janet Fielding, Sarah Sutton, Matthew Waterhouse and Director Peter Moffatt Grim Tales: Brand-new 45-minute documentary. Former companion Mark Strickson takes Peter Davison, Janet Fielding and Sarah Sutton back to the original filming locations while other cast and crew members discuss their memories of the story. The Television Centre of the Universe Part 1 - Peter Davison, Mark Strickson and Janet Fielding return to the BBC Television Centre and meet up with old friends and colleagues to reminisce on their time in the iconic building. Doctor Forever - The Apocalypse Element - Examining the world of Doctor Who on audio. Including interviews with Colin Baker, Russell T Davies, Mark Gatiss and many others. Film Trims - Shots and sequences cut from the finished programme Directing Who - Peter Moffatt Writing a Final Visitation Scoring the Visitation - Interview with Composer Paddy Kingsland Subtitle Production Notes Radio Times Listings and BBC Sales Sheet Photo Gallery Coming Soon Trailer Isolated Music Score Easter Egg Digitally Remastered Picture Sound and Quality
A milestone in television comedy Spitting Image lifted satire to a new level for over a decade through the 1980's and 90's. No target was safe from the series' gunsights: politicians of all persuasions Ronald Reagan the Pope and even the Royal Family could find themselves up for a ribbing on any given programme. Exceptionally topical the series was worked around that current weeks news stories to retain its biting edge and many famous impressionists honed their craft portraying the voices behind the wickedly accurate rubber puppets: Chris Barrie Rory Bremner Phil Cornwell Steve Coogan John Culshaw Harry Enfield and Kate Robbins (among many others).
Leading a phenomenal cast including Val Kilmer, Kelly McGillis, Anthony Edwards, Meg Ryan and Tim Robbins, Tom Cruise soars as Maverick, the young, in-your-face U.S. fighter pilot with a need for speed, a lot to prove, and even more to learn. Forever ranking with the best action films of all time, Top Gun remains a high-octane adrenaline rush. Product Features The Legacy Of Top Gun On Your Six - Thirty Years Of Top Gun Danger Zone: The Making Of Top Gun (6-part Documentary) Commentary By Filmmakers And Naval Experts Tom Cruise Interviews Multi-angle Storyboards Best Of The Best: Inside The Real Top Gun Behind-the-scenes Featurette Survival Training Featurette And More
A prominent banker unjustly convicted of murder spends many years in the Shawshank prison. He is befriended by a convict who knows the ropes and helps him to cope with the frightning realities of prison life.
With a story that's too flimsy to support its running time, this road-mo vie comedy has plenty of problems, but at its best it's a surprisingly inspired vehicle for the clever teaming of Tim Robbins and Martin Lawrence. Robbins plays an addled advertising executive who comes home early one day and discovers his wife in bed with his boss. To make matters worse, he's later carjacked by a struggling, unemployed family-man-turned-petty-thief (Lawrence), and that's when he loses his cool completely. He takes the carjacker hostage and recruits him on a road-trip scheme of revenge against his wife and boss. Plotting to break into his boss' high-security vault, Robbins gets a criminal assist from Lawrence, but they're also on the run from another pair of would-be thieves who trail them to the vault's location. The routine plot of Nothing To Lose is occasionally limp and sluggish, but writer-director Steve Oedekerk (who makes a wacky cameo appearance as a security guard) mines comedy gold during several scenes that detour from the plot for the sake of sheer lunacy. Robbins and Lawrence have great comedic chemistry (if you can tolerate Lawrence's constant profanity), and although the movie ends on a false note with some unlikely turns of fate, it's definitely good for more than a few solid laughs. --Jeff Shannon, Amazon.com
The Durham Bulls are in a slump and have spent a hefty sum of money acquiring an untested young pitcher in the hopes of reversing their standings. Crash Davis a 12-year veteran ballplayer who has spent most of his time bumming around as a minor league catcher is assigned to mature the rookie pitching phenom named ""Nuke."" But a beautiful and enigmatic team groupie comes between the tutor and his student enlightening both with her game of life love and verse.
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