The Chase. The Desert. The Shack. The Girl. The Roadblock. The End. One man races against time against destiny against the road: the ultimate car chase movie. Kowalski is the last American hero. He's the lone stranger - a modern cowboy in a white Dodge Challenger who bets that he can drive from Denver to San Francisco in fifteen hours. Loaded with amphetamines and a full tank he takes to the open highway. In his supercharged Challenger he breaks through every speed trap dragnet
In the entire history of American movies, The Night of the Hunter stands out as the rarest and most exotic of specimens. It is, to say the least, a masterpiece--and not just because it was the only movie directed by flamboyant actor Charles Laughton or the only produced solo screenplay by the legendary critic James Agee (who also co-wrote The African Queen). The truth is, nobody has ever made anything approaching its phantasmagoric, overheated style in which German expressionism, religious hysteria, fairy-tale fantasy (of the Grimm-est variety), and stalker movie are brought together in a furious boil. Like a nightmarish premonition of stalker movies to come, Night of the Hunter tells the suspenseful tale of a demented preacher (Robert Mitchum, in a performance that prefigures his memorable villain in Cape Fear), who torments a boy and his little sister--even marries their mixed-up mother (Shelley Winters)--because he's certain the kids know where their late bank-robber father hid a stash of stolen money. So dramatic, primal, and unforgettable are its images--the preacher's shadow looming over the children in their bedroom, the magical boat ride down a river whose banks teem with fantastic wildlife, those tattoos of LOVE and HATE on the unholy man's knuckles, the golden locks of a drowned woman waving in the current along with the indigenous plant life in her watery grave--that they're still haunting audiences (and filmmakers) today. --Jim Emerson, Amazon.com
Woody Wilkins (Michael Crawford) an inventive comic book writer turns into a bumbling spy and is catapulted on a jet-setting trip around the world as Condorman the comic book hero he created. The problems - and the hilarity - start when Woody falls in love with a Russian agent Natalia (Barbara Carrera) and sets about helping her defect to the United States. However Natalia's old flame KGB agent Krokov (Oliver Reed) isn't about to let his prize get away. Krokov has every one of his agents on the run trying to prevent ""Condorman"" from aiding Natalia's escape. Crazy disguises high-tech gadgets and hair-raising fun abound in this light-hearted comic adventure. Available on DVD for the first time.
In the Watergate Building lights go on and four burglars are caught in the act. That night triggered revelations that drove a U.S. President from office. Washington reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) grabbed the story and stayed with it through doubts denials and discouragement. The entire President's Men is their story. The film also explores a working newspaper where the mission is to get the story - and to get it right.
Tune in with the King of Rock and Roll' with a curated collection of his finest movies. Includes performances of hit songs Wooden Heart , Shoppin Around , Little Egypt , Can't Help Falling In Love', Rock-A-Hula Baby , Bossa Nova Baby and Return To Sender . Lightweight fun and soundtracks to get you on your feet, there is no better gift for Elvis superfans. Collection Includes: G.I Blues Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet. Blue Hawaii After arriving back in Hawaii from the Army, Chad Gates (Elvis Presley) defies his parents' wishes for him to work at the family business and instead goes to work as a tour guide at his girlfriend's agency. Girls! Girls! Girls! When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel. Roustabout After a singer loses his job at a coffee shop, he finds employment at a struggling carnival, but his attempted romance with a teenager leads to friction with her father. Fun in Acapulco A yacht owner's spoiled daughter gets Mike fired, but a boy helps him get a job as singer at Acapulco Hilton etc. He upsets the lifeguard by taking his girl and 3 daily work hours.
It helps to have one of history's greatest scoops as your factual inspiration, but journalism thrillers just don't get any better than All the President's Men. Dustin Hoffman and Robert Redford are perfectly matched as (respectively) Washington Post reporters Carl Bernstein and Bob Woodward, whose investigation into the Watergate scandal set the stage for President Richard Nixon's eventual resignation. Their bestselling exposé was brilliantly adapted by screenwriter William Goldman, and director Alan Pakula crafted the film into one of the most intelligent and involving of the 1970s paranoid thrillers. Featuring Jason Robards in his Oscar-winning role as Washington Post editor Ben Bradlee, All the President's Men is the film against which all other journalism movies must be measured. --Jeff Shannon, Amazon.com
A made-for-TV adaptation of Andy McNab's best-selling Bravo Two Zero--his account of a covert SAS mission in the Gulf War gone wrong. Sean Bean plays McNab, part of an eight-man team dropped behind enemy lines to sever communications lines. Things inevitably go wrong, however, and the team are captured and tortured, before making a variety of daring and amazing escapes. The story on which this film is based is certainly stirring, but it suffers from being generically at odds with the production values of a TV adaptation. The acting is wooden and the budget cannot provide the pyrotechnics or thrilling action sequences which action or war junkies may demand. At some points there are even unsuccessful attempts to blend parts of the staged drama with real documentary news footage. One might argue that the presentation of the SAS team as everyday, emotionally stunted lads, and their mission as gritty, downbeat and devoid of glamour is perhaps quite true to real-life events. It is also a huge novelty to see cinematic acknowledgement of British forces' participation in any conflict occurring in the last century. On the other hand, Bravo Two Zero undoubtedly appears quite dour when placed alongside a more flashy, Hollywood offering such as Three Kings. Nevertheless, SAS aficionados and fans of the novel will enjoy it immensely, if only to look at the way in which McNab's account presents Chris Ryan--author of a drastically different film and novel version of this incident, The One That Got Away--as a posturing, image-conscious coward. The video also includes an exclusive 22-minute interview with the author, Andy McNab. --Paul Philpott
Stop the presses! The crime of the century has occurred and investigative reporters Kermit the Frog Fozzie Bear and The Great Gonzo are out to crack the case in this song-filled star-studded extravaganza directed by the legendary Jim Henson. Our heroes arrive in London to interview Lady Holiday (Diana Rigg) a high-fashion designer whose priceless diamond necklace has just been stolen. But when Kermit mistakes the lovely receptionist/would be model Miss Piggy for her aristocra
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
Detectives and master criminals come together for the first time in a DVD box set as Pegasus Entertainment Ltd presents The Best Of Classic British TV - Crime Series featuring episodes from four nostalgic TV shows of the early 60s. Saber Of London The long running TV series proved a hit with audience on both sides of the Atlantic under various titles including Detective's Diary and The Vise. Whatever the title the hit show featured the crime-solving exploits of the gallant and charming one-armed private investigator who greeted his viewers with the famous words I'm Mark Saber - and this is London. Man From Interpol Crime is international but so is the law. The series plotted the globetrotting adventures of Anthony Smith the man from Interpol as he sort to bring master criminals from all corners of the world to justice. Special attach'' to Scotland Yard Agent Smith proved a charismatic and adaptable crime fighter as no one knew where in the world evil would strike next. Tales Of Edgar Wallace Based on the works of English crime writer Edgar Wallace the series was updated adaptations of his stories with each episode providing an unusual mystery to be solved. A celluloid penny dreadful the stories twisted and turned at a fabulous pace keeping the armchair detectives guessing until the very end. Scotland Yard Introduced by novelist and broadcaster Edgar Lustgarten the series focused on cases from the records room of the most famous police force in the world Scotland Yard. Regular viewers were drawn into a murky world of mystery murder and mayhem as each episode explained or helped to solve a hideous crime.
The power of evil no longer rests in the hands of a child... Damien Thorn (Sam Neill) has helped rescue the world from a recession appearing to be a benign corporate benefactor. When he then becomes U.S Ambassador to England Damien fulfills a terrifying biblical prophecy. He also faces his own potential demise as an astronomical event brings about the second coming of Christ. Determined to thwart his holy arch-nemesis as well as a group of priests intent on killing him Damien begins his most destructive rampage yet...
Troma Entertainment, the company behind such classics as THE TOXIC AVENGER, really outdid themselves with the 1987 cult classic SURF NAZIS MUST DIE. Set in a futuristic California hell-hole, in which an apocalypic natural disaster has left the iconic Baywatch-perfect beaches of Malibu and Venice as gang-lands, various parties battle one another in an attempt to control the sand and sea of this former West Coast paradise. This is sex, surf and splatter in a sordid sci-fi setting and thirty years after it first gained the attention of video shop loyalists and marginal movie followers, SURF NAZIS MUST DIE is back to brutalise a new generation of fright-fans!
They Shoot Horses Don't They? is set in the dark years of the l930s, when dance marathons became popular as a way for desperate people to compete for prize money. Sometimes the events would drag on for weeks as contestants pushed themselves far beyond the point of physical, mental and emotional exhaustion, the dancers shambling around the floor in a half-dead stupor. People would then pay to sit in the bleachers, watch the event and cheer on their favourites. Taken from hard-boiled pulp writer Horace McCoy's novel of the same name, Jane Fonda plays a bitter young woman paired up with Michael Sarrazin for the ordeal. Gig Young portrays the unctuous MC of the event, bringing equal parts compassion and sleaze to his role. Many of the film's images are unforgettable, such as "the derby", a heel-and-toe race around the dance floor with bouncy, light-hearted music to accompany the miserable spectacle. It's a powerful, tragic period piece that reminds us of the privations of the Great Depression. In the largest sense, the film has existential overtones that go far beyond the story of enervated dancers staying on their feet for a month or more. This film brought home a string of Academy Award nominations for the cast and director Sydney Pollack and a win for Young. --Jerry Renshaw, Amazon.com On the DVD: The disc offers film trivia and notes on the main cast and director, along with a short slide show and original publicity notes in an attempt to furnish valuable information about the film. However the layout is visually unimpressive and the information is merely standard film trivia offering little insight into the film itself--the quotes from Jane Fonda are surely aimed at hardcore fans of the actress only. It all feels like a selection put together in a bit of a rush. --Nikki Disney
When Captain David Dillon's jeep runs out of fuel by a grand house he has no idea what is waiting for him on the other side of the imposing front door. After a simple request to borrow the telephone and a chance meeting with the man of the house Tom Wilton Dillon soon realises that the man's wife Laura is suffering terrible abuse at the hands of her alcoholic and aggressive husband. Compelled to act Dillon befriends Laura and soon falls in love with her. In order to be together they must rid themselves of Wilton once and for all but how do you plan the perfect murder? And is Laura the longsuffering wife she appears to be?
Chasing their dream of a better life Harry (Fonda) and his good friend Arch (Oates) have drifted across the plains of America together. However Harry has grown tired of his transient life and decides to return to the wife and child that he left years before. At first refusing to accept him Harry's wife orders that he sleep in the barn and work the farm strictly as a hired hand. However soon their romance is rekindled and they rediscover the happiness they once shared. Yet as
When the California coast is ravaged by a massive earthquake the beaches are left in a state of anarchy. In this lawless void a new power is rising. Adolf and his evil gang of fascist water rats are coming. They are the Surf Nazis and they must DIE!Fighting with rival beach gangs and harassing the locals, the Surf Nazis soon take over the area but when they ice a local jogger it opens up a can of revenge as the murdered man's Mama breaks out her retirement home, tooled up and ready for harsh vigilante justice.Blood, guts, gore, nudity and murder come thick and fast in this gnarly beach bum holocaust extravaganza from Troma, the sick, twisted shlock house that brought you Combat Shock and Class of Nuke 'Em High.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
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