An irresistible, comic drama from director Alan Parker (Evita, Mississippi Burning), overflowing and alive with passion, humor and music, The Commitments showcases some old R&B standards in a new light. A headstrong, fast-talking, ambitious young Dubliner (Robert Arkins) fancies himself a promoter of talent, and sets about assembling and packaging a local Irish R&B band. His group of self-absorbed, backbiting, but stunningly talented individuals begin to succeed beyond his wildest dreams, until petty jealousies and recrimination threaten to scuttle the whole deal. A moody, vivid and soulful exploration of the Dublin club scene as well as a showcase for some wonderful unknown actors, the film (and its wonderful soundtrack) also features the actual band covering classic soul tunes from the likes of Otis Redding and Sam and Dave. It's that combination of soul and soul music that makes The Commitments a special little film. --Robert Lane, Amazon.com --This text refers to the VHS edition of this video
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
Charlize Theron is the latest stunning blonde to be hanging around some big ape in a Hollywood movie, this one a remake of the 1949 semi-classic with echoes of the superior King Kong. Theron plays the daughter of an American researcher killed by poachers in Africa. The baby gorilla left in her care grows up to become a hugely tall and broad specimen named Joe, living in the mountains as a mostly unseen legend among people who live there. Along comes an eco-minded emissary (Bill Paxton) from a California sanctuary, who talks the jungle girl into providing safe haven for Joe at the LA facility. The transition is not without discomfort but everything is aggravated via a conspiracy of poachers to get Joe into their own greedy hands. Director Ron Underwood (City Slickers) uses a combination of special-effects techniques to give Joe life and personality, and he succeeds quite effectively. The requisite giant-ape-goes-amok scenes are all in place-a couple of them pretty intense--as is a conclusion that finds the simian hero performing a stunning feat of escalation. Underwood attempts to give a little modern spin to some classic Hollywood conventions regarding wild hearts lost in civilization and the results are pretty agreeable family fare. --Tom Keogh
In the new rom-com from the makers of "Notting Hill," a lowly British tennis player finds both love and success on the tennis courts of Britain's biggest tournament.
Flight of the Navigator is the action-packed classic 80s adventure into another world. It's 1978 and 12-year-old David Freeman is knocked unconcious while playing. He wakes up and discovers it's now 1986 and he's been missing for eight years. NASA believes he's been abducted by aliens and want to use him for their research. But with the guidance of a strange unseen entity he discovers a hidden spacehsip and with the help of MAX the computer sets off on an incredible mission to get back to the past where he belongs. Special Features: Commentary by Director Randal Kleiser
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
If you don't think Austin Powers: International Man of Mystery (1997) is one of the funniest movies of the 1990s, maybe you should be packed into a cryogenic time chamber and sent back to the decade whence you came. Perhaps it was the 1960s - the shagadelic decade when London hipster Austin Powers scored with gorgeous chicks as a fashion photographer by day, crime-fighting international man of mystery by night. Yeah, baby, yeah! But when Powers's arch nemesis, Dr. Evil, puts himself into a deepfreeze and travels via time machine to the late 1990s, Powers must follow him and foil Evil's nefarious scheme of global domination. Mike Myers plays dual roles as Powers and Dr. Evil, with Elizabeth Hurley as his present-day sidekick and karate-kicking paramour. A hilarious spoof of '60s spy movies, this colourful comedy actually gets funnier with successive viewings, making it a perfect home video for gloomy days and randy nights. Oh, behave! "I put the grrr in swinger, baby!" a deliciously randy Powers coos near the beginning of The Spy Who Shagged Me (1999), and if the imagination of Austin creator Mike Myers seems to have sagged a bit, his energy surely hasn't. This friendly, go-for-broke sequel finds our man Austin heading back to the '60s to keep perennial nemesis Dr. Evil (Myers again) from blowing up the world - and, more importantly, to get back his mojo, that man-juice that turns Austin into irresistible catnip for women, especially American spygirl Felicity Shagwell (a pretty but vacant Heather Graham). The plot may be irreverent and illogical, the jokes may be bad, and the scenes may run on too long, but it's all delivered sunnily and with tongue firmly in cheek. Myers teams Dr. Evil with a diminutive clone, Mini-Me (Verne J. Troyer), then pulls a hat trick by playing a third character, the obese and disgusting Scottish assassin Fat Bastard. Despite symptoms of sequelitis, Austin Powers in Goldmember (2002) is must-see lunacy for devoted fans of the shagadelic franchise. Unfortunately, the law of diminishing returns is in full effect: for every big-name cameo and raunchy double-entendre, there's an equal share of redundant shtick, juvenile scatology, and pop-cultural spoofery. All is forgiven when the hilarity level is consistently high, and Mike Myers -returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember - thrives by favouring comedic chaos over coherent plotting. Once they've tossed Austin into the disco fever of 1975 (where he's sent to rescue his father, gamely played by Michael Caine), Myers and director Jay Roach seem vaguely adrift with old and new characters, including Verne Troyer's Mini-Me and pop star Beyoncé Knowles as Pam Grier-ish blaxpo-babe Foxxy Cleopatra. A bit tired, perhaps, but Powers hasn't lost his mojo.
It's not the 1935 Hitchcock classic, but this sturdy 1978 adaptation of John Buchan's The Thirty Nine Steps is still a rollicking good adventure. In keeping with the Boys' Own derring-do of the story (set in Edwardian London and the Scottish Highlands), the movie maintains a brisk pace that's interrupted only for tea or cocktails. Robert Powell is Richard Hannay, the man who unwittingly becomes embroiled in a dastardly Prussian plot to assassinate the Greek Prime Minister. Framed for murder, Hannay must flee to Scotland and attempt to clear his name whilst outwitting the prune-faced Prussian agents. Among all the deftly choreographed action sequences and careful period settings there's a strong vein of humour in the film, and if it wasn't for the numerous murders there would be little reason for PG certification. The grand dénouement comes with the realisation that the predicted time for the assassination is linked to Big Ben; unlike the earlier movie this version climaxes memorably with Powell hanging from the clock's minute hand. It might not be Hitchcock behind the lens, but it's still jolly good fun. --Joan Byrne
The grave course of events set in motion by Thanos that wiped out half the universe and fractured the Avengers ranks compels the remaining Avengers to take one final stand in Marvel Studios' grand conclusion to twenty-two films, Avengers: Endgame.
In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever depicted on film in this gripping crime epi
Gideon Warner is a hugely successful public relations consultant to the wealthy to politicians to businessmen and rising starlets. Their hair their clothes where they go and with whom - Gideon advises them on everything. With all his skills he is the perfect man to package the Millennium celebrations and sell them to the rest of the world. But disillusioned with the world in which he works and increasingly concerned over the growing distance between him and his daughter Gideon
Robert Ginty (The Exterminator) and Belinda Mayne (Krull) play Bo and Inga, brother and sister jewel thieves who target the legendary White Fire' diamond a priceless rock so hot it actually burns those who try to lay their hands on it! When tragedy strikes, Bo undertakes an outrageous plan involving plastic surgery and explosives to infiltrate the mine where the diamond awaits. Bo's plan hits an unexpected snag with the arrival of smooth-talking badass Noah Barclay, played by Fred Williamson (From Dusk Til Dawn). Noah's hunting for a missing prostitute and he thinks Bo and Inga hold the key to her disappearance! Erotic filmmaker Jean-Marie Pallardy (Erotic Diary of a Lumberjack) brings his kinky touch to high octane action in this infamous exploitation epic, complete with chainsaw mayhem, awkward brotherly love, and a very 80s theme song by the band Limelight! Special Edition Features: High Definition (1080p) Blu-ray presentation Original Mono audio Optional English subtitles for the deaf and hard of hearing Feature length audio commentary by critic Kat Ellinger Surviving The Fire: a brand new interview with writer-director Jean-Marie Pallardy Enter The Hammer: a brand new interview with actor Fred Williamson Diamond Cutter: a brand new interview with editor Bruno Zincone FIRST PRESSING ONLY: Illustrated collectors' booklet featuring new writing on the film by film historian and author Julian Grainger
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy Awards® (including Best Picture) and won 2 Academy Award® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy Award® winner Marlon Brando (1972, Best Actor, The Godfather), Academy Award® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden Globe® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy Award® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy Award® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy Award® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Special Features: NEW - Introduction to Final Cut by Francis Ford CoppolaHearts of Darkness: A Filmmaker's Apocalypse NEW - Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW - Super 8mm Behind-The-Scenes Footage NEW - Dutch Angle: Chas Gerretsen & Apocalypse Now NEW - Apocalypse Now: Remastering A Legend In Dolby Vision® and Dolby Atmos® NEW - Apocalypse Now: A Forty Year Journey NEW - Sensual Sound Technology from Meyer Sound Storyboard Collection (171 pages) John Milius script excerpt with Francis Coppola notes (still gallery) Photo Archive: Unit photography (30 pages) Mary Ellen Mark photography (12 pages) Marketing Archive: 1979 Teaser Trailer 1979 Theatrical Trailer 1979 Radio Spots (4 spots) 1979 Theatrical Program (16 pages) Lobby Card and Press Kit photos (78 pages) Poster Gallery Apocalypse Now Redux Trailer
Mike Myers returns as International Man of Mystery Austin Powers for a third time. When his arch nemesis Dr. Evil teams up with new villain Goldmember its up to Austin to save the day!
First there was an opportunity......then there was a betrayal.Twenty years have gone by. Much has changed but just as much remains the same.Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.Click Images to Enlarge
Brace yourself for a high-stakes, game-changing leap of tested faith, twisted fate and tantalising fantasy in ABC Studios' Once Upon a Time: The Complete Sixth Season. After Regina crushes the heart of her Dark Half, it appears Storybrooke will finally enjoy an era of tranquility. But this reprieve is short-lived when the Evil Queen reemerges and wreaks a level of havoc and terror that makes her previous cruelties pale by comparison. Desperate to right her counterpart's wrongs, Regina fights the ultiamte battle against her nemesis, but can one survive if the other is destroyed? Meanwhile, Gold's attempt to win back Belle before their child is born has heartbreaking consequences; Snow and David face a new, even more insidious curse; and just as Emma begins to envision a happy ending with Hook, she discovers she's destined, as the Saviour, to die at the hands of a sword-shielding assassin - unless she can somehow change her fate. Reveal all 22 captivating episodes of Season 6. Plus, unravel never-before-seen bonus features as you become caught in the wickedly tangled web that is Once Upon A Time. Features: The Other Shoe With Commentary By Director/Executive Producer Steve Pearlman And Writers Jane Espenson & Jerome Schwartz The Storybrooke Songbook: Inside the Musical Episode THE FAIREST BLOOPERS OF THEM ALL Deleted Scenes
The Balkans 1939. British professor Guy Pringle (Kenneth Branagh) arrives in Romania with his new bride Harriet (Emma Thompson) and becomes enmeshed in the politics of anti-fascism. Despite Harriet's serious misgivings Guy's social circle soon includes members of the British Secret Service who want to involve him in dangerous missions and a downtrodden prince who zeroes in on Guy's generous nature and winds up living with the Pringles. Thus the stage is set for this mesmerizing story of marriage tested by accidental betrayal callous insensitivity and a world in upheaval. Based upon the autobiographical novels of best-selling author Olivia Manning and set in places as far-flung as Bucharest Athens and Cairo Fortunes of War is majestic in both its scope and its vision.
The film that effectively launched the star careers of Robert Carlyle, Ewan McGregor and Jonny Lee Miller, Trainspotting is a hard, barbed picaresque, culled from the bestseller by Irvine Welsh and thrown down against the heroin hinterlands of Edinburgh. Directed with abandon by Danny Boyle, it conspires to be at once a hip youth flick and a grim cautionary fable. McGregor, Lee Miller and Ewen Bremner play a slouching trio of Scottish junkies, Carlyle their narcotic-eschewing but hard-drinking and generally psychotic mate Begbie. In Boyle's hands, their lives unfold in a rush of euphoric highs, blow-out overdoses and agonising withdrawals (all cued to a vogueish pop soundtrack). Throughout it all, John Hodge's screenplay strikes a delicate balance between acknowledging the inherent pleasures of drug use and spotlighting its eventual consequences. In Trainspotting's world view, it all comes down to a choice between the dangerous Day-Glo highs of the addict and the grey, grinding consumerism of the everyday Joe. "Choose life", quips the film's narrator (McGregor) in a monologue that was to become a mantra. "Choose a job, choose a starter home... But why would anyone want to do a thing like that?" Ultimately, Trainspotting's wised-up, dead-beat inhabitants reject mainstream society in favour of a headlong rush to destruction. It makes for an exhilarating, energised and frequently terrifying trip that blazes with more energy and passion than a thousand more ostensibly life-embracing movies. --Xan Brooks
A chronicle of England's Golden Age during the late 16th century recounting the life and times of the remarkable Elizabeth I in a cycle of six plays. Academy Award-winning actress Glenda Jackson stars in one of the most popular and acclaimed Masterpiece Theatre presentations ever created the story of England's Queen Elizabeth I. Filled with palace intrigue royal romance and stunning historical detail it traces her reign from a young Princess through almost 50 years of rule over
Please wait. Loading...
This site uses cookies.
More details in our privacy policy