Matt Damon and Henry Thomas star as John Grady Cole and Lacey Rawlins, two young cowboys in 1949 who ride from Texas into Mexico in search of what may be left of the Old West.
A key film of the British New Wave 'Saturday Night And Sunday Morning' was a great box-office success - audiences were thrilled by its anti-establishment energy the gritty realism of its setting and most of all by a working-class hero of a fresh and outspoken kind. Based on Alan Sillitoe's largely autobiographical novel the film is set in the grim industrial streets and factories of Nottingham where Arthur Seaton spends his days at a factory bench his Saturday evenings in the local pubs and his Saturday nights with Brenda (Rachel Roberts) wife of a fellow factory worker. Played by Albert Finney with an irresistable animal vitality Arthur is anti-authority (Don't let the bastards grind you down) and unashamedly amoral (What I'm out for is a good time. All the rest is propoganda). With powerful central performances cracking dialogue by Sillitoe and a superb jazz score by Johnny Dankworth 'Saturday Night And Sunday Morning' still stands as a vibrant modern classic.
Cotton Club: Welcome to the Cotton Club where crime lords rub shoulders with the rich and famous. Director Francis Ford Coppola and co-writers William Kennedy and Mario Puzo create a panorama of love crime and entertainment centered on the legendary Harlem Nightclub owned by Owney Madden (Bob Hoskins). Cornet player Dixie Dwyer (Richard Gere) gets a job in Harlem's famous Cotton Club while his brother gets a job as Dutch Schultz's (James Remar) bodyguard. Dwyer falls for Schultz's mistress Vera Cicero (Diane Lane) and finds himself caught in the middle of mobster rivalry in this stylish gangster film. Chaplin: Directed by Sir Richard Attenborough and starring Robert Downey Jr and an extraordinary cast 'Chaplin' is a loving grand-scale portrait of the Little Tramp's amazing life and times. His poverty-stricken childhood in England comes to life along with his friendships with Mack Sennett (Dan Aykroyd) and Douglas Fairbanks (Kevin Kline) his many wives and scandalous affairs and his relentless pursuit by J. Edgar Hoover. Chaplin is the larger-than-life story of the actor behind the icon and a stunning depiction of a bygone era when Hollywood was at its most glamorous. Chorus Line: An adaptation of one of the most successful and unusual musicals of all time. A group of Broadway hopefuls auditioning for a place in the chorus line of a new show relate the stories of their lives -- their disappointments their dreams and the professional rejections and successes. Among the dancers trying to make the grade is the director's former lover a woman who once made it big and now would be grateful just to dance in the chorus.
Meet The Maniac & His Freinds. Nearly a decade before he donned Freddy Krueger's famous red and green sweater, horror icon Robert Englund delivered a supremely sleazy performance in Eaten Alive another essay in taut Southern terror from Tobe Hooper, director of The Texas Chain Saw Massacre. Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out! Bumbling Judd, the patron of this particular establishment, may seem like a good-natured ol' Southern gent but he has a mean temper on him, and a mighty large scythe to boot Oozing atmosphere from its every pore (the entire film was shot on a sound-stage which lends it a queasy, claustrophobic feel), Eaten Alive matches The Texas Chain Saw Massacre for sheer insanity helped in no small part by some marvellous histrionics from Chain Saw star Marilyn Burns and William Finley (Phantom of the Paradise).
Re-mastered from the original negative featuring The Clash and some of punks most important bands. Directed by German filmmaker Wolfgang Buld this is a unique visual record of London punk life in the late seventies. Filled with unseen live footage and some incredibly naive comments. Punk in London is so loaded with history and brilliance that you can almost smell the energy! Tracklist: 1. The Adverts - Gary Gilmore's Eyes 2. Jimmy Pursey Interview 3. Chelsea Interview 1 4. C
Meantime, made in 1983, was only Mike Leigh's second film to reach the big screen, though by now he was far from a novice director. Yet 10 years after his first movie, Bleak Moments (1971), he couldn't get funding for a single cinematic feature and was obliged to make films for television. Meantime, first shown on Channel 4, was given a limited theatrical release, heralding his eventual return to the cinema. The title is a double-edged pun. It suggests the waiting-around no-time-in-particular that the characters inhabit, but it's also Leigh's barbed comment on the mean-spirited politics of the Thatcher era, when millions of people were tossed on the scrapheap of unemployment. Leigh has sometimes been accused of caricaturing and being condescending to his characters, but Meantime is notable for wry compassion in its portrayal of a bunch of no-hopers stuck in their East End limbo. Not a lot happens. Mark (Phil Daniels) and his retarded brother Colin (Tim Roth) hang about the streets and pubs, banter with their skinhead mate Coxy (Gary Oldman), half-heartedly chat up local girls, bicker with their parents. Their aunt Barbara--who bettered herself and moved to the relative poshness of Chigwell--offers Colin a job helping her decorate, but he backs out of it. Nobody's going anywhere much. But the view's not totally forlorn. Leigh leaves us with a brief, unexpected moment of warmth and solidarity between the two brothers. On the DVD: It's paltry stuff. A so-called "trailer" proves to be a plug for other DVD releases in the same series. Otherwise it's just a scene menu, and English subtitles for the hard of hearing. The early 80s TV-quality images are badly shown up by the DVD's visual acuity. --Philip Kemp
Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea updates 20,000 Leagues Under the Sea as the world's most advanced experimental submarine manoeuvres under the North Pole while the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview sub and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most form-fitting naval uniform you've ever seen; fish-loving Peter Lorre plays in the shark tank; gloomy religious fanatic Michael Ansara preaches Armageddon; and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the centre of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colourless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasence is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvellous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who had previously turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturised humans breathe full-sized air molecules?) seem moot. --Sean Axmaker
When a neutron bomb goes missing Director of Covert operations and ex-Navy Seal Jack Thorn (Bo Svenson) is forced to put his retirement on hold and embark on a mission to secure not only the future of international trade but his own into the bargain. Reuniting with old allies including his ever-loyal CIA assistant Kelly Jones (Amy Weber) the band of ex-operatives and trained killers must master the new high-tech world of weaponry and infared motion detectors before they can bring e
Wanted: Dead Or Alive
Parenthood is not what Jamie (Robert Lindsay) and Julie Diadoni (Julie Walters) expected and son Jake is born at a time of domestic tension. Jamie - a handsome failed musician - loses his job and Julie becomes the full time breadwinner while Jamie takes on the role of house husband. Jake grows up loving his father but resenting his often absent mother. A new pregnancy is the final straw. Bewildered and lost Jake is threatened by the new arrival he fantasises about the life he shoul
Taylor Hackford's 1987 legendary documentary about Chuck Berry's 60th birthday concert ""Hail! Hail! Rock 'n' Roll"" now becomes available for the first time on DVD. The unforgettable life and music of pioneering legend Chuck Berry are celebrated in this landmark feature film capturing a once-in-alifetime gathering of rock and roll's finest! In 1986 Keith Richards invited a roster of great musicians to honour Chuck Berry for an evening of music to commemorate Berry's 60th birthday including performances by Eric Clapton Robert Cray Linda Ronstadt Etta James and Julian Lennon along with archival footage of an unforgettable duet by Chuck and John Lennon. Taylor Hackford is one of America greatest documentary and film makers. He also directed ""Ray"" (2004) the biographical film on the life of legendary rhythm and blues musician Ray Charles which won two Oscars ""The Devil's Advocate"" (1997) and ""An Officer And A Gentlemen"" (1982). Also featuring insightful interviews with many of the original creators of rock and roll: Jerry Lee Lewis Little Richard Roy Orbison Bo Diddley The Everly Bros and Willie Dixon.
Robert Redford stars as a wrongly convicted five star General who turns his fellow inmates into an army and threatens to take over the prison.
He went to bed an all-American kid and woke up the son of Russian spies. Roy Parmenter is an FBI agent in San Diego; 20 years ago his partner was killed by a Soviet spy nicknamed Scuba still at large. Scuba is now trying to extort the Soviets; to prove he's serious he's killing their agents one by one including ""sleepers "" agents under deep cover awaiting orders. Roy interviews a high school lad Jeff Grant an applicant to the Air Force Academy. In a routine background ch
Another Meyer and Ebert collaboration... The inimitable Russ Meyer turns in another unbelievably bizarre movie with this comedically complex feature which fearlessly blends sex and violence into a heady over-the-top brew. The film begins with the murder of aging Nazi Adolph Schwartz (Edward Schaaf) then segues into the story of a busty heroine (Raven De La Croix) who destroys the man who rapes her becomes a smash attraction at a restaurant and gets caught up in a violent axe ba
Further action-packed adventures on the high seas for Horatio Hornblower.
A collection of films from famed actor and independent director John Cassavetes comprising: Shadows (1959): A depiction of the struggle of three black siblings to survive the mean streets of Manhattan 'Shadows' was Cassavetes' jazz-scored improvisational film exploring interracial friendships and relationships in Beat-Era (1950s) New York City made from a script entirely improvised by the talented cast heralding a vital new era in independent filmmaking. Faces (1968):
A family are falsley accused of child abuse and find themselves guilty until proven innocent while their lives fall apart around them.
For the first time ever the BBC brought together old adversaries to work on this series which tells the story of what really happened during the space race. In an extraordinary co-production partnership the team behind the hugely-acclaimed Seven Wonders of the Industrial World have brought the Russians and Americans together to create the docu-drama series The Space Race. This is the shocking but true story behind one of the most exciting and exhilarat
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