How would the legendary Sherlock Holmes cope if he lost his one-of-a-kind deductive skills? In Elementary TM: The Sixth Season, the famed detective Sherlock (Jonny Lee Miller) faces this devastating possibility when he is diagnosed with Post-Concussion Syndrome, a disorder that causes physical and cognitive symptoms including memory loss. With his career, calling and sobriety all at stake, he must rely even more on his steadfast partner Dr. Joan Watson (Lucy Liu). Together, they continue in their mission to crack the NYPD's most baffl ing crimes and puzzling cases. Your mind will be blown by all 21 thrilling episodes in this 6-disc collection as Sherlock fi ghts to overcome a mystery even he may not be able to solve. Special Features: Six Of One, Half Dozen Of The Other Making Friends Can Be Murder Elementary: Case In Point Deleted Scenes
Greed, revenge, world dominance, high-tech terrorism - it's all in a day's work for James Bond, who races to defuse an international power struggle with the world's oil supply hanging in the balance
Join Hugh ""Bulldog"" Drummond in two of his groovy sixties adventures! Deadlier Than The Male (Dir. Ralph Thomas 1966): For Hire: Deadly Weapons! - Blonde Brunette Redhead A rarely seen 1966 tongue-in-cheek spy thriller starring Richard Johnson as Hugh Bulldog Drummond investigating the attempted sabotage of oil deals and assassination of a Persian King. Elke Sommer co-stars. Some Girls Do (Dir. Ralph Thomas 1969): Hugh ""Bulldog"" Drummond returns! Drummond'
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
Pierce Brosnan returns as sexy super-spy James Bond. The agent's assignment is as follows: he must protect Elektra King (Sophie Marceau) the sole heir of a British oil tycoon from the influence of terrorist Renard (Robert Carlyle). Unfortunately she double-crosses him and the world's oil supply is put in peril. Now he must take on Renard a villain who feels no physical pain with the help of do-gooder scientist Christmas Jones (Denise Richards)...
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
Timothy Dalton's second and last James Bond assignment in Licence to Kill is darker and harder-edged than anything from the Roger Moore years, dropping the sometimes excruciating in-jokes that had begun to dominate the series in favour of gritty, semi-realistic action. When CIA colleague and close friend Felix Leiter (David Hedison) gets married immediately after arresting villainous drug baron Franz Sanchez (with a little help from Bond), the crime lord's retribution is swift and terrible. Bond goes on a personal vendetta against Sanchez after his licence to kill is revoked. There are plenty of spectacular stunt scenes, of course, but the meaty story of revenge is this film's distinguishing feature. Dalton's portrayal of the iconic hero as tough but flawed was a brave decision that the producers subsequently retreated from after Licence to Kill's relatively poor box-office showing. On the DVD: Timothy Dalton's insistence that Bond was a man not a superhero, and "a tarnished man" at that encouraged the producers to redefine Bond with a tougher edge more in keeping with Fleming's original conception of the character. Licence to Kill is Bond's darkest assignment. The production team experienced their usual difficulties in bringing it to the screen, the "making-of" documentary reveals, including a haunted road in Mexico and a mysterious flaming hand that appeared out of the fire during the climactic tanker explosion. There are two commentaries here, both montage selections of interviews from cast and crew. The first features director John Glen and many of the actors; the second has producer Michael G Wilson and the production team. Gladys Knight pops up in the first music video, Patte La Belle in the second ("If You Asked Me To"). There are the usual trailers, gallery of stills and a feature on the Kenworth trucks specially adapted for the movie's stunt work. --Mark Walker
Anna Kalman (Ingrid Bergman) is a wealthy actress whose love affairs never last for long. When she meets businessman Philip Adams (Cary Grant) at a NATO dinner she is attracted to him. He reveals that he is married but this does not prevent them embarking on a love affair. However just as Philip prepares to depart for a job in New York Anna discovers that he has been less than honest with her...
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