Four-time Academy Award nominee Jeff Bridges stars as the richly comic, semi-tragic romantic anti-hero Bad Blake in the debut feature film Crazy Heart from writer-director Scott Cooper. In London cinemas from 19 February, nationwide from 5 March.
American businessman Jay Wagner (Duvall) is being held in a Mexican prison having been framed for murder by his own father-in-law. But Jay's wife takes matters into her own hands hiring a maverick pilot named Nick (Bronson) to help Jay escape. Will the daring breakout attempt be successful? Or have Nick and Jay bitten more off than they can chew?
John Travolta (Face/Off Phenomenon) gives another brilliant performance in a suspenseful true story that's been praised as the greatest legal thriller of all time! Jan Schlichtmann (Travolta) is a cynical high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward Schlichtmann soon becomes entangled in an epic legal battle...one where he's willing to put his career reputation and a
Upon its release The Godafther: Part II was hailed as the best sequel to a movie ever made however this film is much more than that. Coppolla utilised a quite brilliant screenplay and turned it into a visually captivating treat as well as using his directorial skills to make the audience view the rise and demise of the ill-fated Michael Corleone (Al Pacino) as first-person participants with masterful skill. Add to this an astounding performance by Pacino and an Oscar-winning portra
This 1976 adventure story set in World War II concerns a Nazi plot to kidnap Churchill from his retreat--or murder him if need be. The large, great cast and a director, John Sturges, who's been down this road of ensemble action before (The Magnificent Seven, The Great Escape) make this project exciting if not as memorable as Sturges' more famous works. The weak ending doesn't help. --Tom Keogh, Amazon.com
Robert Duvall is THX-1138 a humble worker in a soulless sprawling subterranean society where each person has a number not a name sex is outlawed and laws are enforced by constant surveillance and sinister silver faced androids. His discovery that there is more to life than the state-required drug stupor and the loss of his mate to a sinister technician finally gives him the courage to recover from his nightmare world. Using strong visuals and astonishing sound effects to heighten the gripping story George Lucas gave the world advance notice of his formidable talent with his classic debut feature THX-1138 adapted from his award-winning short film with the encouragement of none other than Francis Ford Coppola. Made in 1971 THX-1138 marked the stunning debut of one of the screen's most innovative filmmakers and was produced by Francis Ford Coppola and his revolutionary American Zoetrope studios at the height of the American independent movement.
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Extras: Intro by Francis Ford Coppola Audio Commentary by Director Francis Ford Coppola An Interview with John Milius A Conversation with Martin Sheen and Francis Ford Coppola Fred Roos: Casting Apocalypse Featurette The Mercury Theatre on the Air: Heart of Darkness November 6, 1938 The Hollow Men Featurette Monkey Sampan Lost Scene Additional Scenes Destruction of the Kurtz Compound End Credits The Birth of 5.1 Sound Featurette Ghost Helicopter Flyover Sound Effects Demonstration The Synthesizer Soundtrack Article by Bob Moog A Million Feet of Film: The Editing of Apocalypse Now Featurette Heard Any Good Movies Lately? The Sound Design of Apocalypse Now Featurette The Final Mix Featurette 2001 Cannes Film Festival: Francis Ford Coppola Featurette PBR Streetgang Featurette The Color Palette of Apocalypse Now Featurette Disc Credits Hearts of Darkness: A Filmmaker's Apocalypse (with Optional Audio Commentary by Francis and Eleanor Coppola) NEW: Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW: Never-Before-Seen B-Roll Footage NEW: Apocalypse Now Dolby featurette (HD) NEW: A history of Apocalypse Now on Home Video (HD) John Milius Script Excerpt with Francis Coppola Notes (Still Gallery) Storyboard Collection Photo Archive ⪠Unit Photography ⪠Mary Ellen Mark Photography o Marketing Archive ⪠1979 Teaser Trailer ⪠1979 Theatrical Trailer ⪠1979 Radio Spots ⪠1979 Theatrical Program ⪠Lobby Card and Press Kit Photos ⪠Poster Gallery ⪠Apocalypse Now Redux Trailer
A Nazi strike force plots to assassinate Winston Churchill while he is resting in a desolate Norfolk village. Colonel Radl masterminds the plot which if successful would change the outcome of the war. He enlists the help of Colonel Steiner and Liam Devlin. Disguised as Polish airmen German paratroopers land in England. Radl's plan appear to be going smoothly until an unforeseeable incident exposed the Germans. But the kidnap continues and Steiner Luger in hand approaches the unmistakable figure of Churchill...
From acclaimed director Steve McQueen (12 Years a Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering, modern-day thriller with a powerful ensemble cast. When four armed robbers are killed in a failed heist attempt, their widowswith nothing in common except a debt left by their dead husbands' criminal activitiestake fate into their own hands to forge a future on their own terms.
This three and a half hour US civil war epic - a prequel to 1993's "Gettysburg" - tells of the rise and fall of legendary war hero "Stonewall Jackson".
In the late seventies celebrated director Francis Ford Coppola and his cast and crew ventured into the dense jungles of the Philippines to begin work on what would eventually become his masterpiece, ApocalypseNow. But the journey from page to screen soon spiralled into a hellish, life-threatening nightmare that echoed the film’s narrative. Plagued with adversity, one of the most influential films ever made had one of the most notorious shoots in cinema history that few survived unscathed. Compiled from rare on set footage filmed by Coppola’s wife Eleanor and interviews with the cast, Hearts Of Darkness is the ultimate feature-length documentary, capturing the explosive events that lead to Apocalypse Now becoming an acknowledged classic.
A Nazi strike force plots to assassinate Winston Churchill while he is resting in a desolate Norfolk village. Colonel Radl masterminds the plot which if successful would change the outcome of the war. He enlists the help of Colonel Steiner and Liam Devlin. Disguised as Polish airmen German paratroopers land in England. Radl's plan appear to be going smoothly until an unforeseeable incident exposed the Germans. But the kidnap continues and Steiner Luger in hand approaches the unmistakable figure of Churchill...
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
Joe Kidd which concerns a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a ""hired gun"" who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang f
John Travolta plays George Malley an easy-going car mechanic who's hopelessly in love with a pretty newcomer in town (Kyra Sedgwick)... a woman who wants nothing to do with relationships. Then on George's birthday a mysterious force bestows on him special telekinetic powers and genius mental abilities! It's a phenomenon that will begin to alienate him from his lifelong friends... but it might just bring him closer to the woman he loves. Phenomenon is an inspiring story of love c
True Grit: In 1970 John Wayne earned an Academy Award for his larger-than-life performance as the drunken uncouth and totally fearless one-eyed U.S. Marshal Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter sparks fly. And the situation goes from troubled to disastrous when the inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin. The Sons Of Katie Elder: Katie Elder bore four sons. The day she is buried they all return home to Clearwater Texas to pay their last respects. John Wayne is the eldest and toughest son the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow... twice. Bud (Michael Anderson Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit) an acknowledged master of the western the story has a dual theme; not only is this a he-mans story but it is also a drama of the maternal influence of Katie Elder movingly portrayed from beginning to conclusion. The Man Who Shot Liberty Valance: Ranking with Stagecoach as one of the greatest of its genre 'The Man Who Shot Liberty Valance' is the modern-day Western to beat all Westerns. John Ford whose very name is synonymous with Westerns directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal...
The Godfather Trilogy is the benchmark for all cinematic storytelling. Francis Ford Coppola's masterful adptation of Mario Puzo's novel chronicles the rise and fall of the Corleone family in this celebrated epic. Collectively nominated for a staggering 28 Academy Awards®, the films are the winner of 9, including 2 for the Best Picture for The Godfather and The Godfather Part II. To this day the saga is rightfully viewed as one of the greatest in the history of motion pictures. Now, for true cinmea lovers, comes The Godfather Trilogy with the Corleone Legacy Family Tree, Original Theatrical Art Cards, and Collectible Portraits with Frame to complete every fan's collection.
Tony Rome: Tony Rome a tough Miami PI living on a houseboat is hired by a local millionaire to find jewelry stolen from his daughter and in the process has several encounters with local hoods as well as the Miami Beach PD. The Detective: A hard-boiled mystery starring Frank Sinatra as the tough-as-nails Detective Joe Leland 'The Detective' was based on a novel by Roderick Thorp. Called in to investigate the murder of Teddy Leikman the homosexual son of a well-conn
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