Curtain Up is a 1952 British film directed by Ralph Smart, written by Jack Davies and Philip King. In an English provincial town, a second-rate repertory company assemble at the theatre on Monday morning to rehearse the following week's play, a melodrama titled Tarnished Gold. Harry (Robert Morley), their irascible Director, is highly critical of the play, which has been foisted on him by the owners of the Company and is unenthusiastic about its prospects. The cast, a mixture of wanabee-film stars and has-beens, are equally unenthusiastic and little progress is made. Just as matters seemingly cannot get worse, the authoress of the play, Catherine Beckwith (Rutherford), appears and insists on 'sitting at the feet' of the Director. Chaos ensues...
A couple move to live in a small town where their lives are interrupted by the appearance of a strange little girl.
In a Steel Room built for Revenge they die burning... In ChainsMost horror killers like to slash and slice their victims but little Donny prefers setting them alight in Don’t Go In The House, a sleazy reminder of just how shocking horror movies could get in the video nasty era. Donny is a disturbed kid... A mother’s boy if you will. That is until mother expires and Donny’s world crumbles in on itself. Now, lonely, adrift and enslaved to dark voices in his head, Donny seeks female companionship but drinks and dancing are the last thing on his mind. Mother’s telling him he’s a bad boy and the voices won’t let him rest. Maybe if he just gets a girl home and into his steel lined burning chamber, the chatter might quiet down...Now see Don’t Go In The House – complete and uncut – and revel in the surreal sleaze, low rent Hitchcock melodrama, off Broadway acting and extreme, heat-seared violence of an independent horror classic that still retains its ability drop jaws, rattle cages and offend sensibilities over 30 years later.
A collection of films from famed actor and independent director John Cassavetes comprising: Shadows (1959): A depiction of the struggle of three black siblings to survive the mean streets of Manhattan 'Shadows' was Cassavetes' jazz-scored improvisational film exploring interracial friendships and relationships in Beat-Era (1950s) New York City made from a script entirely improvised by the talented cast heralding a vital new era in independent filmmaking. Faces (1968):
Mark Twain's classic story of the Pauper who dreams of riches and the prince who just wants to behave like a normal boy. After a chance meeting the two boys become friends and are amazed to discover that they are identical and can easily pass for each other- an opportunity to get what they have both always wanted! But both learn that no life is as it seems: the Prince has to overcome an alcoholic father's wrath and a spell in prison while the Pauper is trapped in a palace rampant with political intrigue and in-fighting when the old king dies.
Made in Munich while Bergman was in self-imposed exile from Sweden, From the Life of the Marionettes is not so much a "whodunit" as a "whydunnit". The film opens with the shockingly violent and senseless murder of a prostitute by Peter, a young, successful businessman. Through a series of non-chronological flashbacks to a time before the crime, we attempt to fathom just what impelled Peter to perpetrate this terrible murder. Along with wife Katarina, the character Peter also featured in Bergman's 1973 film Scenes from a Marriage. Here, as there, we see that they are wedded in the sense of being emotionally chained to each other, yet hating each other for their mutual dependency. There is also a perturbing scene in which they both appear to "get off" when he takes a knife to her throat. His cold and duplicitous psychiatrist glibly ascribes the murder to a repressed homosexuality resulting in a violent outburst, while Katarina's business partner, who is gay, appears to harbour a desire to sabotage the pair's marriage. This film has an airless, fake-lit quality about it, which reflects the conditions of the characters' lives but by the end, leaves you mesmerised and still uncertain as to why what happened has happened. A late but great Bergman work. On the DVD: This edition adequately enhances the stark monochrome in which most of the film is set. Bergman's notes reveal that his depictions of Peter in his psychiatric ward were based on his own behaviour during a recent spell in a similar institution following his arrest for tax evasion. Philip Strick's critical notes observe that the sparing use of colour at the beginning and end of the film signify what may have been the only times in Peter's life when he "experienced reality". --David Stubbs
Duane Bradley’s brother is very small very twisted very mad and he lives in a basket… until night comes! After a difficult birth which their mother didn’t survive Duane was born with a monstrously deformed conjoined twin Belial attached to his side. Embittered by the death of his wife and unable to accept his hideous son the boys’ father orders the twins to be separated surgically. Surviving the operation but deeply resentful of his enforced removal from his brother’s side Belial plans to get even with his father and the doctors responsible. Duane normal-looking but sympathetic to his brother’s plight moves to New York carrying with him a large basket in which his grotesque twin hides. Together they seek the surgeons responsible for their violent separation and Belial wreaks his gruesomely bloody revenge…
A little girl lies in hospital dying of cancer. Death row inmate Rudy Salazar has the bone marrow that could save her life. When Salazar dissapears en route to the hospital and begins another reign of terror Quin sets out to hunt him down but is under strict orders to keep him alive.
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