The madcap doctor team are at it again! This time Dr. Burke stows away on a cruise ship when his girlfriend is assigned a modelling job aboard the vessel and ends up as a ship's doctor.
Classic award-winning crime scene investigation drama with more than a hint of nostalgia. Originally broadcast from 1976 to 1983 Quincy Me stars Jack Klugman in the title role as the strong willed, very principled Medical Examiner for the Los Angeles Country Coroner’s Office. When dead bodies arrive, Quincy must determine the cause of death but if he suspects foul play he must tread the line between pathologist and detective until he knows the full story. Quincy's uncompromising pursuit of the truth frequently creates conflict with his boss, Dr Robert Asten (John S Ragin) and LAPD Homicide Lieutenant Frank Monahan (Garry Walberg) but he is always assisted by his faithful lab assistant Sam Fujiyama (Robert Ito). This six disc set contains all 20 episodes from the third series of the original crime scene investigation drama. Special Features: Picture Gallery Subtitles
He rules the night as Gotham City's shadowy protector - a crusading Dark Knight defending the innocent and striking fear into the hearts of evildoers. The legend of Batman continues in this thrilling collection of the second volume of the Emmy award-winning 'Batman: The Animated Series'. Episodes comprise: The Underdwellers P.O.V. The Forgotten Be A Clown.
Capote (Dir. Bennett Miller ): In November 1959 the shocking murder of a smalltown Kansas family captures the imagination of Truman Capote (Philip Seymour Hoffman) famed author of Breakfast at Tiffany's. With his childhood friend Harper Lee (Catherine Keener) writer of the soon-to-be published To Kill a Mockingbird Capote sets out to investigate winning over the locals despite his flamboyant appearance and style. When he forms a bond with the killers and their execution date nears the writing of In Cold Blood a book that will change the course of American Literature takes a drastic toll on Capote changing him in ways he never imagined. In Cold Blood (Dir. Richard Brooks 1967): Richard Brooks' stylish and powerful 1967 drama adapted from Truman Capote's novel about a shocking real-life murder case. This daring cinematic portrait employs flashbacks to fully examine what drives an individual to commit thoughtless and brutal crimes while using a highly innovative jazz score by Quincy Jones to capture the moody atmosphere. A prosperous and respected Kansas farmer his wife and his two teenage children are wantonly and brutally slaughtered. The murderers are two mindless ex-convict drifters. Neither man is sane enough to regret their crime. The story penetrates the inner workings of the criminals' minds as it follows their purposeless meandering through Mexico and the United States in evasion of the law...
Psycho: The classic Hitchcock thriller involving a series of murders at a lonely motel where the deaths are attributed to the mother of the young owner. Psycho 2: Norman Bates is coming home after spending 22 years in a mental institution. He plans to renovate the old Bates Motel the place where his first murders occurred... Psycho 3: The Bates Motel is again the site of some nasty doings as the rehabilitated Norman who has installed a new ice machine att
Sheathing itself in bad taste, this film flaunts its tackiness, its machismo, and its very stupidity, which of course makes for a lot of dopey fun. Harley Davidson (Mickey Rourke) returns to his roots, the LA of 1996 (the film was set in the near future, as it was made in 1991). Burbank has become an airport, a new drug called Crystal Dream is all the rage and Harley's favourite bar is being torn down. To save it, he and the Marlboro Man (Don Johnson, at his most engaging) concoct an armed robbery that goes awry. Instead of cash, they end up with a shipment of Crystal Dream. Hunted by a drug dealer's goons, the two bark, fight, drink and squint at each other as they try to get themselves out of their mess. This is Butch Cassidy and the Sundance Kid for the monster-truck crowd, with plenty of breasts, choppers, broken pool cues and empty bottles. It's impossible to blame this film for being so emphatically trashy; its creators would consider that a compliment, anyway. --Keith Simanton, Amazon.com
Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum's renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz, Amazon.com
Director Todd Solondz presents this characteristically bleak and darkly comic drama in two distinct parts. The first story ""Fiction"" stars Selma Blair as Vi a confused university student who engages in an impulsive tryst with her Pulitzer Prize-winning professor (Robert Wisdom) after arguing with her cerebral palsy-afflicted boyfriend (Leo Fitzpatrick). The second (and longer) tale ""Non-Fiction "" stars Paul Giamatti as Toby a down-on-his-luck documentary filmmaker who turns his ca
A farm boy and his dragon must defend their home against an evil king in this fantasy epic.
This DVD captures great performances from 1993 to 2003 history in the making as young British rock n' roll flexes its muscles. 1. Ash - Shining Light 2. Blur - Tender 3. British Sea Power - Remember Me 4. Catatonia - Bleed 5. Coldplay - In My Place 6. Cornershop - Brimful Of Asha 7. Doves - The Cedar Room 8. Echo And The Bunnymen - Nothing Lasts Forever 9. Elastica - Connection 10. Elbow - Fugitive Model 11. Embrace - All You Good Good People 12. Feeder - Just The Way I
Bathed in lurid Technicolor melodrama maestro Douglas Sirk's 'Written On The Wind' is the stylishly debauched tale of a Texas oil magnate brought down by the excesses of his spoiled offspring. Features an all-star quartet that includes Robert Stack as a pistol-packin' alcoholic playboy; Lauren Bacall as his long-suffering wife; Rock Hudson as his earthy best friend; and Dorothy Malone (who won a Best Supporting Actress Oscar for her performance) as his nymphomaniac sister.
The daring World War II plot that changed the course of history. In November 1943 Heinrich Himmler (Donald Pleasance) received a simple message The Eagle Has Landed. It meant that a crack force of German paratroopers were safely in England poised and ready to kidnap the Prime Minister of England Winston Churchill. The force is under the command of Colonel Kurt Steiner (Michael Caine). All goes smoothly as the German force disguised in Polish uniforms is accepted by the villagers. But one of the men is killed while rescuing a little girl and his German uniform is discovered. The entire village has to be taken hostage and hidden in the town church. Agents and counteragents work desperately to keep the scheme alive. Steiner himself takes a dangerous gamble. He overpowers an American ranger commandeers his jeep and uniform and drives to the mansion where Churchill is relaxing. The action and suspense are nonstop in this World War II thriller which also stars Treat Williams Larry Hagman Anthony Quayle and Jean Marsh.
The Curse Of Frankenstein: (WS 1.85:1 Dolby Digital (1.0) Mono: English 80 mins) Following his partner's denouncement of their research into the secret of life the monstrous Frankenstein becomes more and more obsessed with the sinister experiments. Drawn deeper into madness by his dark work Frankenstein decides to create a man who is a superior being. Committing unimaginable horrors to complete the experiment Frankenstein has to face the consequences of playing god when the monster awakes... Dracula: (WS 1.85:1 Dolby Digital (1.0) Mono: English 79 mins) Christopher Lee and Peter Cushing Britain's premier masters of the macabre bring Dracula to vivid full-colour death in this retelling of Bram Stoker's spellbinding vampire tale. Dracula (Lee) a centuries-old nobleman damned to an eternal half-life travels from his native Transylvania to London. In the lurid nightlife of his adopted city he finds new victims. He also finds Dr. Van Helsing (Cushing) a scientist who becomes the count's impeccable foe in a deadly game of cat-and-mouse. The Mummy: (WS 1.85:1 Dolby Digital (1.0) Mono: English 85 mins) Egypt 1895: An archaeological expedition led by Stephen Banning (Felix Aylmer) and his son John (Peter Cushing) discover the 4000-year-old tomb of Princess Ananka. Ignoring warnings from a mysterious Egyptian that He who robs the graves of Egypt dies they enter the tomb. Whilst alone in the tomb Stephen Banning finds and reads the ancient 'Scroll of Life' and suddenly suffers a breakdown. Three years later John Banning visits his father confined to a nursing home since his return from Egypt and is warned that a 'living mummy' guarded the tomb of Ananka and will avenge those who desecrate it's Princess's tomb. Unknown to the Bannings Mehemet Bey has transported the mummy (Christopher Lee) to England and revives it using the 'Scroll of Life'. That night Stephen Banning is brutally murdered by the mummy. When his uncle suffers the same fate John Banning realises that his life is now in danger. He also discovers that his wife Isobel will be confronted by the 4000 year-old mummy as it embarks on a night of terror and murderous retribution...
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
The first three episodes of this third series of Jeeves & Wooster take place in Manhattan. In spite of the change of scene, our hero continues to get into the most terrible scrapes, and it falls to the faithful Jeeves to save the day, frequently. When he realises that Honoria Glossop may once again have her sights set on his precious bachelorhood, Bertie Wooster sets sail for the New World. Here he helps old pal Tuppy to make a business deal. At the same time he has to keep Motty Malvern on the straight and narrow, while helping two writer friends deceive their prying relatives. The final straw comes in the shape of Cyril Bassington-Bassington, the stage-struck son of Aunt Agatha's closest friend. Back home in England, Bertie and Gussie Fink-Nottle switch identities, the lunatic Roderick Spode reappears, Bertie is forced to commit burglary (again!), and there's a spot of trouble with a tin of treacle and some communists. The unflappable Jeeves is Bertie's only hope. Although the humour in this collection sometimes feels a little less assured than in earlier episodes and the new actor playing Gussie is a disappointment, the central performances of Hugh Laurie and Stephen Fry are as good as ever. Few actors have ever brought such beloved characters so convincingly to life. --Simon Leake
This film adaptation of a critically acclaimed stage production of Shakespeare's historical drama stars Ian McKellen in the title role. The setting is a comic-book vision of 1930s London: part art deco, part Third Reich, part industrial-age rust and rot. The play's force is turned into a synthetic high by art directors and storyboard sketchers, all of whom have a field day condensing the material into disposable pop imagery. Richard III is a fun film, more than anything, so infatuated with its own monstrous stitchery that even the most awkward casting (Annette Bening and Robert Downey Jr) seems a part of the ridiculous design. McKellen is the best thing about the movie, his mesmerising portrayal of freakish despotism and poisoned desire a thing to behold. --Tom Keogh
The first of two Raymond Chandler adaptations starring the mighty Robert Mitchum, Farewell, My Lovely put a capital M (for Marlowe, menace and murder) back in the Los Angeles neo-noir. It's 1941 in the city of angels - the police are corrupt, the hotel rooms are cheap and criminality infuses every transaction. Private detective Philip Marlowe (Mitchum) has been hired by an ex-convict looking for his old girlfriend. He's also investigating the murder of a jewellry-loving client. The two cases start to connect while Marlowe develops an attraction to the married but seductive Helen Grayle (Charlotte Rampling). The body count mounts and it looks like Marlowe is next. Dick Richards' unflinching and deadly serious adaptation (the third) of Chandler's novel glistens with a suitably pulpy sheen courtesy of Chinatown and Scarface cinematographer John A. Alonzo's lens work and David Shire's ice cool score, while Mitchum dominates as the rheumatic, world-weary Marlowe.
Stanley (Danny Dyer) rules this dark and and sleazy world, employing hustler and pimp Woody as his right hand man. But Woody is having one of the worst weeks of his life, topped off when one of his girls goes missing.
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