Heat: When Al Pacino and Robert De Niro square off 'Heat' sizzles. Written and directed by Michael Mann 'Heat' includes dazzling set pieces and a bank heist that USA Today's Mike Clark calls 'the greatest action scene of recent times.' It also offers 'the most impressive collection of actors in one movie this year' (Newsweek). The Deer Hunter: This powerful motion picture tracks a group of steelworker pals from a Pennsylvania blast furnace to the cool hunting grounds of the Alleghenies to the lethal cauldron of Vietnam. Robert DeNiro gives an outstanding performance as Michael the natural leader of the group. 'The Deer Hunter' is a searing drama of friendship and courage and what happens to these qualities under hardship; it is a shattering emotional experience you will never forget. GoodFellas: When Martin Scorsese one of the world's most skilful and respected directors reunited with two-time Oscar winner Robert De Niro in 'GoodFellas' the result was one of the most powerful films of the year. Based on the true-life best seller Wiseguy by Nicholas Pileggi and backed by a dynamic pop/rock oldies soundtrack critics and filmgoers alike declared GoodFellas great.
Stanley Kubrick's dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonised space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. Open the pod bay doors, HAL. Let an awesome journey unlike any other begin. This Limited Edition Set Includes: 2001: A Space Odyssey in 4K Ultra HD Blu-ray feature and bonus discs Limited Edition SteelBook Case Exclusive Enamel Pin Exclusive Embroidered Patch Special Features: Commentary by Keir Dullea and Gary Lockwood Channel Four Documentary200 1: The Making of a Myth4 Insightful Featurettes:Standing on the Shoulders of Kubrick: The Legacy of 2001 Vision of a Future Passed: The Prophecy of 2001 2001: A Space Odyssey A Look Behind the Future What Is Out There? 2001: FX and Early Conceptual ArtworkLook: Stanley Kubrick! Audio-Only Bonus:1966 Kubrick Interview Conducted by Jeremy Bernstein Theatrical Trailer
A daring expedition happens across a giant ape in this classic 1933 creature feature.
Ensemble drama from acclaimed director Robert Altman centered around a group of ballet dancers, with a focus on one young dancer (Neve Campbell) who's poised to become a principal performer.
This rousing romantic adventure Robert Redford plays ex-world champion cowboy reduced to huckstering breakfast food in a suit studded with flash lights. Jane Fonda is a chic sharp member of the electronic media a TV newswoman who'll do anything to get a good story. When Redford rides out of Las Vegas casino into the desert astride his sponsor's living symbol a multi-million dollar racehorse Jane is determined to discover why. She does one step ahead of a posse of pursuing police. But by the time they reach a remote rendezvous high in the Utah mountains she is in love with both the Cowboy and his convictions...
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
Robert Mitchum and Curt Jurgens star in this gripping World War II drama about an American destroyer and a German U-boat stalking each other at sea. As both men try to out-think and out-manouevre each other the chase becomes a deadly chess game in which any mistake can bring instant defeat and death. Winner of the 1957 Academy Award for Best Special Effects The Enemy Below marked the directorial debut of actor Dick Powell. In an interesting move Powell let the public deci
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Vanessa Stewart is an American who meets war correspondent Bill Fitzgerald in Venice. The attraction is immediate and an intense relationship ensues but Vanessa already has a fiance back in the States and when she returns forbids Bill ever to contact her again. It's not long however before Vanessa enters one of the world's most dangerous war zones to find the man she loves more than life itself...
Released to mark the 40th anniversary of her death in 1962, The Diamond Collection brings together all of Marilyn Monroe's films for 20th Century Fox. This handsome box set stands as a salutary reminder of the considerable achievements of an actress who still reigns supreme as the greatest screen goddess of them all. The uninitiated might be surprised at the versatility of someone whose legend is founded so much on her image as a sex symbol. In particular, her touching performance as the abused second-rate bar singer Cherie in Bus Stop (1956) is a rounded study of a woman still capable of dreaming when life has done everything to dull her. The box set as a whole offers plenty of evidence that while she certainly specialised in a unique and complex variation on the blonde bombshell stereotype--embodied in her timeless performances as Lorelei Lee (Gentlemen Prefer Blondes) and short-sighted Pola in How to Marry a Millionaire, both 1953--she could certainly diversify. The documentary, Marilyn Monroe: The Final Days, provides a sympathetic take on the troubles and behaviour which led to her being sacked from her final picture, Something's Got to Give. The presentation of the restored footage from that movie is less successful, though, as the glimpses of Monroe's incandescent screen presence, belying her illness and depression, leave a palpable sadness in their wake. Better by far to focus on her earlier work. Whatever the role, her luminous beauty and statuesque figure, combined with an unselfconsciously joyful sexuality and an on-screen vulnerability, were always at their best under the careful guidance of directors like Billy Wilder and Otto Preminger. These qualities continue to give her an enduring appeal. On the DVD: The Diamond Collection has been digitally restored using, for the most part, the original negatives, making this a sumptuous package for any Monroe fan. Niagara and Gentlemen Prefer Blondes are both presented in standard 4:3 ratio but the rest--filmed in Cinemascope and presented here in letterbox format--are certainly better-served by widescreen viewing. The colours, like Monroe, come alive. The sound quality is crisp and Monroe's singing--she had limited but genuine musical talent--has polished up well. Multiple extras include before-and-after restoration comparisons, trailers from various countries, stills and posters, and newsreel footage. Eleven discs of Marilyn in one box, this is a veritable feast indeed. --Piers Ford
Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modelled on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honour in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast-paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and Good Fellas) but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson, Amazon.com
The most lavish feature built around Laurel and Hardy, 1934's March of the Wooden Soldiers is also the most bizarre. Opening unpromisingly with one of several mawkish numbers derived from Victor Herbert's musical Babes in Toyland, the antics of toyshop labourers Stannie Dum and Ollie Dee are worked into a scenario midway between Lewis Carroll and The Brothers Grimm. Nursery-rhyme characters come and go in a surreal fantasy, with the evil Mr Barnaby threatening to evict Widow Peep from her shoe unless he receives her daughter Bo in marriage. The movie culminates in a full-scale invasion of Toyland by the yeti-ish Bogeymen and their defeat by the 100 six-foot wooden soldiers that Stan and Ollie have built by mistake. Henry Brandon gives a characterful performance, while 1930s child star Charlotte Henry is an appealing heroine. Directors Gus Meins and Charles R Rogers milk the slapstick to an increasingly unnerving degree. Reputedly Hardy's favourite among the double act's features, March of the Wooden Soldiers emerges now as their most audacious screen appearance. On the DVD: March of the Wooden Soldiers on disc reproduces the original black and white print in 4:3 ratio with pristine clarity; the mono soundtrack has similarly worn well. The potted biographies of Laurel and Hardy are too brief to be worthwhile, but the inclusion of the 1915 short Hustling for Health--among the earliest of Stan Laurel's film appearances--is a valuable bonus. --Richard Whitehouse
The Laconic tough guy finally gets the box set treatment featuring three of his finest celluloid performances. The Enemy Below (1957): Robert Mitchum and Curt Jurgens star in this gripping World War II drama about an American destroyer and a German U-boat stalking each other at sea. As both men try to out-think and out-manouevre each other the chase becomes a deadly chess game in which any mistake can bring instant defeat and death. Winner of the 1957 Academy Award for Be
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
In this delightful period farce set in Russia in the 1800's Danny Kaye plays and illiterate buffoon who is mistaken by the villagers for their feared Inspector General. Hilarious situations ensue as Danny is caught up in court intrigue without having a clue of what is going on.
A huge critical and commercial success, this brilliantly engaging comedy stars actor, singer, poet, writer and award-winning playwright Michaela Coel as a religious, Beyonce-obsessed young woman who is fast realising that the more she learns about the world, the less she understands! Coel's performance won her the British Academy Television Award for Best Female Comedy Performance in 2016 with her writing for the show earning her a BAFTA award for Breakthrough Talent. This set contains both series 1 and 2. Set on a tough London estate, Chewing Gum follows 22-year-old Tracey Gordon as she leaves behind the innocence of teenage dreams and attempts to navigate a brave new world of love, sex and adult confusion!
This DVD features four of the best episodes from the first series of the critically acclaimed animated comedy. Episodes include: 'A Rabbit For All Seasons' 'Colin Pays A Visit' 'Lucy The Adventurer' 'Lucy Blows Her Top
One Million Years B.C. might be about as palaeontologically accurate as The Flintstones, but it's still a lasting kitsch masterpiece, as much for Raquel Welchs Amazonian presence in an abbreviated fur bikini as for Ray Harryhausens wonderful stop-motion dinosaurs. A rare big-budget venture from Hammer Films, this 1966 version of the 1940 Victor Mature classic One Million B.C. is set in a fantasised prehistory where Caucasian cavemen coexist with dinosaurs. Loana (Welch) of the Shell People teaches Tumak (John Richardson) of the Rock Tribe that harmonious cooperation on the beach is a better way of life than rule-of-the-mightiest savagery in caves. Every quarter of an hour, the gibberish-spouting ("Akita akita"), skin-wearing, remarkably clean cave folk are inconvenienced by special effects: a giant sea turtle, a hungry Allosaur, a Triceratops/Iguanodon battle, a Pterodactyl that wants to feed Raquel to its chicks, a major volcanic upheaval. Poster icon Welch gets stiff competition from a lithe Martine Beswick in a cat fight, and the camp goings-on are given real screen presence by gorgeous, primitive Canary Isles locations and an epic score from Mario Nascimbene. On the DVD: One Million Years B.C. arrives on DVD with minimal extras: a wonderfully ballyhoo-intensive trailer, plus nice little retrospective chats with Welch and Harryhausen. The picture is an anamorphic print of the original 1.85:1 ratio, and sound is Dolby mono.--Kim Newman
Winner of four Academy Awards'' including Best Visual Effects Best Sound Effects Best Music and Best Sound E.T. The Extra-Terrestrial is the heart-warming family classic from director Steven Spielberg. When an alien (E.T.) is inadvertently left behind on earth he finds refuge with youngster Elliot (Henry Thomas). As Elliot and E.T. bond as friends it soon becomes clear that E.T. must find his way home before government officials capture him for study. Together E.T. Elliot and Elliot's family and friends help reunite E.T. with his spaceship.
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