Advertised in 1970 as "the first electric Western", Zachariah is an endearingly pretentious effort that prefigures such genre oddities as Jodorowsky's El Topo and Alex Cox's Straight to Hell. The story is the archetypal one about two friends who become gunslingers and must inevitably face off against each other in the finale, but it's treated here as if it Meant Something Deeper--which means that after enjoying 75 minutes of violence we can all agree that peace and love and harmony is on the whole better for children and other living things. Curly haired farmboy Zachariah (John Rubinstein) and eternally grinning apprentice blacksmith Matthew (Don Johnson) are the fast friends who run away from home to join up with a gang of outlaws known as the Crackers (played by hippie folk-rock collective Country Joe and the Fish). These apparent 19th-century Westerners tote electric guitars and are given to staging free festival freak-outs at one end of town to distract from the bank robbery at the other. The boys soon hook up with Job Cain (Elvin Jones), an all-in-black master gunfighter who is also an ace drummer (his solo is impressive), but then drift apart as Zachariah has a liaison with Old West madame Belle Starr (Pat Quinn) in a town that consists of fairground-style brightly painted wooden cut out buildings (a gag reused in Blazing Saddles), then gets rid of his outrageous all-white cowboy outfit to settle down on a homestead and grow his own dope and vegetables. Matthew, of course, goes for the black leather look after outdrawing Cain, and comes a gunning for the only man who might be faster than him, but the hippie-era message is once these kids have killed everyone else they can still make peace with each other and the desert or something, man. Aside from a Beatle-haired teenage Johnson making a fool of himself by over-emoting to contrast with Rubinstein's non-performance, the film offers a lot of beautiful "acid Western" scenery and excellent prog rock and bluegrass music from the James Gang, White Lightnin' and the New York Rock Ensemble. Comedy troupe the Firesign Theatre (huge on album in 1970) provided the script, which explains satirical touches like the horse-and-buggy salesman (Dick Van Patten) spieling like a used car dealer and the madame's claim to have had affairs with gunslingers from Billy the Kid to Marshal McLuhan. The DVD extras are skimpy, but the print quality is outstanding. --Kim Newman
All 25 episodes from the third season of the American action drama series starring Elyes Gabel as genius computer expert Walter O'Brien. Having founded Team Scorpion, a company made up of himself and other highly intelligent individuals, O'Brien is enlisted by Agent Cabe Gallo (Robert Patrick) of Homeland Security to help protect the country against complex and high-tech threats. In this season, Team Scorpion must put personal differences aside when hackers take control of U.S. military aircraft and Walter and Paige (Katharine McPhee) get into trouble while searching for treasure in the Pacific Ocean. The episodes are: 'Civil War', 'More Civil War', 'It Isn't the Fall That Kills You', 'Little Boy Lost', 'Plight at the Museum', 'Bat Poop Crazy', 'We're Gonna Need a Bigger Vote', 'Sly and the Family Stone', 'Mother Load', 'This Is the Pits', 'Wreck the Halls', 'Ice Ca-Cabes', 'Faux Money Maux Problems', 'The Hole Truth', 'Sharknerdo', 'Keep It in Check, Mate', 'Dirty Seeds, Done Dirt Cheap', 'Don't Burst My Bubble', 'Monkey See, Monkey Poo', 'Broken Wind', 'Rock Block', 'Strife On Mars', 'Something Borrowed, Something Blew', 'Maroon 8' and 'Scorp Family Robinson'.
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
Marvel Studios’ Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands he embarks on a harrowing quest to find those responsible. This journey at every turn will test his mettle. With his back against the wall Stark is left to survive by his own devices relying on his ingenuity and instincts to protect those closest to him. As he fights his way back Stark discovers the answer to the question that has secretly haunted him: Does the man make the suit or does the suit make the man? Starring Robert Downey Jr. Gwyneth Paltrow Don Cheadle Guy Pearce Rebecca Hall Stephanie Szostak James Badge Dale with Jon Favreau and Ben Kingsley Iron Man 3 is directed by Shane Black from a screenplay by Drew Pearce and Shane Black.
Rock's premier metalmen Led Zeppelin whose blend of gutsy blue and scathing rock catapulted them into the music world's pantheon take you on a spellbinding journey of song and imagination. This high-impact movie captures the group's legendary 1973 Madison Square Garden concert and uncorks a freewheeling mix of scenes showing group members at home and in elaborate fantasy settings. Robert Plant's raw lead vocals Jimmy Page's explosive riffery and the sonic-boom rhythm wall of bassist John Paul Jones and drummer John Bonham all swirl clash and collide - on classic tunes like Stairway to Heaven Dazed and Confused Whole Lotta Love and many others. No one goes down heavier than Zep!
The original 1962 version of Cape Fear is directed by J Lee Thompson (The Guns of Navarone) in a deliberately Hitchcockian manner, and stars Robert Mitchum as a creepy ex-con angry at the attorney (Gregory Peck) whom he believes is responsible for his incarceration. After Mitchum makes clear his plans to harm Peck's family, a fascinating game of crisscrossing ethics and morality takes place. Superior to Martin Scorsese's punishing 1991 remake, which seems trapped in its explicitness, Thompson's film accomplishes a lot with a more economical and telling use of violence. The result is a rich character study that explores the nature of guilt. Martin Scorsese's 1991 remake dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. The stars of the original film, Robert Mitchum and Gregory Peck, each make a cameo appearance. --Tom Keogh, Amazon.com
When local wag Jackie O'Shea (Ian Bannen) discovers that one of his neighbours in the village of Tulaigh Mohr is a lottery winner he sees a chance to share in the wealth. Things get complicated when Jackie and his pal Michael O'Sullivan (David Kelly) discover that the winner, Ned Devine, died of shock at the very moment he learned of becoming a millionaire. Undaunted, Jackie and Michael dispose of the lucky stiff and hatch a plot to impersonate him and claim the prize. Soon the whole village is involved and the plot rapidly thickens. This film has been compared to The Full Monty, but it lacks the vein of desperation that added depth to that film. Instead, Waking Ned is closer in tone to classic British comedies like Whisky Galore!, with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose. His naked motorcycle ride is a marvellous set-piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. --Simon Leake, Amazon.com
The evil organization SPECTRE has hatched a plan to steal a decoder that will access Russian state secrets and irrevocably unbalance the world order. It is up to James Bond to seize the device first but he must confront enemies that include Red Grant and the ruthless Rosa Klebb a former KGB agent with poison-tipped shoes. Even as Bond romances a stunning Soviet defector he realizes he is being lured into a deadly trap and he will need all of his courage abilities and cutting-edge technology to triumph over the forces that seek to destroy him.
The long-awaited sequel to the worldwide smash hit "Twilight", New Moon marks a new chapter in the complicated relationship between Bella (Kristen Stewart) and the enigmatic vampire Edward (Robert Pattinson).
The Twilight Saga: The Complete Collection follows the epic story of Bella (Kristin Stewart), Edward (Robert Pattinson) and Jacob (Taylor Lautner). Experience the passion, romance, and breath-taking action that have made The Twilight Saga a global phenomenon.
Available for the first time on DVD! Robert Mitchum Peter Falk and Arthur Kennedy star in the rivetting war drama Anzio a vivid portrait of one of the bloodiest WWII battles ever fought. After landing with Allied troops at Anzio Italy in 1944 war correspondent Dick Ennis (Mitchum) and buddy Corporal Rabinoff (Falk) tell Anzio commander General Lesley (Kennedy) that the road to Rome is wide open. But instead of heading to Rome Lesley attempts to build a coastal stronghold only
Now for the first time on Blu-rayâ¢, the original nine exhilarating, groundbreaking seasons of The X-Files, along with exclusive special features, can be yours to own. Although they begin as reluctant partners, FBI special agents Fox Mulder and Dana Scully (Golden Globe® Winners David Duchovny and Gillian Anderson* ) ultimately form a powerful bond as they struggle to unravel deadly conspiracies and solve paranormal mysteries. With over 23 hours of extras, including documentaries, and commentary by creator Chris Carter and the production team as well as special effects sequences and deleted scenes this collection, which includes space for the upcoming The X-Files Event Series in 2016, is a must-have for any fan of the truth!
A father and son trek across the barren wastelands of a post-apocalyptic USA in the hopes of finding civilization.
Weary of being alone in the vast forest unicorn Amalthea (Mia Farrow) begins to wonder if she's the last of her kind. Following a rumor she joins forces with feeblish wizard Schmendrick (Alan Arkin) and wayward barmaid Molly (Tammy Grimes) to look for the mystical Red Bull a creature known to hunt and imprison unicorns. In order to walk unnoticed among men Schmendrick magically transforms Amalthea into a beautiful woman. Together the three embark on a adventurous journey into the dark land of King Haggard the man rumored to control the Red Bull.
The only Deanna Durbin film made in colour Can't Help Singing was a spectacular musical triumph nominated for two Academy Awards and a real favourite with her fans. Featuring four great songs from Deanna Durbin - ""Can't Help Singing"" ""Any Moment Now"" ""More and More"" and ""Cal-i-for-ni-ay"" Can't Help Singing captures Deanna at her musical best.
A BRAND NEW RESTORATION COMMEMORATING THE 75TH ANNIVERSARY OF THE ORIGINAL WWII RAID A much-loved British classic, Michael Anderson's 1955 drama captures the tension and bravery of an audacious raid on the center of Nazi Germany's industrial complex and the quintessentially English combination of inventiveness and dogged determination. Split into two distinct sections, the film deals first with the fraught, but the ultimately successful development of a new bomb, by Dr. Barnes N. Wallis (Michael Redgrave). The second deals with the mission itself during the British raid on the Ruhr Dams, and its associated costs for the enemy and for the British airmen. Adapted by R.C. Sherriff from Paul Brickhill's book Enemy Coast Ahead and featuring superlative special effects photography by Gilbert Taylor (to say nothing of Eric Coates' stirring theme tune), The Dam Busters was Britain's biggest box office the success of 1955
Freddy Heflin (Stallone in a critically acclaimed performance) is a simple small-town Sheriff who had big dreams of becoming a New York City cop before a heroic deed left him deaf in one ear. Though he saved the life of the woman he loves (Annabella Sciorra - The Hand That Rocks The Cradle) she went on to marry someone else. But everything in Freddy's life is about to change! After he uncovers evidence of a murder fakes suicide and police tampering Freddy must choose between the men he idolises the woman he adores and the law he's sworn to defend.
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
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