This is a double-feature of two British crime classics, The Blue Lamp (1949) and The Nanny (1965). The Blue Lamp is the film that introduced PC George Dixon, played by Jack Warner, later immortalised in the BBC's long-running Dixon of Dock Green (1955-76). Here Dixon's murder is the catalyst for an exciting London manhunt, shot largely on location in a fast-moving, starkly efficient style showing the influence of The Naked City (1948). The war-damaged East End and the car chases through almost vehicle-free streets offer a documentary-like vision of a London now long gone, and a young Dirk Bogarde makes a serious impact in an early starring role. In contrast, The Nanny has a superstar, the imported Hollywood legend Bette Davis, in the declining years of her career. Just one of three psychological thrillers Hammer produced in 1965 (the others were Frantic and Hysteria), the film capitalises on the popularity of Davis's Whatever Happened to Baby Jane? (1962) with a comparable mix of hateful insanity and paranoia. The screenplay skilfully juggles the audience's sympathies between a superb Davis and the dysfunctional family of which she becomes a part, developing a powerful sense of dread which shows such clichéd later fare as The Hand That Rocks the Cradle (1992) how to do this sort of thing with real class. On the DVD: The Blue Lamp and The Nanny are presented in black and white with adequate mono sound. The Blue Lamp is in its original 4:3 ratio; The Nanny is cropped from its theatrical 1.85:1 to 4:3, though it's only in a few shots that it becomes obvious that information is missing at the sides of the screen. The print of The Blue Lamp is soft and grainy, while The Nanny is grainy with a considerable amount of flicker. There are no extras. --Gary S. Dalkin
The final box set in the series draws the curtain on the career of Mrs Emma Peel (Diana Rigg) and introduces swinging new assistant Tara King! Featuring the following episodes: The ''50 000 Breakfast Dead Man's Treasure You Have Just Been Murdered The Positive-Negative Man Murdersville Mission... Highly Improbable The Forget-Me-Knot
A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental death', our crafty killer discovers that his late wife's 'fortune' is not what he thought it was. Driven to find another unsuspecting spouse; he discovers that his new bride, a widow, is no fool. When she tells him that she intends to keep her accounts separate from his, he is driven to contemplate murder once again.
Fred Astaire plays a fashion photographer based on real-life cameraman Richard Avedon, in this entertaining musical directed by Stanley Donen (Singin' in the Rain). The story finds Astaire's character turning Audrey Hepburn into a chic Paris model--not a tough premise to buy, especially within this film's air of enchantment and surrounded by a great Gershwin score. Based on an unproduced play, this is one of the best films from the latter part of Astaire's career. --Tom Keogh, Amazon.com
A BBC adaptation of Thackery's novel which follows the relative changes in fortunes of two friends in the early 19th century...
Throughout the 1930s Jessie Matthews was Britain's best-loved musical film star her dynamism and gamine charm captivating audiences on both sides of the Atlantic. With a string of box-office hits spotlighting her unique talent it's easy to see how she became so popular – and why she remains so to this day. Showcasing some the era's finest cinema talent – including director and comedy star (and Matthews' husband) Sonnie Hale musical director Louis Levy and legendary art director Alfred Junge – the two films on this volume are presented as transfers from the original film elements in their as-exhibited theatrical aspect ratios. THE MAN FROM TORONTO (1933) Leila and Fergus have never met but when they are bequeathed a fortune there is a condition attached: they must marry each other within a year! Black and White / 74 mins / 1.33:1 / Mono / English HEAD OVER HEELS (1937) An aspiring star must choose between an idle selfish womaniser and the faithful radio engineer who truly loves her. Black and White / 79 mins / 1.33:1 / Mono / English
Peter Finch delivers a BAFTA-nominated performance as a compassionate doctor caught up in escalating tensions between the native population and local police in this dramatic adaptation of James Ramsay Ullman's best-selling novel. Co-starring Mary Ure and directed by Ronald Neame, the multiple-award-nominated Windom's Way is featured here as a brand-new High Definition remaster from original film elements in its original theatrical aspect ratio. Dr Alec Windom cares for the local population in his remote practice in the Far East. When the exploited workers rebel against the colonial authorities the local police respond violently and Windom is caught in the middle.
The definitive 1974 tv adaptation of the critically renowned stage play 'Florence Nightingale' is an inventive character study of the founder of modern nursing, featuring a highly acclaimed lead performance from Janet Suzman, and a supporting cast that includes Robert Flemyng, Joss Ackland, Charles Kay, Geoffrey Bayldon and Nigel Hawthorne. The name Florence Nightingale calls to mind 'The Lady with the Lamp', the saintly, dedicated spinster who devoted her life to selflessly nursing the sick.
A Victorian English entomologist whose daughter happens to be a giant moth moves with her to a quiet village where he can begin work on an insect mate for her. His family problems worsen when his winged daughter starts killing people and drinking their blood.
Emily Bronte's classic tale of all-consuming love in a new adaptation and a new production of Thomas Hardy's classic novel.
S'Wonderful S'Marvelous! Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing ""How Long Has This Been Going On? "" a ""Basal Metabolism"" dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his ""Let's Kiss And Make Up"" matador diversion a heavenly dance with Hepburn to ""He Loves And She Loves"" and again with Hepburn the title-tune enchantment ""I Love Your Funny Face."" Now and forever so do we.
This terrific box set features a profusion of Peter Cushing-led horror films. The Abominable Snowman (Dir. Val Guest 1957): The final film collaboration between director Val Guest and writer Nigel Kneale. Starring Forrest Tucker and Peter Cushing The Abominable Snowman tells of an expedition to the Himalayas to track down the mythical Yeti. A wonderfully atmospheric chiller from the heyday of the Hammer Studios. Island of Terror (Dir. Terence Fisher 1966): When oh when will scientists learn to stop playing with radiation? Island of Terror takes place on a remote island off the coast of Ireland. No phones no regular transport to and from the mainland but there is a well-equipped cancer research center where the well intentioned - but foolish! - scientists are irradiating lumps of tissue. The local constable finds a body with no bones in it ('No bones?' 'No bones!') and soon a team from London led by the ever-game Peter Cushing arrives to investigate. Let's hope that darned generator doesn't give out... Island of Terror isn't going to keep you awake at night but it is a lot of silly fun. Be warned though - whatever the evil menace is it can climb trees! The Blood Beast Terror (Dir. Vernon Sewell 1968): A Victorian English entomologist whose daughter happens to be a giant moth moves with her to a quiet village where he can begin work on an insect mate for her. His family problems worsen when his winged daughter starts killing people and drinking their blood. Frankenstein and the Monster from Hell (Dir. Terence Fisher 1974): Doctor Helder (Briant) is sent to an asylum for experimenting on cadavers. There he is rescued by Doctor Carl Victor (Cushing) the original Doctor Frankenstein now living under a new identity who learns that a new monster is set to walk the earth...
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